Pipe Dream

It is a breezy comedy about identity crisis - a plumber, a screenwriter, a casting professional. Using the process/journey of making a film as the storyline, tying the various characters and relationship concerns together, "Pipe Dream" is rather amusingly fun. Watching Martin Donovan and Mary Louise Parker interact is a treat. They are both the leads in this film, front and centered. Their enjoyable pairing in supporting roles can be appreciated in w-d Brian Dannelly's "Saved!" 2004. Both appeared in Jane Campion's "Portrait of a Lady" 1996 with Nicole Kidman.

Martin Donovan is a staple collaborator in Hal Hartley's films: "Amateur" 1994, "Simple Men" 1992, "Trust" 1991 (highly recommended. NFE: Not for everyone.) He's also remarkable in director Angela Pope's "Hollow Reed" 1995, about child custody situation, where Martin delivered a firm and sensitive role of a divorced father/doctor who lives with a male partner (heart-rending, excellent child performance from Sam Bould as Oliver, the 9-year old son). Donovan co-wrote (with David Koepp) and directed a film called "Apartment Zero" 1988, with Colin Firth in the lead - another NFE but for dark/psycho ventures/suspense (in Buenos Aires) if you're gamed.

Mary Louise Parker is ever so marvelous and underrated. She's in w-d Jeremy Podeswa's "Five Senses" 1999 (Canadian production), Herbert Ross's "Boys on the Side" 1994 (written by Don Roos) with Whoopi Goldberg and Drew Barrymore, Jon Avnet's "Fried Green Tomatoes" 1991 with a stellar women cast.

For an Asian (Hong Kong) flavor of a movie/comedy drama using process of making a film as storyline, try the forever versatile and talented Leslie Cheung in "Viva Erotica" aka "Se Qing Nan Nu" 1996.

We caught "Pipe Dream" on the Cable last night. I must say it was entertaining, well written and extremely well acted.

The funny part is that the whole movie *also* has an "indie" aura that's supposed to be in the film thats being filmed.

Very good acting. The only actor that doesn't really "fit" is the plumber. He has a cultural level WAY above I would guess 95% of NY Plumbers. But besides that, all the rest is very good.

Even though it's not a *great* movie, it surely is way above 70% of what's being made today.

I would expect more fine screenplays from the same author...

Nice and entertaining...

A movie being made about a movie being made, behind the scenes stuff that you never get to see made this soulfully made and sharply done little film a hit for me. The actors found ways to get to you, an all around great and believable job each and every one. Much fun here to be enjoyed. Highly recomended for a great movie watch. Bring the popcorn and have a sit!

This is an extremely charming comedy that delivers on every level: as a witty, touching love story (Martin Donovan and Mary Louise Parker are both fantastic and have terrific chemistry), as a perceptive satire on filmmaking, and as a thoughtful look at the ways we perceive the people with whom we come into contact every day. The film's examination of how we perceive those around us is sharp and complex but never preachy---the movie's message is communicated through thoroughly absorbing drama rather than pontification. The direction is elegant and expressive without being self-conscious---the director doesn't have to force his effects because the characters are strong and the lush cinematography makes us fall in love with each and every one of them. The film goes in unexpected directions without feeling contrived and generates big, smart laughs. "Pipe Dream" is a real winner.

A gentle little parable about what the "perception categories" of regular people as well as those in the movie business that was in the theaters for a short period of time and currently is playing on cable and so forth. Martin Donovan plays a plumber, though more of a quiet and introspective one than many might know, who in upset that people look down on him because of his profession. He seizes on a chance to see what would happen if people so him differently, and maybe get a pretty woman in the process, by pretending to be a director of a new independent film. Things get complicated when the film is actually funded ...

Martin Donovan is a bit too laid back in this film, but it adds to the low key nature of the film that gives it charm. Mary-Louise Parker plays his neighbor, who gets to show another side of herself as well, being the author of the screenplay and the director behind the scenes. She plays her usual strong woman with self esteem problems role (mixed and match in other projects with her woman with mental or physical problems role) well. Parker does much better here, I think than her underwritten "West Wing" role. The supporting characters also are good, while Jill Hennessey (formerly of "Law and Order" and in a few indies herself) has a funny cameo as an actress.

The film starts to drag a bit toward the end, but it is enjoyable overall with a nice understated overall tone throughout.