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5.7/10
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With his career on the skids, a Hollywood screenwriter enlists the aid of a modern-day muse, who proves to test his patience.With his career on the skids, a Hollywood screenwriter enlists the aid of a modern-day muse, who proves to test his patience.With his career on the skids, a Hollywood screenwriter enlists the aid of a modern-day muse, who proves to test his patience.
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Brooks is the West-Coast doppelganger of Woody Allen, despite the fact that he's about twenty years younger & takes on characters decidedly white-bread Middle American Gentile. All of Brooks' movies are about him entering a critical transition period of life (or death). Like Allen's films, his variations on this familiar theme range in quality. 'The Muse' is a solid effort. Most Brooks films have funny zingers; this one has a whole filmful plus a clever story to boot, and a big-budget cast. The more you know about Hollywood and the motion picture industry (I recommend 'The Big Picture' by Epstein), the more true-to-life you understand the film to be, and thus the funnier the jokes become.
I'm not sure why it did poorly, and reading others' comments yields little insight. All I can say is that Brooks is never a fully sympathetic character--he is always at least partly to blame for his predicament--never quite the "aw-shucks" underdog. At least this time he and Johnson introduce other characters who are even more sympathetic to generate audience goodwill. Not to mention that the two leading ladies are both stunningly good-looking. Plus the whole Hollywood self-referencing is a lot of fun. Bottom line is, I believe that this is among the best of Albert Brooks' films. It has many winning qualities which permit it to transcend the Brooks formula. It shares a certain affinity with another wry comedy, "Being There"; both are stories about people being drawn in by the mysterious among us.
I'm not sure why it did poorly, and reading others' comments yields little insight. All I can say is that Brooks is never a fully sympathetic character--he is always at least partly to blame for his predicament--never quite the "aw-shucks" underdog. At least this time he and Johnson introduce other characters who are even more sympathetic to generate audience goodwill. Not to mention that the two leading ladies are both stunningly good-looking. Plus the whole Hollywood self-referencing is a lot of fun. Bottom line is, I believe that this is among the best of Albert Brooks' films. It has many winning qualities which permit it to transcend the Brooks formula. It shares a certain affinity with another wry comedy, "Being There"; both are stories about people being drawn in by the mysterious among us.
I know that most people are very demanding of the movies they watch. That being said, I guess I'm not one of them. I have owned "The Muse" for about three years, and I usually watch it about once a year, after being reminded of its existence on cable/HBO. I always enjoy it every time I watch it. I think Sharon Stone portrays her character with class and humor; not to mention that she is one of the most stunning women ever to be in motion pictures. While I do think that by the end of this movie, you'll probably have had enough of Albert Brooks' whiney, monotonous voice, some of his lines and "sound effects" are rather funny. Andie MacDowell is a beautiful woman, and while her characters are never really memorable, I feel she is a good actress, and entertaining to watch in movies.
This movie is a light-hearted, film of mindless entertainment. Certainly, it is not one for the "Hall of Fame", but if you're looking for an amusing story, with attractive scenery (who doesn't like looking at Hollywood mansions), and a plot you don't have to race to keep up with, "The Muse might be for you.
This movie is a light-hearted, film of mindless entertainment. Certainly, it is not one for the "Hall of Fame", but if you're looking for an amusing story, with attractive scenery (who doesn't like looking at Hollywood mansions), and a plot you don't have to race to keep up with, "The Muse might be for you.
Albert Brooks is funny. He has an interesting and unique way of telling story with humor, wit and sincerity. He is not afraid of appearing to be 'un-hip'. Actually that is the charm of most of his work. He has been compared to Woody Allen but I
think that his work is much more universal. Woody's giant persona gets in the way of his stories whereas Brooks actually becomes a character. He does not
play himself and does not comment of things. He 'plays' characters like a real actor. The Muse is just as brilliant as Defending Your Life and Across America. Andie MacDowell is good when a good script guides her. Sharon Stone was
made for the role of the Muse. Her energy is sexy, ditzy as well as forceful. There are some cameos in this movie that are priceless and lend an air of
authenticity to the side of Hollywood that most people have no access to. I have seen this movie a hundred times and it never fails to make me laugh.
think that his work is much more universal. Woody's giant persona gets in the way of his stories whereas Brooks actually becomes a character. He does not
play himself and does not comment of things. He 'plays' characters like a real actor. The Muse is just as brilliant as Defending Your Life and Across America. Andie MacDowell is good when a good script guides her. Sharon Stone was
made for the role of the Muse. Her energy is sexy, ditzy as well as forceful. There are some cameos in this movie that are priceless and lend an air of
authenticity to the side of Hollywood that most people have no access to. I have seen this movie a hundred times and it never fails to make me laugh.
Albert Brooks makes a Decent Attempt with his 1999-comedy 'The Muse'. Its a light-hearted film, that doesn't tax your brains.
'The Muse' is a comedy about a neurotic screenwriter & his modern-day muse.
'The Muse' is entertaining, but only in portions. While the first-hour is funny & well-paced, the second-hour takes a dip. The Writing isn't tight, nor is the pace. Brooks's Screenplay succeeds in the first-hour, but later-on, everything slows down. Brooks's Direction, on the other-hand, is very well-done.
Performance-Wise: Brooks can never be doubted as an actor. He's exceptional, as always. Sharon Stone enacts the nagging/materialistic chick delightfully well. Andie MacDowell is natural to the core. Jeff Bridges is winsome in a cameo. Martin Scorsese & James Cameron are fun in one-scene appearances.
On the whole, If you want to get Amused...Watch 'The Muse'.
'The Muse' is a comedy about a neurotic screenwriter & his modern-day muse.
'The Muse' is entertaining, but only in portions. While the first-hour is funny & well-paced, the second-hour takes a dip. The Writing isn't tight, nor is the pace. Brooks's Screenplay succeeds in the first-hour, but later-on, everything slows down. Brooks's Direction, on the other-hand, is very well-done.
Performance-Wise: Brooks can never be doubted as an actor. He's exceptional, as always. Sharon Stone enacts the nagging/materialistic chick delightfully well. Andie MacDowell is natural to the core. Jeff Bridges is winsome in a cameo. Martin Scorsese & James Cameron are fun in one-scene appearances.
On the whole, If you want to get Amused...Watch 'The Muse'.
Albert Brooks's The Muse may be under-rated, but I found it OK. Brooks has always made movies that are good for a feel-food time, and this is a good example. Brooks plays a troubled writer who needs help to get his edge, so he gets a Muse (Sharon Stone is not her best, but good at being annoying) who inspires to do things. Cute comedy has many cameos some movie buffs might find hilarious. I find it entertaining. Cameos include James F. Cameron, Jennifer Tilly, Rob Reiner, Steven Wright (not as himself but he gives the funniest part as Stan Spielberg) and in the best cameo of the year, Martin Scorsese as himself, who interests Brooks in a remake of Raging Bull "Thin and Angry." Worth a gander, but not as many laughs as Bowfinger. A
Did you know
- TriviaCommenting on Martin Scorsese, who plays himself in one scene, Albert Brooks makes reference to the movie Taxi Driver (1976), in which he played a role.
- GoofsThey apparently have health department approval, but nobody wears a hairnet or cap while preparing the dough for the cookies.
- Quotes
Jennifer Tilly: Isn't Josh a doll?
Steven Phillips: Oh, yes, he's a real doll. He's like a regular little Chucky.
- How long is The Muse?Powered by Alexa
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $11,614,954
- Opening weekend US & Canada
- $3,926,825
- Aug 29, 1999
- Gross worldwide
- $11,670,561
- Runtime1 hour 37 minutes
- Color
- Sound mix
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