Great Expectations

This is quite a good version, but be prepared for some oddities. The main one that Pip is made less nice than usual. His friendship with Joe is made to seem particularly one-sided, and he is extra reluctant to help Magwitch on the latter's return. Both young and older Pip are well played -- Gabriel Thomson deserves particular praise -- but we never feel that we really know the character. This is perhaps the main defect of this version. The voice-over in the old David Lean version was helpful there.

I personally don't like Charlotte Rampling as Miss Havisham. The role should not have been glamourised. Dickens does not do glamour. Estella is good however. Compare this performance with the oversweet Estella of the David Lean film.

By the way, this version has an excellent Herbert Pocket. The goody-goody characters in Dickens are not easy to play without sugary sentimentality, but Daniel Evans' Herbert really lives.

This is Charles Dicken's bleakest story by far, and for that reason alone I've always detested it. I made a point of seeing this production because Ioan Gruffudd was in it. I was not disappointed.

Once again, Mr. Gruffudd shows his ability to become the character, with a talent far beyond many better known young actors. His voice is so musical that one can avoid the story line and simply enjoy the sound.

Charlotte Rampling was a far more interesting Haversham than others I've seen. She had a slightly sinister quality just under the surface that was quite delicious.

Watch the production for the talent within. It's well worth your time.

So far of this great Dickens work, I've seen three versions, the 1946 David Lean film, this 1999 adaptation and the recent 2011 series airing just at Christmas(the Alfonso Cuaron is top-priority on my to see list). I did find this adaptation to be excellent and solid enough as an adaptation of the book, but I questioned is it the best version.

While this version has for me the better adult Estella and young Pip, the Lean version for its masterly storytelling, the cleverly written narration from Pip's viewpoint so we can identify with him and how much atmosphere there is at the beginning I have always considered one of the all-time great adaptations of any of Dickens' work. They are both superior though to the 2011 series, which had great production values and a wonderful support cast, but it is hindered by some rushed pacing and two miscast leads.

Back to this adaptation, it is wonderful to look at. The costumes, lighting, sets and scenery look both striking and atmospheric especially Miss Havisham's mansion, and the haunting camera angles are equally good. The music score is magnificent, in fact I haven't heard a music score for a TV adaptation this good for a while now. The writing is intelligent and has the basic wit of Dickens' prose and the storytelling particularly with Miss Havisham is compelling.

Of the storytelling, I was engrossed throughout, but there were two things that didn't quite sit well with me. One was the ending, granted the closing line of the book is ambiguous, but to me the ending was reminiscent of a 19th century Can You Feel the Love Tonight, which I am not sure Dickens intended. Another is that there are moments when adult Pip is shown to have a somewhat vindictive side, which for some reason made me identify less with him.

That said, the direction is tight and assured, and I never felt the drama was sluggish or rushed. The cast are superb. Ioan Gruffodd has rarely been better than he was here, he does look very handsome(without being too much so that is) and he is charismatic. Of the three adaptations in regard to adult Estella, I think this adaptation is the only one to get it completely right, Lean's was competently portrayed if too sweet and the 2011 series had an Estella that was too plain and too expressionless. This Estella was complex and tragic, Justine Waddell as well as being very beautiful brought these across perfectly.

Great Expectations(1999) also has the best of the three young Pips in Gabriel Thomson. I liked Anthony Wager and Oscar Kennedy well enough, but Thomson looked cute and innocent while never coming across as bland. Gemma Gregory is excellent as well as young Estella. Of the adult support cast, there is much to credit. Daniel Evans brings Herbert Pocket to so much life, more so than any of his other acting counterparts, Emma Cunniffe proves an ideal anti-thesis to Estella and Tony Curran is very good as Orlick.

On top of that, we have a heart-breaking Joe Gargery in Clive Russell, Lesley Sharp shines as usual, Ian McDiarmid is a complex Jaggers and Bernard Hill is terrific as Magwitch. My personal favourite performance goes to Charlotte Rampling, she is a revelation as Miss Havisham, there is such a sinister quality to her performance I felt myself getting chills.

Overall, excellent with a great cast but for atmosphere and even better quality of storytelling I also heartily recommend Lean's film. 8/10 Bethany Cox

As a classic, Great Expectations is hardly done any justice with this film. I have seen the mini-series film on Pride & Prejudice and it was an almost literal reproduction of the novel. In contrast, this film just about assumes one has read the novel and pretty much depends upon it as well. There is absolutely no introduction, and as such, the tight relationship between Pip and Joe is entirely skipped over. The characterizations of the young Pip and Estella are altogether unbelievable, and there are many instances of this film veering from the text. Jaggers's most identifying property, his finger-biting and pointing/shaking is essentially deleted from the novel, and there is, in addition to that, a lot more left out for, I suppose, the sake of cutting the feature length.

Whilst it has not stuck to the text word for word, it has not veered greatly from it. The film covers everything that needs to be covered on the whole, and where it has altered things, I think it has done so for the better. The film still paints and amazing picture of this excellent piece of literary work!

The casting was simply spectacular, the idea of sexing up Miss Havesham with the delectable Charlotte Rampling was perhaps the most unique and welcomed aspect of this production, which does anything but suffer from it. Waddell, Hill, Gruffudd, and Evans all give stellar performances and carry the film. The score is extremely haunting and so spectacular that I went out and bought the CD (which we were very lucky the BBC released). How Peter Salem has not been snapped up by Hollywood yet I don't know!

The score on top of the direction and production design make this a mouth watering feature that I'd recommend to anyone! The film got me through A-Level English.