Perfect Blue

Roger Corman is quoted as considering this a cross between Walt Disney and Alfred Hitchcock, whilst others have referenced Argento and Lynch. Whilst I'm not particularly keen on any of these comparisons, it is certainly true to say that this film, even though it is animated, is much closer to live action than what we normally consider animation. There are times when you forget you are watching animation, the urban shots of Tokyo are mesmerising, and I have certainly never seen so much blood in an animated film. I was going to say violence but I guess there is plenty of that in a Tom and Jerry short. This, of course, is much harder edged and although it begins in pink, girlie, teen idol territory it is not there for long and there are delirious sequences towards the end when it will not only be the person on screen who is having an identity crisis!

OK, this is definitely one anime movie that really has this creepy feel that clings to you as you watch. The animation is really good as characters and movements appear so life-like, it seems like reality. There's definitely the theme of 'identity' and Mima's difficulty distinguishing reality from illusion. Her paranoia and fear tends to grab your attention and as she asks questions, you ask the same ones. I thought the film also played well with celebrity infatuation and the price of fame. It really had a lot going for it and the different camera angles give a very dreamy, mysterious atmosphere. One great shot is the zoom out from Mima's apartment. I could've sworn that was a real city.

"Who are you?" sums up this movie. What a film. By the way, CHAM's song is really catchy.

'Perfect Blue' is the most interesting animated movie I've ever seen. Lovers of cinematic puzzlers from 'Vertigo' to 'Abre los ojos' or the movies of Dario Argento or David Lynch will probably enjoy this one more than your typical anime fan, who might find this too slow, and not flashy enough for their tastes. I don't think 'Perfect Blue' quite reaches the heights of the aforementioned, but it is still a fascinating, multi-layered thriller that improves with repeated viewings. As a look at the illusions of fame and the dark side of obsession I personally found it to be a much more satisfying movie than the more celebrated and flamboyant 'Mulholland Dr.' I strongly suggest that the original Japanese subtitled version is watched rather than the inferior English dubbed one for maximum effect. This is one movie experience that will stay with you for days. Highly recommended.

Plot twist, after plot twist, twisting time at every second. As in every Satoshi Kon film, time is warped, un-bended and bended again, but it is always engaging and fantastical to watch. Black Swan definitely seems to have been inspired by this, for it is simply perfect... blue. Still don't know why it's called that.

I am a fan of anime and of animation, and I was very taken with Perfect Blue. I would have liked it to have lasted longer perhaps, that way more care could have gone into the ending which felt rather weak and rushed. But as a debut of a talented and interesting director, it is a fine anime not just of its genre but overall too.

The animation is very good, while the backgrounds flow well and are wonderfully ethereal, the colours are well shaded and the characters look great without being too generic, it is the clever visual flourishes that really elevate. Another strong asset is the story, it is well paced but also in its tone it is wonderfully surrealistic and its ideas are interestingly presented.

The music is fine too with some moments of beauty and some of it haunted me as well. The dialogue convinces and the pace is well-judged. All the characters are likable and interesting too, and the voice work is stellar. Overall, a fine film. 8/10 Bethany Cox