A Broadway actress secretly takes a job as a domestic to get background for a part in a new musical, while trying to dissuade her collegiate son - unaware of her reason for her new job - fro... Read allA Broadway actress secretly takes a job as a domestic to get background for a part in a new musical, while trying to dissuade her collegiate son - unaware of her reason for her new job - from pursuing a show business career.A Broadway actress secretly takes a job as a domestic to get background for a part in a new musical, while trying to dissuade her collegiate son - unaware of her reason for her new job - from pursuing a show business career.
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The offensive part involves a flashback where you see a stage production. The actors are all white and playing black characters but the REALLY offensive part is the curtain...complete with giant stereotypical black men with watermelons on it! Yep....it is pretty nasty!
So is the short still worth seeing? Well, first, if you cannot look past the offensive start of the film, probably not (and I'd hate to hear about your brain exploding!). And second, well, the short is pretty crappy otherwise. Like many Vitaphone shorts, the plot is scant and it's mostly a review of songs and dance numbers. Some of them are very good (the bizarre cigarette dance was actually very good) and some (the godawful impersonations) were not. Overall, view at your own risk....and if you skip it, you won't be missing much.
This one hits you right in the face with the black-face. I wonder where those stage curtains are now. This is definitely another era. To top off the modern inappropriateness, they do a song and dance praising smoking. The mother-son pairing is interesting although I don't know these actors. I expect more plot with the maid story. Instead, this spends most of it time dancing and singing. There is one interesting dance. I just can't get over the black-face.
Real mother and son (Grace Hayes and Peter Lind Hayes) manage not to embarrass themselves too much with the lame script, wise-cracks and musical direction. It's all strictly '30s vintage material with Peter demonstrating his talent for impersonations which he would go on to use in his later TV and movie career.
What's interesting are the few musical segments which are tolerable despite the poor songs, but because the staging at least shows a little imagination.
Not the worst Vitaphone Brevity, that's for sure, but nothing memorable about it either.
Did you know
- TriviaGrace Hayes and Peter Lind Hayes, who play mother and son in this short, were mother and son in real life.
- Quotes
[first lines]
Freddy Hayden: [after being mocked for his singing with a record] Why don't you fellas let me alone?
First Student: Let you alone, you dope? Why don't you let us alone? Don't you realize we have to study?
Freddy Hayden: Well, I'm studying, too.
Second Student: Oh, why don't you quit this nonsense?
Freddy Hayden: Nonsense, nothing! It's in my blood! My whole family's been on the stage.
- SoundtracksSweet Music
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits
Also performed by Peter Lind Hayes in the opening scene
Details
- Release date
- Country of origin
- Language
- Also known as
- Broadway Brevities (1935-1936 season) #25: Maid for a Day
- Production company
- See more company credits at IMDbPro
- Runtime21 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1