Samehada otoko to momojiri onna

My main impression with this movie is that something, somehow, has got lost on the way.

It might be that the script has been adapted from a manga; some situations and some of the characters antics, dragged out from their context, look so wacky they end to be grotesque. Nonetheless, one of the strongest point of the movie are the characters themselves - Yamada in particular.

The plot is the weakest one, it doesn't really make sense and I ended up suspecting that some elements has been simply cut because they didn't fit in the run time.

However, I've seen this movie in Japanese with subtitles, so I really can't comment about the "witty dialogs" which are supposed to be another strong point.

This movie is occasionally entertaining, but fails to leave a mark: it reminded me somehow of "I Went Down" (1997), which is definitely more entertaining than this one, tough.

After reading the other comments, then actually seeing the film, it simply doesn't measure up.

The first 1/3 of the film is quite a blast, with nearly everything the reviews mention - fast editing and sassy dialogue, wacky characters and, for good measure, perhaps cinema history's shortest explicit sex scene (about four seconds).

But after this part, it loses most of its puff and all of its potential originality. A bit like getting on a rollercoaster, having a ripper ride, but the machine slowing to a crawl just before the first big dip, and crawling home slowly.

In conclusion, it does have good stuff, mostly at the beginning. Looks like it wanted to be a weird take on Pulp Fiction but got seriously lost.

I'm no stranger to Katsuhito Ishii's work. I think we've all seen his The Taste of Tea, which I didn't like at all. It's been a long time since I saw it but I remember it feeling too long and slow and incoherent. Some of that is on this film as well but this film has a very likeable element that despite its quirks it feels more relatable and fun.

There's no denying that Katsuhito Ishii has a fantastic sense of style and aesthetics. His characters are brimming with colour and wonderful. This clashes with how he really does movies which is a very surreal and slow style and you can see that he's really aiming for a Tarantino-esque type of approach which serves the movie good!

As I said, the characters are the focal point of this. I just wish they had more to say and more to do on screen. There's a few moments of this film where you feel there's a momentum and it lacks that for a lot of the movie's runtime. Sure, things happen but it feels very slow. Tadanobu Asano and Sie Kohinata make an excellent lead couple, I honestly wish the movie was more about them.

This movie also has a very weird comical vibe throughout it as to puncture this whole bizarre situation. It mostly serves to give it a lighthearted feel, I wouldn't say I laughed a lot at this.

All in all I'd say this movie is a worthy watch because it has a lot of style and it's just pretty neat! But if you want a fast paced silly action film then you might have to check somewhere else cause this is not it.

Kimie Shingyouji is amazing as is Tadanobu Asano and Shie Kohinata. Brilliant film, great performances. A quirky classic and a precursor to films such as Kill Bill, though the film was surely inspired by Pulp Fiction first.

Sharkskin Man... makes me want to go back to the French New Wave again. It is cinematic ally liberating, fresh yet retro, new and exciting.

Seijun Suzuki is another filmmaker that has accomplished something similar I think, with Pistol Opera, the re-make of his own "Branded to Kill," made 35 years prior.

Kohinata's performance is nothing short of perfect. She is a true star and I love her work. This film should be mandatory viewing.

I give Sharkshin Man and Peachhip Girl the highest rating possible for originality and entertainment value as well as a great ensemble cast and innovative script.

Shark Skin man and Peach Hip girl is a quirky little film based on a short manga series. The premise is that shark skin man is on the run from a gang he was a part of after running off with a load of money. On his path he meets peach hip girl who has run away from the hotel owned by her awkward pervy uncle and they decide to run away together. The film its self is a mixture of dark Miike humour with many offbeat moments of awkward silences. The henchmen are very slapstick and cartoonish like in many manga adaptations. Unfortunately, it suffers from having so many characters as they appear quite 2-dimensional besides the two protagonists. I also found some of the scenes were poorly lit which was quite annoying and there wasn't much in the way of shootouts besides maybe two. What it fails in plot it makes up in humour not everyone will take to it but i found it quite fun to watch and it paces itself extremely well so avoids getting dull. so overall id say give it a watch at least once it's worth your time but its not as amazing as the hype says would benefit from a few sequels maybe. Violence 3/5 Plot 2/5 Humour 4/5 Acting 4/5 Music 3/5