Two young men (Jon Cryer, Rick Stear) who have been friends since early childhood decide to go on a trip to find a third friend (Rafael Baez) who has long since disappeared. Stories they hav... Read allTwo young men (Jon Cryer, Rick Stear) who have been friends since early childhood decide to go on a trip to find a third friend (Rafael Baez) who has long since disappeared. Stories they have heard indicate that the friend has been seen in an apparently rambling, incoherent state... Read allTwo young men (Jon Cryer, Rick Stear) who have been friends since early childhood decide to go on a trip to find a third friend (Rafael Baez) who has long since disappeared. Stories they have heard indicate that the friend has been seen in an apparently rambling, incoherent state at Coney Island. Their trip leads them to a number of adventures involving the otherworld... Read all
- Awards
- 4 wins total
- 12 Year Old Daniel
- (as Timmy Reifsnyder)
- Director
- Writers
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- Production, box office & more at IMDbPro
Featured reviews
The story begins with a prologue...showing what life was like for three kids growing up in New York City as well as how they met and how they drifted apart. Now, a decade has passed and Stan (Rick Stear) seeks out his friend Daniel (Jon Cryer) because their old pal, Richie (Rafael Báez) disappeared some time ago and Stan heard a rumor that Richie might be hanging out around Coney Island. So the pair of very unlike friends go to Coney on a most unlikey day...it's cold, it's overcast and it's practically empty. And, they spend the day meeting odd characters and following leads that might take them to Richie...who is now apparently homeless and mentally ill.
I appreciated the film mostly towards the end. Up until then, I was somewhat indifferent about it. But Richie's plight and mental health issues were handled so realistically that I had a lot of respect for the picture...especially in light of my own background as a social worker and psychotherapist. The writers got this part right....and didn't offer any trite ending where everything is magically resolved...like too many Hollywood films. In addition, the film featured some lovely performances and is well worth your time if you don't need explosions and action but value studies of people.
If I didn't live right in the neighborhood it was shot in, I would have turned it off half way through.
And I watched the movie with an optimistic attitude.
The cinematography is stunning--the cloudy and captivating blues and grays of late winter. The atmospheric mise-en-scene plays a primary role in the film. The paint peeling, abandoned amusements, the deserted rides--all carry the hollow loneliness of a ghost town. Coney Island is frightening and glorious in all it's kitschy Americana run-down splendor!
The search for the lost pal takes the friends to the freak show, skeeball parlor, bumper cars, and under the boardwalk. When at last they find him, they are forced to grapple with taking action to help him treat his mental illness, and to help themselves out of the ruts (dead end jobs, alcoholism) that they have sunk to. The dialogue is rhythmic, humorous, and authentic.
Baez plays the homeless friend, Richie, with sensitivity. Rick Stear as Stan, the alcoholic, makes a passionate film debut. Pop-culture icon Jon ("Duckie") Cryer takes a serious turn as Daniel.
The flashback to the boys' "glory days" in a high school garage band--covering Adam and the Ants "AntMusic" (!)--is worth the price of admission!
It's refreshing to see a film that is well-written, socially conscious, and emotionally relevant. It is a far cry from the tired Hollywood "formula." I encourage all film-lovers to see it.
Did you know
- TriviaLaura Breckenridge's debut.
- ConnectionsReferences Freaks, la monstrueuse parade (1932)
Details
Box office
- Gross US & Canada
- $15,970
- Opening weekend US & Canada
- $2,917
- Sep 10, 2000
- Runtime1 hour 34 minutes
- Color