Alice à travers le miroir

I really enjoyed this adaptation. It was far and above better than Disney's attempt to turn what is already a children's book into a 'kiddie' film. It was, with very few exceptions, very true to the book, despite the difficulties associated with converting Carroll's unique style to a screenplay.

Something I've always felt critical to adapting both Alice stories is her precocious nature. There is truly no way a child actor could handle the scope of Alice in any film. I thought moving the story to an older Alice was wonderful. And Kate Beckinsale's performance in that capacity was outstanding. She brought to life the very childlike innocence and naivete of Alice while dealing so very well with interpreting Alice's very opinionated, stubborn and whimsical personality. And visually, she fit the role perfectly. :-)

The quirky nature and self-interpretation in this film is a wonderful way to introduce children to a complex and bizarre children's story. I can only hope that it will be available on DVD someday.

I taped this for my four year old daughter, who is obsessed with the Disney version and was watching it twice a day if I let her. This was a charming, wonderful change. The actress playing Alice is fantastic, she is really like the character, even though she is an adult. I was shocked that she was also Darlene in "Brokedown Palace" ...she really can play a wide range. This movie is very aesthetically beautiful to watch. It's fun watching humans play the animals and picking out who is whom.

Clear yet subtle, funny and sophisticated in its apparent simplicity: an excellent rendition of Carroll's own quirky humor, and vastly entertaining. A fine cast, appropriate staging, and a literary pace combine to make this an outstanding film. Would that it were available on DVD!

Without infringing on the IMDb guidelines, can I just suggest that this film is a disappointing visualisation of the greatest book ever written? Lewis Carroll's masterpiece is too mercurial to depict - taken out of its literary context, its ideas, incidents and characters simply don't make sense. Its humour and traumas are literary and philosophical. The filmmakers fail to adapt forms, instead relying on swathes of dialogue.

Different film styles are used to try and disrupt normality, a la Carroll, but the incoherent script, uncertain acting and muffled diction only grate. There is no sense of narrative momentum (even if only to be subverted), and targets are missed because it is unclear what they are. Changing the book's view from that of a child to a woman renders the whole exercise redundant. Graver still is the unwillingness to trust the audience - the dream/reality ambiguity, crucial to the book's meaning, is too clearcut. The colours and set design can be extremely beautiful though.

I only had a passing familiarity with the works of Lewis Carroll, (I had a children's book of Alice in Wonderland and gave a reading of Jabberwocky for my tenth grade English class) so I couldn't comment very authoritatively on the literary significance of this movie. I can say I thought some of the readings were very good...Humpty-Dumpty and the White Knight for instance. But I especially liked Kate Beckinsale's performance. She is very beautiful and talented, and by herself would make the picture worth watching.