Hellmaster

1969- "The Nietzche Experiment;" a US government scientific experiment has created a superman drug to induce telepathic abilities. The problem is it's headed over by a mad doctor (John Saxon) who's not above trying to cover up the grotesque mutations that ensue.

"20 Years Later," Saxon is still at work with the chemical, and four surviving mutants (his "children") attack and kill coeds at The Kant Institute of Technology. A reporter and others set out to stop the madness.

The main problems here are that most of the violence is offscreen (the best FX are saved for the ghouls), the film is overpopulated by boring college kid characters (most of whom can't act) and the script stinks (and is often downright senseless). The direction is flat and uninteresting aside from some minor Dario Argento-inspired sets and basic lighting tricks, which somehow fail to impress in this context. Still it's entertaining to see David (DAWN OF THE DEAD) Emge in a rare appearance and Saxon does what he can with his limited screen time. Aside from those two, the film is entirely forgettable.

Score: 3 out of 10

Hellmaster has a few things going for it. The best is that it scored two good horror names in the cast: John Saxon (A Nightmare on Elm Street) and David Emge (Dawn of the Dead). The second best is the storyline involving Saxon as an insane professor experimenting on the homeless and his college students with a drug he calls the reward. David Emge plays opposite Saxon as the hero who's been tracking him for years. After his "death", Saxon returns to campus twenty or so years later to further his experiments. He and his army of the homeless drive around in the Happy Face Bible School bus with a huge cross strapped to the grill. It's the creepiest bus I've ever seen. There's a great scene where one of Saxon's minions is driving around a campus security car dragging the guard's bloody body. There is also imagery of bleeding walls, mutant junkies, and scarification. Hellmaster has the making to be a good horror movie but most people find it hard to get past the terrible acting (other than Saxon). And there are a few other stupid elements in the movie. Like why would a college student carry around a whip, people in trouble saying Mayday, and other atrocities. I don't know if it was the film it was shot on, but sometimes it feels like a home movie too. Eighties horror fans should still enjoy, I know I do.

It's a fun film. Good story, good gore. John Saxon is great. It really captures the horror of the early 90's in my opinion. The antagonist characters are quite creative. I was surprised at how much I liked it. My wife even watched parts and had input. She doesn't watch horror. I also really liked the score. It's well done.

A Michigan-lensed horror flick featuring John Saxon and David Emge ("Flyboy" from DOTD), this one shows potential but eventually just falls apart. In the 1960s, Prof. Jones (Saxon) is conducting an experiment on some coeds that goes horrible wrong. He develops a drug that turns them into mutants. He is stopped (or so we think) and flash forward 20 years where it all starts again with 80s students. This one is a real oddity. I can't for the life of me remember what the drug Saxon developed was supposed to do. On the plus side, Saxon has an interesting group of mutated helpers (a mutated boy, bald schoolgirl, nun, and homeless man nicknamed Razorface - Pinhead anyone?). Saxon gives a fine performance but is only in the film for 15 minutes tops. And Emge is good as the Reggie Bannister character who is hunting down the mad doc who killed his family. The rest of the cast is blah.

You could say "Hellmaster" is one of those forgotten, daft on-the-cheap b-horror films, which gains ones interest with cult actors like David "Flyboy" Emge from the original "Dawn of the Dead" and the always suave John Saxon. The premise sounds like it can be fun, but you don't expect a good film. You just hoped to be entertained. It does that… well not at all times. What starts off rather interesting and ghastly (as I was thinking it's like something out of Clive Barker's mind), despite its randomly crude handling soon it becomes a boring muddle of aimless occurrences, a real lack of exposition shows from its clumsy script and fragmented editing only confuses even more. Then tack on its preachy religious subtext. The drearily hellish activity takes place on a campus with a terrible history, as Saxon plays the demented professor Jones who tests out a drug on the homeless which genetically disfigures them turning each homicidal as they follow him back to his university in their bus of doom. They serve him, as his known as Papa (???) to them. Waiting for him is a reporter (Emge), who did the story on him that unmasked the horrific experiments he was doing on the students on the campus in the past. Now Dr. Jones is back, he plans to experiment again on a new lot of students while his army simply loiter around injecting themselves or having some fun with a use of sickle but Jones might have met his match as one of the co-eds has psychic abilities. It's completely nonsensical and choppy (Jones has projectile powers?), but where it stands out is its competent use of make-up effects and there's some creativity within some sequences. I liked the campus setting, where the director tried to install Gothic atmospherics with his use of neon lighting or at times a lack of it amongst dark, shadowy corridors. Does it work? Not all the time, but some attempts have effective visuals. Jolts are cheaply done. Performances are mainly lousy and forgettable. Saxon seems to be sleepwalking through it, Emge looks all lost and Amy Raasch is capable enough as the heroine. While it seems to cop a real shellacking, this quickly made production has few, if clunky thrills.

"They're coming."