IMDb RATING
5.9/10
1.4K
YOUR RATING
A notorious B-movie director tries for a comeback by seeking out the film rights to the life story of a serial killer who wants his biography film to be a musical.A notorious B-movie director tries for a comeback by seeking out the film rights to the life story of a serial killer who wants his biography film to be a musical.A notorious B-movie director tries for a comeback by seeking out the film rights to the life story of a serial killer who wants his biography film to be a musical.
- Director
- Writers
- Stars
- Awards
- 2 wins total
James 'Kimo' Wills
- Rob
- (as Kimo Wills)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For the recently-married reviewer who missed the last 20 minutes: that was my 15 seconds of fame as an extra at the "film festival", dammit! The fictional town of "Chapparal, Nevada" is in fact Colfax, California. The theater interior is that of the old-school Colfax Theater. Never before has the subject of venereal disease been dealt with so classily on the silver screen, army stock or not. Jerry Stiller is a mensch and that Ginger Lynn as the Mayor, well... I don't think dialogue was a strong point in her previous film career, know what i mean? Don't miss this one, especially if you like quirky faux-documentary comedies. Really.
A comedy that consistently amuses, to the point of being laugh-out loud funny - the hilarious inserts of Monty's oeuvre are some of the high-points: The Foxy Chocolate Robot, anyone? Or the Simplex Complex? Or, my fave, the Eco-Angels? Plus, everything comes together for a happy ending. Result! Stick around for the end credits; someone carried out a labour of love in creating 437 film titles for Monty's career.
The only criticism I'd make about this film is that the documentary angle wasn't played up to its entirety. There're shots in the film that just don't gybe with documentary film making. An example are some of the lockdown shots, where edited footage of two people having a conversation (a conversation that is supposed captured by a single camera) is shown. It just doesn't wash. And the film suffers because of it. Documentary crews either setup interviews or follow their subjects around. The intercut sequences harken too much to traditional film making. Documentaries have long takes of jittery or mildly shaken hand held shots. Documentaries do not contain lockdown car shots, dolly shots, or other complicated camera moves. It just doesn't happen: It's not what documentary film making is all about. And yet "The Independent" has all of these things.
If the actors had just been allowed to act in front of the camera, possibly ad lib in a long master, then this film would've been much more than what it ultimately became, and would've achieved its goal with sterling aplomb. As it is now it's an attempt at making a mocumentary. Fairly succesful, good, funny, but ultimately a few points shy of a comic masterpiece.
Otherwise it's actually a funny film. Anybody who's worked on any kind of independent production will tell you that this film hits pretty close to home. Artistic license is taken with over the top situations and performances, but the film manages to capture the general feel of how the indy-film maker works, and does so in a comic vein. Stiller plays the exploitation film maker who denies his more base nature, stating that he's an artiste commenting on society, and not a director of hack T&A/slasher/blacksploitation/biker or whatever exploitation genre that he's actually known for.
If you enjoyed "This is Spinal Tap," "Jackie Brown," or "Drop Dead Gorgeous," then you'll warm to this film. Take note of the rating; it's not a comedy for kids.
If the actors had just been allowed to act in front of the camera, possibly ad lib in a long master, then this film would've been much more than what it ultimately became, and would've achieved its goal with sterling aplomb. As it is now it's an attempt at making a mocumentary. Fairly succesful, good, funny, but ultimately a few points shy of a comic masterpiece.
Otherwise it's actually a funny film. Anybody who's worked on any kind of independent production will tell you that this film hits pretty close to home. Artistic license is taken with over the top situations and performances, but the film manages to capture the general feel of how the indy-film maker works, and does so in a comic vein. Stiller plays the exploitation film maker who denies his more base nature, stating that he's an artiste commenting on society, and not a director of hack T&A/slasher/blacksploitation/biker or whatever exploitation genre that he's actually known for.
If you enjoyed "This is Spinal Tap," "Jackie Brown," or "Drop Dead Gorgeous," then you'll warm to this film. Take note of the rating; it's not a comedy for kids.
I saw this movie on Sunset at the screening. It was a great movie. It was a very funny, very quirky movie. It kind of reminded me of Ed Wood. And it was really fabulous because there are so many different cameos in the movie! When you least expect them! Hysterical. Great lines. Funny jokes. I highly recommend this movie.
I saw this at SXSW this year. Absolutely hilarious. Jerry Stiller is possibly at his finest hour playing the lead role in this film. The writing is terrific as is the direction. Garafalo is good, but clearly Jerry Stiller is the laugh-machine here. This could be the Something About Mary of this year, but without as much gross humor (not that I don't like gross humor). Plenty of wacky cameos by: Andy Dick, Ben Stiller, the entire cast of the Ben Stiller Show, Ron Howard, Roger Corman, and Larry Hankin.
Did you know
- TriviaRichard Paul's last film. Also Louisa Moritz' last film.
- Crazy creditsThe titles of all 427 of Morty Fineman's films are shown along with the end credits.
Details
- Release date
- Country of origin
- Language
- Also known as
- Независимость
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $238,431
- Gross worldwide
- $238,431
- Runtime
- 1h 21m(81 min)
- Sound mix
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