Warlock - La rédemption

This film starts in New England in 1673 with a young mother known simply as "Mrs. Miller" (Catherine Siggins) walking with her daughter in the woods. Temporarily distracted, she takes her eyes off of her young daughter--only to find her missing when she turns back around just moments later. After searching frantically, she discovers that an evil warlock has kidnapped her daughter and plans to sacrifice her that very night. Fortunately, being a powerful witch in her own right, she manages to cast a spell that, not only prevents him from carrying out his plans, but also traps him inside the basement of the house he chose to use. The scene then shifts to several centuries later with a young college student named "Kris Miller" (Ashley Laurence) being informed that she has just inherited an old house in a small New England town many miles away. Naturally, being somewhat reluctant to travel to an unknown destination all by herself, she asks her boyfriend "Michael" (Paul Francis) to come with her. Unfortunately, he declines due to some exams he needs to prepare for over the weekend. That being said, she then drives to the isolated house and spends the night there all by herself. It's during this time that she thinks she hears a young girl's voice and begins having visions of a doll that seems eerily familiar. Even so, she manages to get to sleep, but the next morning, she begins hearing the young girl's voice again. To her surprise, when she follows the sound to the front door, she discovers that Michael and several of her other friends have arrived to keep her company after all. Needless to say, their presence does much to calm her anxieties. That changes, however, when an architect by the name of "Philip Covington" (Bruce Payne) stops by to visit and, unbeknownst to her, he looks exactly like the warlock who kidnapped the young girl several centuries earlier. Now, rather than reveal any more, I will just say that this 3rd film in the Warlock trilogy wasn't nearly as bad as I thought it might be. For starters, even though Bruce Payne did a credible job as this particular film, I thought Julian Sands was slightly better in the previous two movies. Conversely, I thought this film had better special graphics. Likewise, this film seemed more focused on the primary plot than the second movie to a certain degree as well. In any case, while I don't believe this film was necessarily superior to the other two, I honestly don't consider it to be inferior either, and for that reason I have rated it accordingly. Average.

Have a look - one person from HELLRAISER, one from BRAIN DAMAGE, a poor womyn's Sarah Michelle Gellar & the third in an also-ran series of "speculative" films. Another Point: children spoil "horror" movies - in fact, they spoil ANY type of movie - thankfully, the little "sweetheart" is used sparingly. Taken on it's own merits, a none too bad addition to the Haunted House craze & (probably) the only American (or is it Irish??) attempt to ape (elements of) THE BEYOND. It's difficult, but brave the self-conscious "alternative" vibe (including such unpop as Thick Liquid, Haze & Hot Water Music) & there IS a lot to enjoy. Surprise: some truly nasty moments - a male equivalent of the breast torture from MAKE THEM DIE SLOWLY and a slap of Female Domination, that, if the roles were reversed, would have seen this effort banned in Australia. Black Metal fans watch out for the villian's unveiling; something straight off a Venom sleeve. An unapologetic Junk-Food Late-Night scare flick.

By-the-numbers horror sequel in which a college student who, with the usual assortmentof disposable friends, visits a creepy old house she has unexoectedly inherited and finds herself stalked by the title character, a centuries-old demon in human form. Not exactly intolerable, but bad enough to bring the franchise to an end.

the third part of the series is simply blasphemic. Trying to make a 90s teenieshlasher version out of the great warlock sujet.

Where Part 1 & 2 had atmosphere, fun and style (no big surprise looking, who directed them) Part 3 is only boring,plotless and stupid. Not to forget acted real badly. Only Payne as Warlock is acceptable.

The first Warlock film with Julian Sands and Richard E. Grant was great - original, fun, a bit gory, and suspenseful. It had pretty well defined characters, and a plot that moved. (I bet the movie would have been terrific if it's budget had been about 3 times bigger for special FX.) I Feel the second installment Warlock: The Armagedon, was okay, but a bit cheesy with the magic druid theme going. Though the plot was a bit dodgy because they weren't chasing after the warlock, the improved FX and magical scenarios made the movie palatable.

This third installment though is pathetic. The editing is horrible, the film drags on and on for the first 40 minutes or so. The lead character is very flat, and the Warlock is also quite flat. Although that is kind of how the warlock character has always been portrayed, calm, cold, and collected, which worked when the other leads where quite animated, but is terrible here with the boring lead. At least there are the side kicks in W3 to spice things up, as the two leads are excruciatingly lame characters.

As the film is slow at the beginning, one doesn't know if it is going to be about the house, or about the Warlock. And I think that where they missed it. If they had focused less on the "haunted house" aspect early on, and more or flashbacks with the warlock, it may have turned out better.

If you are a fan of the previous two Warlock films its worth renting, but prepare yourself for boredom and disappointment.

If you've never seen the previous Warlock films, skip this one, rent Warlock (1989) and enjoy.