La muse

Albert Brooks' new comedy has again big names: Sharon Stone (as The Muse / Sarah), Andie MacDowell (as Laura) and Jeff Bridges (Jack).

The plot: Steven (Albert Brooks), has a difficult period in his life... no, he isn't sick or his marriage isn't breaking down (well not so far...) no, he lost his inspiration and that is what he needs for being a good screenwriter. He needs help and he asks a very good friend (played by Jeff Bridges) to give him a solution. Sarah, one of 9 muses is the best way to give him inspiration, but she is difficult muse, she has her quirks from time to time and sadly for Steven, her quirks are very expensive... but at least she gives him inspiration. Laura, the wife of Steven gets also inspiration from Sarah. She starts a little cookie -company. The rows between Steven and Laura begin to reach its peak. Then begins the fight for "the Muse"...

This movie wasn't great, but it was worth watching... my opinion is that every movie has something special and this also the case for this one...

Certainly the performance of SHARON STONE was wonderful, she is the best muse that I ever saw... I hope she continues to make movies after a stop for 2 years... lets hope that her health is good enough to carry on... ALBERT BROOKS was good as an actor, but sometimes the script didn't please me that much, probably the script that he is writing in the movie is better then the script of the movie. I hope that his upcoming movie with MICHAEL DOUGLAS will be a little bit better. ANDIE MACDOWELL was good to but she doesn't make a lot of movies... but I think it was very difficult to make something remarkable from her personage. JEFF BRIDGES was remarkable too; well he has the talent of his father Lloyd Bridges.

SPECIAL THINGS about the movie: 1. THE CAMEOS from Martine Scorcese (director from "The Gangs of New York) Rob Reiner (director from "The Story of Us" (see my review) James Cameron (director from Titanic) Also Jennifer Tilly and Lorenzo Lamas get a part in the movie as well. 2. The music from ELTON JOHN

WELL IT IS MAYBE NOT A HIGHFLYER BUT IT IS AMUSING FROM TIME TO TIME... GO AND SEE IT

Rating: 7,5 / 10 or **1/2 out of ****

I know that most people are very demanding of the movies they watch. That being said, I guess I'm not one of them. I have owned "The Muse" for about three years, and I usually watch it about once a year, after being reminded of its existence on cable/HBO. I always enjoy it every time I watch it. I think Sharon Stone portrays her character with class and humor; not to mention that she is one of the most stunning women ever to be in motion pictures. While I do think that by the end of this movie, you'll probably have had enough of Albert Brooks' whiney, monotonous voice, some of his lines and "sound effects" are rather funny. Andie MacDowell is a beautiful woman, and while her characters are never really memorable, I feel she is a good actress, and entertaining to watch in movies.

This movie is a light-hearted, film of mindless entertainment. Certainly, it is not one for the "Hall of Fame", but if you're looking for an amusing story, with attractive scenery (who doesn't like looking at Hollywood mansions), and a plot you don't have to race to keep up with, "The Muse might be for you.

Albert Brooks has long been one of the most underappreciated filmmakers working in the movie industry today. Less acerbic, but often just as funny as Woody Allen, Brooks looks at the world through a slightly askew, charmingly off beat prism, invariably placing himself in the center of his films as the average Joe persona put-upon by the daily frustrations and absurdities we all face as we struggle to make it though our often harried modern lives.

His latest charmer, "The Muse," provides even more of a fantasy insider's view of Hollywood than Steve Martin's recent "Bowfinger." Brooks portrays a fairly successful screenwriter who is suddenly experiencing steady rejection of his most recent script as studio after studio turns thumbs down on the project. Driven by desperation, he enlists the aid of a tempermental Muse, played winningly by Sharon Stone, an actual descendant of Zeus who moves her way around the Hollywood bigwigs, inspiring hit movies as she goes - or so her many devotees think. Part of the fun of the film comes in the latter portion of the film when doubt is cast on the validity of her credentials, which speaks humorous volumes about the state of mental health in that crazy land known as Hollywood.

In fact, the film is at its freshest in scenes in which Brooks gently skewers the crass insensitivity, lack of creativity and general madness of the movie industry itself - and he has enlisted quite a number of major Hollywood big shots to appear in amusing cameo roles that mock their own self-importance and that of the business they are involved in. Despite the occasional thudding one-liner, Brooks' script floats along much like a muse itself, fluffy, amiable and charming. The lovely Andie MacDowell, as Brooks' understanding and supportive wife, adds immensely to this air of breezy likability.

"The Muse," unlike so many modern comedies, manages to captivate and entertain without working itself up into a frenetic frenzy and without breaking into a sweat. This is a film, rather, to relax into and simply let the author take you where he wants you to go. The journey, luckily, is a fun one.

"The Muse" from 1999 is an Albert Brooks film, starring Brooks, Sharon Stone, Andie MacDowell, Bradley Whitford, Mark Feuerstein, Jeff Bridges, and cameos by the likes of Wolfgang Puck, Rob Reiner, Martin Scorsese, James Cameron, Jennifer Tilly, Lorenzo Lamas, and others.

Brooks plays Steven Phillips, a Hollywood screenwriter who has written 17 films. When he goes to a meeting at Paramount, where he has a deal, he's basically told that they want him off the lot by 5 p.m., his deal is cancelled, he's lost his "edge", and his script is terrible. And by the way, so were the last couple of films.

Discouraged, and at his wife's (MacDowell's) suggestion, he goes and talks to his best friend Jack (Jeff Bridges) who explains that he used the services of a Muse, Sarah Little (Stone) for inspiration. He calls her for Steven and Steven rushes to see her.

Well, this Muse is an earthly pain in the you know what. Anyone who goes to see her has to bring a gift from Tiffany. She wants to be put up at the Four Seasons, have a limo at her disposal, and health foods purchased for her. She spends perhaps five minutes with Steven, who does get an idea for a script. Meanwhile, unable to sleep, she's moved into the guest house/office on his property. She's also turned his wife into the second Mrs. Fields by encouraging her to market her cookies.

Very funny comedy with the hapless Brooks nearly driven out of his mind by this woman. And the film has a delightful twist.

Someone mentioned the party Wolfgang Puck throws for Steven's wife (Puck is serving her cookies). Steven gets into a conversation with a man who can't understand English and misinterprets everything he says. It is hilarious.

This isn't considered Brooks' best, but given for what passes for comedy today, it's practically Pulitzer Prize material. Well worth seeing.

Albert Brooks's The Muse may be under-rated, but I found it OK. Brooks has always made movies that are good for a feel-food time, and this is a good example. Brooks plays a troubled writer who needs help to get his edge, so he gets a Muse (Sharon Stone is not her best, but good at being annoying) who inspires to do things. Cute comedy has many cameos some movie buffs might find hilarious. I find it entertaining. Cameos include James F. Cameron, Jennifer Tilly, Rob Reiner, Steven Wright (not as himself but he gives the funniest part as Stan Spielberg) and in the best cameo of the year, Martin Scorsese as himself, who interests Brooks in a remake of Raging Bull "Thin and Angry." Worth a gander, but not as many laughs as Bowfinger. A