Malli, le combat d'une vie

This movie should be seen, if for any other reason than to see a story told with minimal dialogue. The script couldn't have been more than 30 pages. Great visuals, and great acting using expression and editing. The only problem is that the ending should have been cut by about 5 seconds. Once you see it you will know what I am talking about. With little dialogue I was suprised how enthralled I was. I never once remember feeling like the movie should move faster. Worth a view.

This is a starkly sad and beautiful film by the Indian filmmaker Santosh Sivan, in the Tamil language with English subtitles. It was shot in 17 days on locations in Kerala and Madras with a cast made up entirely of nonprofessional actors on a small budget.

The theme, however, is large.

The lead character, Malli, exquisitely played by Ayesha Dharkar, is a 19-year old woman who lives in a terrorist camp, fighting for her unnamed country. Her eyes are large and her expressions innocent and strong and even though we see her actively participating in an execution, she wins the audience's heart immediately.

She is honored by being chosen to become a suicide bomber. A very important person will come to the town, she will put a garland around his neck, and blow him and herself up by pushing a button which will ignite the bombs strapped to her body. But will she really do it?

When she leaves the guerilla camp she is led through minefields by a young boy named Lotus. We glimpse the horror of the war through his eyes and his boyish bravery. Then she is taken on a boat to spend a few days with a elderly farmer named Vesu who doesn't suspect her mission. As she dresses for the final event, she is torn with conflict.

By subtle complexities in her acting, the audience is drawn in to Malli's dilemma. However, the director sometimes gets a little too arty, with too many close-ups with raindrops on her face. And, in order to show every single emotion, the action of the story moves too slow for my taste.

However, the beauty of the film lies not as much in the actual story, but in the director's ability to put a human face on terrorism. The mood is somber, the cinematography beautiful and the emotions of the individuals caught up in the drama are captured well.

I recommend this film for serious film buffs only who are willing to incorporate sadness and starkness into their movie-going experience. Others will find it too harsh.

I am writing this review after the horror of Tuesday 9/11/2001. All of us have wrestled with the question of how and why would someone commit such an atrocity believing that their act was blessed and sanctioned by God Almighty.

As I asked myself this question I remembered this movie. I remembered the beautiful vulnerability of the face of Ayesha as she struggled with her decision to become a suicide bomber to seek justice for herself and her people after she discovers that she is pregnant.

Ayesha is able to telegraph every nuance of her thought and emotion as the camera slowly, painfully examines every pore of her skin, every lash of her dark, liquid eyes. While the premise of the film is fundamentally simple, by the time the film is over the sacredness of life and wrenching paradox of its questions has been intimately explored. As raw as birth itself this film is a rare piece of poetry.

The Terrorist has one of THE BEST turning points in it I've ever seen in a picture. It's a really great life vs death story - that puts bigger - messier stories to shame. Sure there are some audio problems and it's clearly been shot on the cheap, who cares.

If you're like me then only two things will ever matter for you - Story and Star.

The Terrorist has a story that draws you in then lays on of the best complications on you and the performance from Ayesha Dharkar is the kind of stuff that stars are made of.

If you haven't seen The Terrorist, do yourself a favour and watch it.

Santosh Sivan, best known for directing a spectacular historical saga "Asoka," directed this Tamil film. Storywise, the film is similar to "Dil Se," also cinematographed by Santosh Sivan. The story delves into the psychological dilemma of a young girl, training herself to be a suicide bomber. With the minimalist dialogues and twists in the story, the film just moves tautly. The acting of Ayesha Dharker is perfect, and the photography is mesmerizing. Avoiding the Bollywood gimmicks and songs, the narration and the photography carry the film to a stupendous level. Perhaps, unheard and unwatched among the Bollywood lovers, it takes an Indian story to the international cinema, which "Dil Se" fails to do.

Rating: 2 stars out of 4