The Dummy Talks

This is a typical backstage musical of the 1940s.However i think that it is of greater interest because of the fact that it features virtually all the main acts shown on the Bill at the beginning of the film.So we start with the Chinese acrobats,work our way through the adagio to the Ivy Benson Band and to Jack Warner.So if you are interested in British music hall of this period then this film is most definitely for you.Having said that you will have to go out of your way to find it.Your best bet being ebay.The plot is one of the typical murder mysteries and is little interest other than the humour extracted out of it by Claude Hulbert.

A blackmailing ventriloquist (Russell Warren) is murdered backstage at a theatre putting on a variety show. An inept police detective (Claude Hulbert) investigates along with a counterfeit investigator (Piers Harriman) while the show goes on.

A rather poor backstage thriller comedy with it's main redeeming features being the first screen performance from then radio star Jack Warner and the performances of some long forgotten variety artistes. Among them is impersonater comedienne Beryl Orde, a Chinese acrobatic group, the Lai Foons, the Skating Avalons and the jaw dropping and gravity defying acrobatics of Sylvester & Nephew. The normally funny Hulbert, younger brother of the more famous Jack Hulbert stretches his schtick out a little too much and was at his best as a foil in the couple of Will Hay films he appeared in.

Had "The Dummy Talks" been exactly like the summary on IMDB, I surely would have loved it. However, there is VERY little about any ventriloquist's dummy in this film and it's mostly just a stodgy music hall film with a bit of drama. In fact, no one is killed until very late in the film. Instead, you are treated to a variety of stage acts and you have to sit through them instead of focusing on plot. A few are good (such as the fighting couple) but most are dull and trite. Overall, a dull little film that could have been crazy and fun.Stodgy and dull...and the summary is not exactly incorrect and makes it sound far more interesting than it really is.

Backstage murder mystery in which the on-stage antics are far more interesting than the murder, especially the botched reveal.

It's a fascinating look at Jack Warner's Music Hall act, one that made him a big stage name in the 1920s and 30s. It's a combination of snappy patter and nonsense songs. Warner was 48 here, making his film debut. Also very good is Claude Hulbert, playing his usual character, all bewildered and bemused, and this time a cop.

There's also singer/comedienne Beryl Orde. She was famous for her impressions and she always did Martha Raye, but otherwise I can never tell who she's doing. We also get G.H. Mulcaster as an undercover cop, Manning Whiley as a creepy ventriloquist, Ian Wilson as the stage manager, Charles Carson as the magician, Hy Hazell as his assistant, Ivy Benson as the bandleader, and Evelyn Darvell as the lovely Peggy Royce, who sings a few songs.

The stage acts are mostly things we saw on Ed Sullivan's old TV shows: acrobats, knock-about dancers, spinning plates, etc. The murder mystery, alas, seems to have something to do with counterfeit money, but it seems to take a back seat to the entertainment. The creepy dummy that talks is played by Eric Mudd who is also seen in the acrobatic team of Sylvester and Nephew.

Not as good as I had hoped, but worth the effort to see Warner and Hulbert.

If you're looking for a hodge-podge of a backstage murder and a series of variety acts that might make up a British music hall revue, then this movie might be up your alley. Claude Hulbert (brother of the better-known Jack) silly-asses his way through a plot involving forged bank notes and finding out who murdered Manning Whiley. He also pines for and pursues Derna Hazel. This is a movie that tries to strike a balance between comedy and thrills. It does not, alas, come off very well, particularly compared to the trans-Atlantic LADY OF BURLESQUE from the same year.

Part of the problem is that for a variety show, the revue lacks variety. There are lots of acrobats and novelty skating acts, and one or two musical numbers, but they are an oddly assorted lot. Beryl Orde, a well-known comic impressionist of the era does some of her impressions, but they are obscure. Of more interest is Jack Warner. If you're more used to thinking of him as the world's oldest police constable from a couple of decades as Dixon of Green Docks, you'll find him very odd here as a man who reads silly letters from his brother and sings nonsense songs. He's an amusing, solid, believable presence and his later success seems quite likely given this fine screen debut.