Suspicion

A film with Gene Hackman and Morgan Freeman in the two main roles is a dream come true for anyone who loves the art of acting, and their performances here (especially Hackman's, who after all does have the more showy part) are stunning. Stephen Hopkins' direction is hip, inventive and unstagy (though it must be said that his "a person can physically visit someone else's flashbacks" trick had already been done three years earlier, in "The Ugly"), the dialogue is sharp, and the story is compelling. So what's wrong with this picture? You guessed it...the ending! Simply put, the ending is baffling and unbelievable, no matter how you try to "explain" it. This film closely resembles the 1994 French thriller "A Pure Formality", and the irony is that, although that was a much worse film overall, it had a genuine surprise at the end, while "Under Suspicion" has the kind of "surprise" that makes the whole film come off as one big red herring. (**1/2)

To tell you the truth, I didn't expect anything out of this movie. I watched it only because top name actors, so my surprise is big in here. We've got all: money, power, love and murders. And a very good movie also. This is not brilliant movie, but it is very watchable. Let me tell you why.

Stephen Hopkins directed "Under Suspicion" with very low budget, cause Hackman and Freeman were payed little and they are also executive producers. That means that this movie is theirs. They wanted to act in their own way and Hopkins couldn't do nothing about it. It turned out that that is great. Gene Hackman adds another stunning performance in his long career and Morgan Freeman follows him. Hackman had harder role so it is normal that he will be remembered in a context of this movie. Hackman plays a lawyer Henry Hearst, who is called to come to the police station to clear up a few loose ends in his witness report of a murder of young girl. Captain Victor Benezet (Morgan Freeman) is asking Henry all sorts of the questions, along with detective Felix Owens (Thomas Jane). That interview is said to be very short cause Henry has to make his speech on a found raising party. There his young wife Chantal (Monica Bellucci) waits for him, just like the creme of San Juan's society.

As the movie goes on we found out lots of things about Henry Hearst. About his marriage with young and beautiful Chantal, about their problems and about his job. Henry becomes first suspect for murder and raping of two girls because of his little lies in his testimony. Benezet and Owens thinks he is the murderer and they are not alone in that. Chantal also suspects and that's what hurts Henry the most. Their relationship is shown on all levels and that's why characters of Freeman and hostile Jane suffers. But I liked that cause Hackman grab the opportunity to shine. Maybe his role in here could remind you on "Absolute Power", where Hackman plays similar role. But that is his brilliance. This character is so much different then that one, cause he didn't want to repeat himself. I also liked twist at the ending and all the scenes where Hackman or others are telling the story (Freeman always enters in their story, right at the sight). That was great, the atmosphere of interrogation room is good and the whole movie is very underrated. So I advise you to take a look on this movie; at least for Gene Hackman's performance.

Ignore the grumbling about camera work, inexplicable location, Thomas Jane, and some peculiar directorial choices. See this movie for Hackman - I'm hard pressed to think of a more fully realized performance on film. He's just extraordinary.

'Under Suspicion,' a remake of the French film 'Garde a Vue,' is as compelling and engrossing a psychological thriller as I've seen in years. The drama is wonderfully tense and taut, and, best of all, the suspense holds out until near the very end of the film, lingering on afterward for hours in the viewer's mind.

Gene Hackman plays Henry Hearst, a successful attorney in San Juan, Puerto Rico who lives an apparently blissful life of luxury--he's got money, respect, a gorgeous house on the coast, and, most of all, a stunningly beautiful young trophy wife, Chantal (Monica Belluci, the voluptuous heir-apparent to Sophia Loren, in one of her first US roles).

On the eve of the feast of St. Sebastian, during which Hearst is set to deliver an address at a fundraiser for hurricane relief, he is called in to the police department by his longtime acquaintance Victor Benezet (Morgan Freeman) for additional questioning surrounding the death of a young girl. It seems that earlier that day, Hearst discovered the girl's body while jogging. It doesn't take long to discover that Hearst is a suspect, particularly when he is repeatedly threatened and insulted by the tactless Owens (Thomas Jane), a loose-cannon junior detective hot to make his first big bust. As the interrogation progresses--interspersed with stylish flashbacks combing memory and real-time--it becomes apparent that the case is far more complicated than it first appeared. It seems that the imminently respectable Henry Hearst has a fetish for young girls and a secret life involving internet pornography and prostitutes. Simultaneously revealed is Captain Benezet's longstanding jealousy of Hearst, whom he has watched gain wealth and prestige while Benezet has lost his wife to divorce and struggled to get by. As the intense intellectual combat continues, truth becomes more and more murky, to the point that the characters are not even sure of their own motives or actions.

This movie really stuck with me. Without giving anything away, let me say that the film will force you to consider the complexity of truth and memory and the degree to which psychological trauma and coercion can influence what we know about ourselves. Hackman and Freeman are superb, and it's a pleasure to watch them stretching their skills and chewing up the excellent dialogue as their characters confront each other. Thomas Jane gives one of his better performances as the hot-tempered Owens, and Monica Belluci gives a subtle and convincing performance while simultaneously being so unbelievably gorgeous that you can't take your eyes off of her. The direction by Stephen Hopkins is superb--creepy and stylish, the cinemetography makes maximum use of San Juan's many settings.

For some reason this one really flew below the radar when it was released. I highly recommend it as an excellent, memorable suspense thriller with meaning and substance.

In Puerto Rico, wealthy lawyer Henry Hearst (Gene Hackman) is married to beautiful Chantal (Monica Bellucci). Police detectives Victor Benezet (Morgan Freeman) and Felix Owens (Thomas Jane) investigate Henry for the rape and murder of a young girl. There is no direct evidence but Henry's story starts to fall apart revealing marital problems and personal sexual accusations.

The material may not be worthy and the directing style is poor. This is a four-handed play with four great actors. There is good possibilities but ultimately, the story is unsatisfying. This deserves more cinematic style. It may be compelling for completists but for everybody else, these actors have been in better.