Hellboy
A demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.A demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.A demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.
- Awards
- 3 wins & 23 nominations total
Biddy Hodson
- Ilsa Haupstein
- (as Bridget Hodson)
Featured reviews
What a cracking little film this is, haven't seen it since the cinema in 04' and it's better now than then with some sensational effects. Great script with Ron doing a splendid job. I've never read comics as I don't like them, but I'd go so far as to say, apart from Batman, this is the best comic book to movie tie in ages... not cheesy, just the right amount of comedy in it and good solid acting. Music could've done with a alittle more inspriation, but this film looks great with some lovely lit scenes especially when hellboy is in the snow, he looks fanastic ;-)
Can't wait for the sequel Pug
Can't wait for the sequel Pug
This movie is a fun watch, but mainly because of Ron Perlman. The action is well done and the story is great, but Perlman makes the character of Hellboy (a demon raised by "the good guys") just amazingly human, with a wry sense of humor. You would be hard pressed to find anyone anywhere who could do this character as well as Perlman, let alone better. The physicality seems to have been tailor made to fit Perlman's features and the delivery of the lines is just so understatedly comedic that there are few who could pull it off at all.
Of course, there are a couple times when the special effects are a little weaker than you would hope, but it doesn't detract from the movie as a whole. For instance, in the final battle scene, there are a couple shots where the Hellboy character clearly appears to be GC. But the fight moves so fast that you don't have much time to focus on those shots before something else amazing happens.
See it. Love it.
Of course, there are a couple times when the special effects are a little weaker than you would hope, but it doesn't detract from the movie as a whole. For instance, in the final battle scene, there are a couple shots where the Hellboy character clearly appears to be GC. But the fight moves so fast that you don't have much time to focus on those shots before something else amazing happens.
See it. Love it.
Hellboy is self-conscious, perhaps, but in the best ways possible. Actually, it's more due to writer/director Toro being very aware of what makes up the conventional bits to every sense character-wise to the world of a comic-book, but also what can be entertaining as well, than it is just to having it being a Hellboy movie where the comic-book Hellboy already exists IN this world (guy sees the Hellboy comic, looks up, it's Hellboy!). We get the tough-as-nails, dryly witty, and possibly ticking-time-bomb hero in Hellboy, a deadly serious villain in Rasputin (yes, Rasputin, with a blonde Nazi as his evil side-kick no less), the young apprentice to the hero (Ruper Evans as John Meyers), the hero's love interest (Liz Sherman played by Selma Blair), the father figure (John Hurt's Professor), and the reluctant 'boss' (Jeffrey Tambor), not to mention the plucky side mutant in Abraham (Doug Jones) AND a magnificent creature in that hard-ass slug. They're all there, bright as day (or dark, depending on point of view), and it all works wonderfully due to Toro running with it all head on. It's not done in a way that's meant to pander to the audience, either, but just to have fun with the conventions, to see what makes them all crackle and pop under big-time special effects. It's not quite a guilty pleasure because Toro is also a smart craftsman.
And craftsman just as much as director, he crafts this world where the creatures (which were and still are Toro's forte) are fierce and radically charged, whether they're crucial to the picture like Rasputin's rabid, rapidly hatching slug-monsters that can only be killed one or two ways, or if it's just a minor creature like the zombie Russian corpse that leads a little of the way when Hellboy and his crew are in the main hideout of the villains ("I was better off dead!"). Toro is sensitive to the characters alongside this, and makes them all pretty believable- and I say pretty cause it's all a little simple, yet effective, in the main thrust of Hellboy's emotional core being about Liz and if she may or may not go for John over him- and doesn't dumb it down too much or contrive the relationships for the audience. It's a good balance, because there is A LOT of action in Hellboy, in fact probably at least a 60% allotment to either Hellboy fighting the monsters after him (usually in the subway, or in the Russian castle), or with the possibly un-dead assassin in the mask and leather who marks as one of the fiercest forces in comic book movies.
So, fan-boys rejoice, because Hellboy should, and hopefully will, have everything one looks for in a brawny, high-octane entertainment where humor isn't confused with cheesiness (Perlman is too well focused as a possible anti-hero to get into any of that, as he makes that hugely built red lug a very real being), and the action isn't over-done with a tongue-in-cheek. Not that Toro doesn't flirt with having goofy things in his picture, like a moment where Hellboy has to save a box of kittens from the grasp of the slug-monster. But they're earned moments among a very tightly constructed story where human evils in history and the bizarre in what is in the facts (Hitler into the occult, Rasputin's very long death) into a comfortably understood framework of comic-book clichés that never get too old when done right. Bottom line, can't wait for number 2!
And craftsman just as much as director, he crafts this world where the creatures (which were and still are Toro's forte) are fierce and radically charged, whether they're crucial to the picture like Rasputin's rabid, rapidly hatching slug-monsters that can only be killed one or two ways, or if it's just a minor creature like the zombie Russian corpse that leads a little of the way when Hellboy and his crew are in the main hideout of the villains ("I was better off dead!"). Toro is sensitive to the characters alongside this, and makes them all pretty believable- and I say pretty cause it's all a little simple, yet effective, in the main thrust of Hellboy's emotional core being about Liz and if she may or may not go for John over him- and doesn't dumb it down too much or contrive the relationships for the audience. It's a good balance, because there is A LOT of action in Hellboy, in fact probably at least a 60% allotment to either Hellboy fighting the monsters after him (usually in the subway, or in the Russian castle), or with the possibly un-dead assassin in the mask and leather who marks as one of the fiercest forces in comic book movies.
So, fan-boys rejoice, because Hellboy should, and hopefully will, have everything one looks for in a brawny, high-octane entertainment where humor isn't confused with cheesiness (Perlman is too well focused as a possible anti-hero to get into any of that, as he makes that hugely built red lug a very real being), and the action isn't over-done with a tongue-in-cheek. Not that Toro doesn't flirt with having goofy things in his picture, like a moment where Hellboy has to save a box of kittens from the grasp of the slug-monster. But they're earned moments among a very tightly constructed story where human evils in history and the bizarre in what is in the facts (Hitler into the occult, Rasputin's very long death) into a comfortably understood framework of comic-book clichés that never get too old when done right. Bottom line, can't wait for number 2!
When you are watching a comic book movie you have to take certain things for granted. The superpowers, strange villains, things like that. They are there in a non-existing world; saying they are implausible is true but not relevant. What a comic book movie needs is a nice story that is set in its own world (although real existing places can be there too), an entertaining superhero played by an actor who is able to really create the character, spectacular visual effects that fit the action but most of all it needs to breath the right mood. 'Spider-Man 2' did a perfect job, 'X2', 'Blade II' and now 'Hellboy' come very close. The difference is that 'Hellboy' is the first from what will probably become a series.
The superhero in 'Hellboy' is, of course, Hellboy (Ron Perlman). How he arrives on earth has something to do with Nazis, around 1944, which we see in the first ten minutes of the movie. Let us say he is just here, present day, on the good side, with a professor named Bruttenholm (John Hurt) as his father figure; he was there when Hellboy came from hell. The villains are the same Nazis, you learn why they are still alive, and a lot of monsters they have created. We also meet a love interest for Hellboy named Liz (Selma Blair) and his new partner, Agent Myers (Rupert Evans).
So Hellboy will fight the Nazis and the monsters, but there is more. His father figure is close to death and the love interest, who sets on fire when she is excited, is not really interested. What makes this movie entertaining, besides the right mood we constantly feel, is the dry humor Ron Perlman brings to the character. Hellboy is supposed to be a secret for the outer world although rumors of his existence are there. When Agent Myers goes for a walk wit Liz Hellboy gets jealous and follows them over rooftops where he encounters a nine year old boy. The boy recognizes Hellboy and the scenes that follow the encounter are close to brilliant.
There are other very fine moments. At one point a character asks why photographs of UFO's, aliens or Hellboy are always blurry, not very sharp. We see the truth in this question although ironically in a comic book world the question is very out of place; Hellboy does exist. May be this is not the best comic book movie, but entertaining it is. Compare it to another 2004 movie like 'Spider-Man 2' this one seems flawed although we can see the same amount of fun the characters have. Compare it to the dark and brutal 2004 comic book movie 'The Punisher' and this one is terrific, feels like a comic book the entire time, has an interesting hero with humor. That everything around it is pretty silly we just have to take for granted.
The superhero in 'Hellboy' is, of course, Hellboy (Ron Perlman). How he arrives on earth has something to do with Nazis, around 1944, which we see in the first ten minutes of the movie. Let us say he is just here, present day, on the good side, with a professor named Bruttenholm (John Hurt) as his father figure; he was there when Hellboy came from hell. The villains are the same Nazis, you learn why they are still alive, and a lot of monsters they have created. We also meet a love interest for Hellboy named Liz (Selma Blair) and his new partner, Agent Myers (Rupert Evans).
So Hellboy will fight the Nazis and the monsters, but there is more. His father figure is close to death and the love interest, who sets on fire when she is excited, is not really interested. What makes this movie entertaining, besides the right mood we constantly feel, is the dry humor Ron Perlman brings to the character. Hellboy is supposed to be a secret for the outer world although rumors of his existence are there. When Agent Myers goes for a walk wit Liz Hellboy gets jealous and follows them over rooftops where he encounters a nine year old boy. The boy recognizes Hellboy and the scenes that follow the encounter are close to brilliant.
There are other very fine moments. At one point a character asks why photographs of UFO's, aliens or Hellboy are always blurry, not very sharp. We see the truth in this question although ironically in a comic book world the question is very out of place; Hellboy does exist. May be this is not the best comic book movie, but entertaining it is. Compare it to another 2004 movie like 'Spider-Man 2' this one seems flawed although we can see the same amount of fun the characters have. Compare it to the dark and brutal 2004 comic book movie 'The Punisher' and this one is terrific, feels like a comic book the entire time, has an interesting hero with humor. That everything around it is pretty silly we just have to take for granted.
Hell Boy is a near classic of great proportion as played by the underrated Ron Perlman(Beauty and the Beast ) Perlman is an actor you probabley wouldn't recognize as he has had to wear so much facial make up in his career but he imbues 'Hell Boy' with a real humanity and a scathing wit ."How am I ever gonna get a girl when I drive around in a garbage truck ? " John Hurt as his father has little to do but that he loves Hell Boy there is no doubt having rescued him on the night he came from hell . Dr. Broom adopts the boy and they live at the Center For Paranormal Studies in New Jersey with a fish like creature and a fire starter girl who Hell Boy loves to pieces . I hope that this becomes a tent pole series for the studio as I would like to see Hell Boy in other situations . Five of 5 stars for 'Hell Boy'
Did you know
- TriviaDoug Jones' (Abe Sapien's) voice was dubbed by David Hyde Pierce, but Pierce refused a credit because he felt that Abe was entirely Doug's creation, and did not wish to detract from his performance.
- GoofsOn the Bridge scene under the graveyard, Tom Manning is thrown and slides under the door just before it closes. However Hellboy also slides under later in the scene when the door should have already been closed.
- Quotes
John Myers: My uncle used to say that we like people for their qualities but we love them for their defects.
- Crazy creditsUnder the "Special Thanks To" - Erik Irastorza who was born during our shoot.
- Alternate versionsThe Hellboy 3-disc director's cut DVD is ten minutes longer. (132 minute director's cut versus 122 minute regular version). Restores a few deleted/extended scenes back into the movie.
- SoundtracksHeart Attack and Vine
Written and Performed by Tom Waits
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Hellboy 1
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $66,000,000 (estimated)
- Gross US & Canada
- $59,623,958
- Opening weekend US & Canada
- $23,172,440
- Apr 4, 2004
- Gross worldwide
- $99,378,985
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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