Le vent en emporte autant

Tragic comedy is THE Argentine genre. All the characters are amazing great. The plot is ingenious, funny and original. Argentina's magic is captured in every scene. Lastly, but not least, the idea of Dumont's three inventions is a wonderful one.

A very clever movie, with loads of references to nouvelle vague stuff. This film lets you wonder about the effects of cinema on society, as the villagers turn into their filmheroes, but since they are edited backwards, upside down and in the wrong order, the imitated heroes become quite hillarious. Some of the characters are very interesting, especially the local film critic. Agresti hates critics, and this can be found in the interaction between the critic and the B-actor/hero, a tragic drunkard, who visits the village one day. Loads of sub-themes make this movie very lively, although some of them are not that interesting. The criticism of the argentine dictature and the introduction of television are not that great.

All goes wrong however when the infamous actor actually enters the village. One of the important points in the movie is the complete isolation of the Patgonian village, but since the actor arrives by train this fantastic concept falls totally apart. Worth a try though, or, in the spirit of the film: try a worth.

Rio Pico is a little town, not far away from Buenos Aires, but nothing really happens over there and the population is in no way ahead of the modern things in the world. When Soledad (Vera Fogwill), a female taxi driver from Buenos Aires, got stuck in the town by a car accident, things are changing. It was never the goal from Soledad to stay in the village but she got embraced by the inhabitants who are asking her to be the presenter of the local film journal which is shown in the local filmtheatre. The filmtheatre is the sole way the people have to escape from reality, even if all film copies are the ones who are rejected by the bigger Argentinian cities. "El viento se llevo lo que" (be translated as "Gone with the wind") is a hilarious top comedy that only got spoiled by the entrance of French actor Edgard Wexley (played by the overrated Jean Rochefort)who is the local film hero. Apart from that is "El viento se llevo lo que" a wonderful piece of world cinema in where director Alejandro Agresti (already a filmmaker in Argentinia since 1978) seeks a satisfying balance between hilarity and the hard truth. A South-American pearl that is recommended to anyone who loves world cinema.

The idea for this film is so promising - villagers on the outskirts of civilization experience the outside world through films that have been cut ut, respliced, etc. and behave in accordance with the results - yet the result is so mundane, yes boring. I would like to see how a master filmmaker - Orson Welles, Jean-Luc Godard, for example, come immediately to mind - would realize this film.

All in all, boring and a big disappointment. I left half way through it.

The film is about Soledad a cab driver that get tired to drive in Buenos Aires and decided to get out of the city and end on small town who is completely isolated from the rest of the country. The only contact with the reality outside the town are the movies and these are old and mixed. There are really strange characters on the movie. It's really worth to watch it.