Le vent en emporte autant

The idea for this film is so promising - villagers on the outskirts of civilization experience the outside world through films that have been cut ut, respliced, etc. and behave in accordance with the results - yet the result is so mundane, yes boring. I would like to see how a master filmmaker - Orson Welles, Jean-Luc Godard, for example, come immediately to mind - would realize this film.

All in all, boring and a big disappointment. I left half way through it.

a taxista in buenos aires one day gets bored with her life there and heads south in her taxi with no particular destination in mind other than keep heading to the extreme south of patagonia. so begins the film. the windswept plains and rolling hills, bleak and deserted create an atmosphere of delicious melancholia. she ends up the village at the end of the world, where the only contact people have with the outside world is via cinema -- a man on a motorbike comes there every couple weeks with a film whose 16 mm reels are all mixed up. the entire village gathers in the cinema in the plaza every evening to watch the film in a different order each night, and over time, most of the characters have become a bit eccentric as well. much of the film is about the lives of the people in the village. one day some trucks arrive and put up a TV tower. Henceforth the once bustling plaza, center of activity and coherence in the village is now empty, with the glow of TV in every window.. and maria soledad, the taxista decides its time for her to move on somewhere else.. a classic exposition of the argentine melancholy temperament. i wish i could buy the DVD somewhere.

The film is about Soledad a cab driver that get tired to drive in Buenos Aires and decided to get out of the city and end on small town who is completely isolated from the rest of the country. The only contact with the reality outside the town are the movies and these are old and mixed. There are really strange characters on the movie. It's really worth to watch it.

Tragic comedy is THE Argentine genre. All the characters are amazing great. The plot is ingenious, funny and original. Argentina's magic is captured in every scene. Lastly, but not least, the idea of Dumont's three inventions is a wonderful one.

A very clever movie, with loads of references to nouvelle vague stuff. This film lets you wonder about the effects of cinema on society, as the villagers turn into their filmheroes, but since they are edited backwards, upside down and in the wrong order, the imitated heroes become quite hillarious. Some of the characters are very interesting, especially the local film critic. Agresti hates critics, and this can be found in the interaction between the critic and the B-actor/hero, a tragic drunkard, who visits the village one day. Loads of sub-themes make this movie very lively, although some of them are not that interesting. The criticism of the argentine dictature and the introduction of television are not that great.

All goes wrong however when the infamous actor actually enters the village. One of the important points in the movie is the complete isolation of the Patgonian village, but since the actor arrives by train this fantastic concept falls totally apart. Worth a try though, or, in the spirit of the film: try a worth.