Mariage à l'anglaise

Well, I have read other comments less than flattering but my wife and I loved it. I don't care about the coincidences and any small contrivances, the characters were so well portrayed that by the end I knew them all personally and could relate them to people in my past. Don't get picky, do you want more of this or more 'You've got Mail'? I know what I prefer.

Here's another fine British film, and I have to say it again, the film industry of this island is working fine! And this is exactly the sort of films European cinema in general does better than Hollywood, light comedies about ordinary people, realistic stories about realistic characters without the pretentious tears of the American melodramas. The story spreads over to years focusing on the love affairs of 3 women, Hannah (Catherine McCormack, the beautiful wife of Gibson in Braveheart (1995)), Mary (Kathy Burke, superb in Oldman's Nil by Mouth (1997), also in Elizabeth (1998)) and Sophie (the also beautiful Jennifer Ehle, seen in Wilde (1997)), and 3 men, Danny (Douglas Henshall), Cameron (Dougray Scott) and "I don't remember", who exchange lovers between them and are all linked in this strange way. The story seems to be triggered by the wedding in the starting sequence, but to me it is only the vehicle of introducing the characters. The setting is the Camden Town area of London and the time is today, so we get a glimpse of reality in the English capital. I have to reveal that the humouristic tour de force is the lager shower of Cameron in the pub. For all the sincere and unpretentious cinema a loving 6 out of 10.

Compared to its subsequent b****rd offspring ("Elephant Juice" and "Born Romantic") this is a faultless masterpiece. Is it really enough to get a few admittedly very good actors together, get them to do a few mildly funny, mildly touching scenes and then edit it all together? Perhaps it would be if this film didn't have ideas above its station. I'm all for having characters who are f*cked-up and mentally disturbed, but how dare the makers of "This Year's Love" introduce just such a character (Liam, played by Ian Hart) and have him involved with all the main female characters in the movie and then just remove him from the story when they can no longer think of what to do with him? This is insulting and offensive. The balanced, "normal" people are all okay, so that's all that matters. Disgraceful. Liam is the only one of the characters who can't cope with all this bed-hopping, being dumped, falling in and out of love and all the rest of it. Yes, all his girlfriends in this film deserve better, but what about him? Who cares? Clearly not the makers of this half-hearted film.

There are pleasures to be had - Dougray Scott is excellent as the serial womaniser and complete git. His scene with Sophie towards the end ("Yes - meeeee!") is great. And Sophie has a superb monologue directed at the hapless Liam ("coming faster than a speeding bullet") which ends with her son waving "Bye Bye" to him. A fine scene. Henshall and McCormack are also good as ever. Though I wish someone would explain to London film-makers that people who work on supermarket tills rarely if ever get taxis from Camden to Heathrow. It would have been much funnier to show her getting on the tube and being endlessly frustrated at delays, crowds, breakdowns, broken escalators. See the end of Kingsley Amis's "Lucky Jim" for details of how this sort of scene can be done. Kathy Burke is, of course, superb. For some inexplicable reason, however, the band she plays in is fronted by the ever-loathsome David Gray. The scene where she takes centre stage is hilarious as Mister Gray fights to hog the limelight, waving his head about and thrashing his acoustic for all it's worth - thankfully the film-makers seem quite aware of how vile he is, and track in to the lovely kathy, forcing him out of the frame. Well done.

There are worse ways to spend two hours of your life (actually going to Camden, for example) but this film could have been so much better. Then again, on the evidence of the follow-up, "Born Romantic", they could also do a whole lot worse.

Words that fill me with dread: 'A Joel Schumacher Film' obviously, 'A Romatic Comedy from London', equally horrid. Yet finally someone has got it right - not Joel Schumacher of course.

Peter Kane's salty comedy is something quite new, an unsentimental, contemporary La Ronde set in Camden Lock. His bone dry script is adorned by a magic cast, not least the indomitable Kathy Burke, who is surely now England's greatest treasure. There is a real courage here, no corners are cut and no easy, neat solutions are adopted. If we are a little disgusted by the smugness of the artsy characters it is more than compensated for by their terrible sadness. Very human, very witty and beamed in from a different galaxy from the one that Hugh Grant inhabits.

found this film by mistake and wasn't expecting much, but was pleasantly surprised, a real gem of a movie. Cathy Burke singing was a surprise and she wasn't that bad, The characters were realistic and I know the area well so can attest to this, happy endings were not mandatory in this film which makes it more poignant. Could imagine another film with these characters being made five years down the line and still holding our interest. Dougray Scott was surprisingly attractive even with greasy hair, he showed a good understanding of the character. All in all the actors in this film showed why British film-making is up there with the best.