The longest nite

The Longest Nite follows Tony Leung as a corrupt detective struggling to keep his head above water when he ends up caught in a crossfire between two gang rivalries. Meanwhile a mystery begins to unravel where Leung faces some serious career-ending dangers in which he must take specific actions to avoid. Lau Ching Wan plays a riddle in an enigma who hides in the shadows to conduct and puppeteer the actions of many other characters. Leung is consequently one of many mice who must compete to stay alive through what might possibly be "the longest night" of his life. This is a very strongly written thriller with moody cinematography throughout the nighttime streets of Hong Kong, an excellent film of Johnnie To's one of his best. The performances by Leung and Lau are great as well they really make great adversaries like you'd expect from the cover. Although the reason I don't rate this thriller higher are some erratic moments of absurd bloodshed which are almost comical in execution. "R-rated Looney Tunes styled death sequences". They only last but seconds, regardless they were enough to take me out of the film. Another detractor is the sense of limited closure on specific characters which I would have liked to see more development on in the conclusion. Besides a few minor complaints I still love this movie, and will enjoy watching it again. -8/10

At the expense of sounding a bit cliché, it wasn't on par with the best of the genre (Such as John Woo's better films), and in my opinion it wasn't quite on par with a more closely related title, The Big Heat. Why? The constant music was nothing special, and at it's worst, slightly annoying.

There are a few somewhat wooden performances. Tony Leung Chiu Wai was far better in Hard Boiled. I don't think Tat-Chi Yau knew how to wring all of the potential Tony has out of him for this film, and it shows.

There was a certain dynamic that's almost a staple of the HK action/crime genre missing... The power of the weapons wasn't conveyed as I've seen it numerous films over the years. What I mean is that the guns didn't truly seem as powerful as they should of. The shots, underpowered, and it's a bit underwhelming when I'm used to even pistols coming across as these loud, near deafening, definitive things. Small thing but it ran through the entire film and I think it's worth mentioning.

Could of been about 20 minutes longer, with more characters being fleshed out a bit more. Film could of benefited a lot from that.

Bad subtitles. Quite a few misspelled words and I'm sure I missed the gist of multiple things because of the poor subs. Ah well.

Those are all relatively small issues I had with though, and on the flip side it's got a lot more positive things going for it. A great build-up of suspense at multiple times through the film, a pretty complex interweaving plot, two very interesting, I might dare say original action scenes which made me grin...

To boot, it was brutal and uncompromising. No humor (Though the random, unexplained vomiting kind of teetered on it) A few nice, brutal for this kind of film scenes that pleased the inner gore hound in me. The coloring throughout the film, as mentioned by others, was nice and added a nice dynamic to the film.

Hehhehehee, the movie also stars, without a doubt, the most unrelentingly sweaty character in the history of film. Tony Leung literally wipes his face down with a towel every few moments for almost the entire film. Hey, it's the little things that I get a kick out of. He kept washing his hands and what not too. I think he had some kind of sanitation issue.

Overall, a 7.5 out of 10 in my very personal opinion. Well worth hunting down and adding to your collection, as it's a very solid entry in a sadly still declining genre.

It is violent, gritty, bloody a bit confused too, not really easy to follow. Produced by Johnny To, we then understand easily that stuff is not lousy. Macao by night, helped by the Giorgio Moroder's and Nino Rota - GODFATHER's music - score, where it is question of gang wars, triads, and when a borderline rotten cop is on the loose too, expect action, torture, in this fast paced and never boring Asian crime film. The quality of this feature can't be denied and I think it deserves a better release. It is short, not as long as Korean crime movies for instance, but the atmosphere is very close and far from Hollywood clichés. Unlike some Asian films that I have seen recently.

Lau Ching-Wan continues to amaze me with his transformations into his character. This was a great acting vehicle for both Lau Ching-Wan and Tony Leung. The story was good, and the direction was tightly wound and suspenseful. Unfortunately, all the tension unravels into an extremely unsatisfying ending.

Tony Leung Chiu Wai is cast against type as the corrupt and violent Police officer in this Noir thriller. He gives his most deepest and powerful performance since playing the mentally tough protagonist of John Woo's Bullet in the Head(1990). In the tradition of the pessemistic noir pictures of the 1940s. A complex and thrilling story with surprising plot twists. Mixture of Martin Scorsese, Fernando Di Leo, John Woo, and Takeshi Kitano.

Another fabulous movie from Patrick Yau with his tight and taut direction. Has Patrick Yau done anything recent as it seems he hasn't done anything since Expect the Unexpected(1998). The most talented director from Hong Kong of the late 1990s. Involved in the production was Johnny To who is known for his dark and grim action and crime thrillers. The sequence in the warehouse is stunning.

Ching Wah Lau is terrific as the cool and enigmatic stranger. The whole gangster poltics in the movie echos the ideas of Martin Scorsese's mob flicks and Fernando Di Leo's Italian Crime movies especially Il Boss/The Boss(1973). The gunbattle between Tony Leung Chiu Wai and Ching Wah Lau reminds me of the best of John Woo. The final scene reminds me a lot of the final sequence from the Takeshi Kitano movie, Violent Cop(1989). The Longest Nite(1997) is more closer in tone to Takeshi Kitano than John Woo.