IMDb RATING
4.4/10
2.5K
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Seven teenagers are stalked by a murderous clown while refurbishing an old opera house.Seven teenagers are stalked by a murderous clown while refurbishing an old opera house.Seven teenagers are stalked by a murderous clown while refurbishing an old opera house.
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A very 90s (with a fitting soundtrack to boot), run-of-the-mill DTV slasher made the more interesting because of the cast, and the old abandoned theatre backdrop. You got Christopher Plummer slumming it. Margot Kidder in a few scenes bringing energy. While James Duval and Tatyana Ali (Fresh Prince of Bel Air fame) head the young cast. The cheap origins of the production can show it up, but still there's an oddball atmosphere to it, mean-spirited kills and some moments might create a chill with the framing of the killer clown in the back of shots stalking his victims.
This is a sophisticated slasher film. Christopher Plummer is fantastic! If your idea of horror is teenagers being chopped up while reciting urban legends, then this may not be for you. But, if you are a fan of "The Phantom of the Opera" or "Theater of Blood", then you will enjoy this slight but entertaining thriller. All the performances are exceptional for a made for video film and the directing is just plain creepy; especially on the dream sequences. Although some may find this slow, I liked it for what it was. Yes, there are plot holes. Yes, there is excessive gore. Yes, most of the characters are cliched. This is what horror film buffs like. Not innovation, not recreating the genre, not satirizing popular films. Just good old fashioned scares, gore, and campy performances.
For Fangoria readers, a 10.
For Fangoria readers, a 10.
The opening to this film is exceptional...It delivers a very creepy atmosphere, that continues through the first death scene...The thought of a film set in an old theater, of course, gives this the Phantom of the Opera feel, but It really doesn't feel that way when watching it. The stalking scenes, are at times, silly and predictable...and should be able to be avoided by the character, but nonetheless, people got to die in horror movies.
Written by Kenneth J. Hall (Puppet Master, Blonde Heaven, Dr. Alien), it is not wonder there is some flaw to this. However, it really delivers more than one would expect from a DTV (direct to video) horror film.
My big Gripe! The use of the standard Horror movie characters: The Jock, The bitchy Princess, The black girl, The gay Guy, the creepy guy no one can figure out, the weird lesbo-type girl into the paranormal, and a dim-witted teacher....and of course the basket-case main character...They follow all the stereotypes for their characters, and it tends to sway from the story, and make utter nonesense.
Tatayan Ali, in my opinion is best performer in the film...Her death scene, however, leaves much to be desired (the girl just didn't Die well).
Corny, predicatable Dialouge, slow, but creepy paced...the film really isn't that bad...but I disagree with one review saying this is a HOrror film for true horror fans...It is a decent slasher, but nothing we haven't seen before....The end, was no big surprise...but I didn't quite figure out everything until almost the very end....
Enjoyable watch....I plan on watching it again...
7 out of 10
Written by Kenneth J. Hall (Puppet Master, Blonde Heaven, Dr. Alien), it is not wonder there is some flaw to this. However, it really delivers more than one would expect from a DTV (direct to video) horror film.
My big Gripe! The use of the standard Horror movie characters: The Jock, The bitchy Princess, The black girl, The gay Guy, the creepy guy no one can figure out, the weird lesbo-type girl into the paranormal, and a dim-witted teacher....and of course the basket-case main character...They follow all the stereotypes for their characters, and it tends to sway from the story, and make utter nonesense.
Tatayan Ali, in my opinion is best performer in the film...Her death scene, however, leaves much to be desired (the girl just didn't Die well).
Corny, predicatable Dialouge, slow, but creepy paced...the film really isn't that bad...but I disagree with one review saying this is a HOrror film for true horror fans...It is a decent slasher, but nothing we haven't seen before....The end, was no big surprise...but I didn't quite figure out everything until almost the very end....
Enjoyable watch....I plan on watching it again...
7 out of 10
Just a re-hash of 80's slasher movies with a "Phantom of the Opera" twist--and not much of a twist at that. Acting is terrible, script writing is terrible. It's too bad all the goofy characters weren't killed. Rent something else.
Slasher films tended to go downhill after their popular run in the 80's. Occasionally, in the 90's, a worthy horror film would pop up, but with the release of 1996's blockbuster "SCREAM", the genre got the well deserved regain in popularity that it needed. However, with the late 90's horror film explosion, something was missing. The charm and effect of the 80's slasher was lost in the huge Hollywood budgets and hip young casts that have become fixtures of recent horror films.
"The Clown at Midnight" is an exception to this rule. With a relatively unknown cast of teens (the exception is "French Prince of Bel-Air) actress Tatayani Ali) and a foreboding setup, it manages to develop into a well crafted, well acted, creepy horror film that evokes the atmosphere and effectiveness of some of the best slashers of the 80's.
The plot centers around young Kate Williams (Sara Lassez), whose mother was brutally murdered in an opera house years before. Her and some of her classmates volunteer to clean up the same opera house to prepare it for their college music department. Well, needless to say, an unpleasant time awaits each of them as a killer dressed as a clown locks them in the downright creepy building and kills them in very grim ways.
The Good: The film looks great. The direction is sharp, the lighting perfect, and the film stock high quality. In fact, it looks better than some of the films that have made it into the theaters recently. The plot is interesting enough, and though each character is a cliché (the jock, the bitch, the brain) the actors pull them off quite well and make us connect to them. Better yet, they are actually teenagers and not thirty year olds trying to act like teenagers. Margot Kidder and Christopher Plummer also put in strong cameos and give the film a sense of credibility. What is interesting is that the most likable characters are disposed of in the most gruesome ways which does provide some slight emotional impact. As mentioned, the setting is creepy and very effective and the killer clown lurking around is unsettling. But what I liked most about the film is the atmosphere and the fact that it doesn't try to be anything other than a slasher film. There are no comedic undertones, no over-the-top characters, just pure stalk and slash very reminiscent of the 80's. It really is one of the better post-"Scream" slasher films that actually is extremely competent and enjoyable.
The Bad: Very little, actually. Clichés do abound and it really isn't THAT hard to figure out who the killer really is. We also know from the first frame who the surviving girl will be, so any early stalk scenes with her are ineffective because we know she won't die. The ending leaves a lot to be desired and seems rushed. There really could have been a longer chase sequence and the whole "Popcorn" inspired final minute were unnecessary because, again, we know how who will live. The are some gruesome deaths, but most of them are very tame. This probably won't please gore hounds.
It seems this film has become quite rare. As of now, it is only available on VHS and I don't think a DVD release is planned for anytime soon. But I highly recommend this film to you lovers of the 80's stalk and slash films because overall it is an well-made and enjoyable film.
My Grade: B+
"The Clown at Midnight" is an exception to this rule. With a relatively unknown cast of teens (the exception is "French Prince of Bel-Air) actress Tatayani Ali) and a foreboding setup, it manages to develop into a well crafted, well acted, creepy horror film that evokes the atmosphere and effectiveness of some of the best slashers of the 80's.
The plot centers around young Kate Williams (Sara Lassez), whose mother was brutally murdered in an opera house years before. Her and some of her classmates volunteer to clean up the same opera house to prepare it for their college music department. Well, needless to say, an unpleasant time awaits each of them as a killer dressed as a clown locks them in the downright creepy building and kills them in very grim ways.
The Good: The film looks great. The direction is sharp, the lighting perfect, and the film stock high quality. In fact, it looks better than some of the films that have made it into the theaters recently. The plot is interesting enough, and though each character is a cliché (the jock, the bitch, the brain) the actors pull them off quite well and make us connect to them. Better yet, they are actually teenagers and not thirty year olds trying to act like teenagers. Margot Kidder and Christopher Plummer also put in strong cameos and give the film a sense of credibility. What is interesting is that the most likable characters are disposed of in the most gruesome ways which does provide some slight emotional impact. As mentioned, the setting is creepy and very effective and the killer clown lurking around is unsettling. But what I liked most about the film is the atmosphere and the fact that it doesn't try to be anything other than a slasher film. There are no comedic undertones, no over-the-top characters, just pure stalk and slash very reminiscent of the 80's. It really is one of the better post-"Scream" slasher films that actually is extremely competent and enjoyable.
The Bad: Very little, actually. Clichés do abound and it really isn't THAT hard to figure out who the killer really is. We also know from the first frame who the surviving girl will be, so any early stalk scenes with her are ineffective because we know she won't die. The ending leaves a lot to be desired and seems rushed. There really could have been a longer chase sequence and the whole "Popcorn" inspired final minute were unnecessary because, again, we know how who will live. The are some gruesome deaths, but most of them are very tame. This probably won't please gore hounds.
It seems this film has become quite rare. As of now, it is only available on VHS and I don't think a DVD release is planned for anytime soon. But I highly recommend this film to you lovers of the 80's stalk and slash films because overall it is an well-made and enjoyable film.
My Grade: B+
Did you know
- TriviaFilmed on location at the Walker Theatre in Winnipeg, Manitoba, Canada. The theatre opened in 1907 and was designated a National Historic Site of Canada in 1991. It was renamed the Burton Cummings Theatre for the Performing Arts in 2002.
- GoofsAround 1 hour 18 Minutes in below corner the Boom mic is clearly visible.
- ConnectionsReferences La quatrième dimension (1959)
- How long is The Clown at Midnight?Powered by Alexa
Details
- Runtime
- 1h 31m(91 min)
- Color
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