Thomas Crown

Forget all the explosions, car chases, crazy villains, special effects... The Thomas Crown Affair is not an action movie. It´s not even a thriller. Instead, it´s a well-done cat-and-mouse movie that´s smart, entertaining and very sexy. If you had to use one word to describe the film it would have to be sophisticated. The movie might appeal more to mature audiences as both the leading man and the leading lady are over 40 years old. Pierce Brosnan can obviously do other roles beside James Bond, but the role of Thomas Crown is at least somewhat similar to 007. Both guys "enjoy women" and are very suave. Overall, Brosnan gives a solid performance and is overshadowed only by Rene Russo who simply oozes sexuality and class. She is simply perfect in her role and though she´s twice as old as I am I find her a real knockout. Not only is she extremely hot, but also a very talented and charismatic actress. A perfect combination! The classy dance scene between Brosnan and Russo belongs to the most sexually-charged scenes in history and the following love-making scene manages to be both sexy and stylish. Usually nude scenes in Hollywood movies seem somehow "uneasy", but in this movie the scene is done in real style and with sensual music the atmosphere is sizzling. Who would want a disposable bimbo like Britney Spears when you could have a real class-act woman like Rene Russo? I would also like to mention Bill Conti whose simple yet refined music is simply outstanding. Just listen to the music during the scene in which Crown and Banning go glider flying... You can just close your eyes and listen to this wonderful music. Now I have to find the soundtrack for this film! I guess I should mention that I´ve never seen the original Thomas Crown, but now I don´t even have to bother as its updated version is a true pleasure to watch. I have nothing negative to say about it so just go get this film on DVD and enjoy!

I am very fond of the Norman Jewison original particularly for Dunnaway and for the song The Windmills of My Mind. This is a very worthy remake, and almost on par in my opinion, and I thought I'd never say that after seeing far too many pointless ones along the odd truly great one. The story is not quite as convincing here, it does have some great scenes that also some that don't quite work like the dance scene which was not very well filmed and didn't enhance the story as much as the chess scene of the original. However, visually it is very stylish, with striking locations, crisp photography and editing and great fashions. The direction as expected from John McTiernan is very convincing, the screenplay is taut and the soundtrack is memorable. Pierce Brosnan and Rene Russo are fine leads, and their chemistry is somewhat steamier than the original's, and there is also some great support from Denis Leary and Faye Dunnaway herself. Overall, a more than worthy remake, loose of course but very stylish and classy. 8/10 Bethany Cox

I got to watch the 1968 Steve McQueen - Faye Dunaway - Paul Burke film when it showed in theaters in the 60's, then; at the dawn of the millenium, watched the 1999 Brosnan-Russo-Leary one and came out of the theater firmly believing that the original was much better in every sense. This week, thanks to the magic of streaming services I could watch both back to back. Contrary to popular wisdom there are remakes that are better than the originals and this is the proverbial sample button.

The plot is absolutely superior and direction does it justice; while the original, for its period might have been glamoruos and imaginative, it pakes pitifully on the comparison. The new script is much more agile, interesting and glamorous all around. Casting beats the old one hands down.

Acting: while McQueen and Dunaway might have been shining stars of their time, they feel stiff and cardboard nowadays. The personifications delivered by the 1999 cast are fluid and three-dimensional. Even with the age difference at the respective times of the films, Russo is way more stunning than Dunaway, who by the way does a credible analyst on the latter film. Burke did a poor performance compared to Leary's, who delivers a full and likable character.

In the glamour and high life section, there's simply no contest. Even the gliders are miles apart. The clothes of the characters are without comparison. Accessories, transports, dwellings... Brosnan exhudes money, McQueen... Hmm.

While the '68 file has a depressive ending the '99 version manages to squeeze-in a happy ending all around.

In sum, to really appreciate the '99 version, you need to watch the '68 one and transport yourself in time to the era. Then jump back ahead and compare.

This remake in every way tops the original which you seldom see in a remake. Though Steve McQueen was considered the King Of Cool, Pierce Brosnan played Crown with all the debonair and confidence required of the character without going to far.

Rene Russo was a perfect fit. Her sex appeal surpasses that of Faye Dunaway in the original but in Dunaway's defense, the censors of her day would not have allowed what Russo got away with and McQueen was against nudity in movies. It goes without saying though that Russo and Prosnan had great chemistry.

The pacing was perfect, the music much better than the original, and the ending was totally unexpected. As a minor spoiler, I like how they don't reveal how he stole the other painting. There's a lot to like about this movie.

This DVD was an impulse buy, pure and simple. My wife and I like Pierce Brosnan, and I have enjoyed Renee Russo's other works, so what did I have to lose? Only my mind! This film was positively one of the most enjoyable, nail-biting, suspenseful romantic capers ever made.

A remake of the steamy 1968 Steve McQueen flick updated to the sleek and self-referential 90s, "Thomas Crown" features Brosnan as the title character - a bored billionaire businessman in the business of "acquisitions". For a thrill, he heists an extremely valuable Monet from the New York Museum right under the noses of security guards, cops, and about a thousand unsuspecting museum-goers. Renee Russo is the very sexy, very worldly Catherine Banning, whose insurance company underwrites the painting - and she is determined to get it back at any cost... But the cost just may be her soul as she woos, and then falls under the spell of the enigmatic Crown. Will Russo discover the location of the Monet? Will she rat out Thomas Crown? Or is Crown manipulating her affections like Bobby Fisher manipulates the pieces on a chess board?

What we have here is a high-speed chase film whose vehicle is clever dialog, rich and exotic direction, and more than a little sexual tension! Brosnan, as Crown, is ever the cool Brit charmer whose every word and action are as calculated as the movements of a Rolex. Russo smoulders every time she appears on screen. And when the two of them get together, the chemical reaction is pure dynamite.

Dennis Leary has a nice bit as a streetwise NYPD detective on the case, who dispenses advice to Russo's Banning, and watches her begin to spiral out of control. His role here most likely resulted in the deserved attempt at a television series on ABC ("The Job").

The action in the film moves exotically from caper to cover-up and back with dizzying speed... All the while, we are kept guessing about the motivations of the two lead, and find ourselves eagerly anticipating their next move. When the final checkmate comes, we are left totally bewildered, befuddled, and baffled... which is most-likely the director's intention!

On all levels, "The Thomas Crown Affair" will steal the hearts of men and women alike... but for different reasons - Men can enjoy the action and thrill of the chase, and Crown's ability to win over the most beautiful women and his attempt to get away with the ultimate heist... Ladies can marvel at the suave Brosnan and his life of extreme wealth, and all-the-while wonder if he will betray her, or if she will betray him...

I will not betray you... I ain't saying!