Marie de Nazareth

The story was choppy but this is understood because of time constraints and to keep it moving. The emotion seemed to be misplaced--none when needed, too much at other times. The acting was a bit stiff. Had the feel of a stage play. Christ seemed to stare into infinity a bit much and some of the others speech overs reminded me of a Japanese monster movie (Paul especially). As with most movies with a female protagonist there is the occasional male bashing and I'm sorry but was Mary nearby,in the room or around the corner of every major event in Christ's life? Maybe I'm just spoiled by "The Greatest Story Ever Told" version. ..... .....

1st watched 10/18/2002 - 5 out of 10(Dir-Jean Delannoy): Ok, but not mesmerizing depiction of the discipleship of Mary (the mother of Jesus) to Jesus, himself. This movie is one of the first attempts I've seen of depicting Mary's faithfulness to God from Jesus's conception to his ascension to heaven. This is a noble effort and Mary's portrayal is done well, but the rest of the movie doesn't seem to live up to what it could. Many parts of Jesus's life are cut out and some things are changed slightly to make them more bearable to the audience. The weird thing is that some scenes were almost word-for-word depiction's of the Bible and other's were twisted slightly. Besides this, the movie itself lacked emotion and heart about Jesus and the representation by the actor also lacked thereof. Again, a noble attempt to display Mary's point of view, but it was not executed very well, in my opinion.

It is a beautiful film and this can be its basic virtue. The basic sin - the rush , who gives to some moments a very bizarre sense ( the baptism of the Savior is the main example ).

But the problem remains the ambiguity of purpose of director . Is it a film about Mother of God ? Is it a film about Her Son ? The - guess ! - of Juda , what is its purpose ?

The answer seems be ignored and, in strange way, the beautiful scenes are out of the Gospel - the women and Mary near fountain, the reactions of women front to institution of Eucharisty.

The aesthetic virtues are, in too much measure the only matters element. It is not a bad option but , maybe, a short version of the film about Jesus in vision of Franco Zeffirelli is not exactly enough. The excuse - it represents the last will of an admirable director, a testimony of his faith, maybe and, after so many films of theme, it can be only a shackle from a long chain.

A quite enjoyable story about virgin Mary's take on the evangelists, it does not really concentrate on the emotional development of Mary or on how she really reacted and lived through all of the events, but rather understands the limits of time for any movie, and gives a visually compelling story about what else was going on around Jesus - all the rest of the story has been reduced to a few semiotic remarks and dialogues, while the mother is made to have opinions of her own, and somewhat even conflicting with that of the newborn god-son. It is still a movie about Jesus & co, but as the rest of the acting is based on the bible and is for most part known to viewers, the eventful parts of the movie will become visuals and reactions and actions of the mother who is present. It kind-of shows the mothers being in the world while at the same time the rest becomes just scenery. That's what can be done with a story that is constantly retold. Enjoyable, do watch this.

Referto: Rozencrantz and Guildenstern are dead. (just for the hell of it) maybe for similar kicks.

Being the first movie of the Gospel I've ever seen which was produced in France with English duologue, at first I was intrigued when the duologue contained snippets of what I recognized as Scripture, but which was NOT from any of the English versions I have ever studied, so it piqued my interest.

It contains a plethora of interpretations that do not coincide with my own interpretations of the events surrounding His ministry based on my study of the Gospel in multiple languages, however, as I have yet to undertake a study of the Gospel from the perspective of the French language, I cannot help but say that I found it to be a lot more interesting than some quicker-cheaper productions about the Word.

It was enough to help me overlook so many of the technical flaws that I saw in this film, as being perhaps translational inaccuracies and errors.