Le sang du souvenir

I just happened to turn this on and was very pleasantly surprised. The actors were understated if anything and the plot was very interesting. I came up with several solutions before the ending revealed I was so very wrong. Even Mary McC's accent wasn't too bad. Recommend it highly.

Andrew Mondshein has obviously been paying attention. He has created an almost flawless bit of storytelling. From beginning to end its hauntingly beautiful and thought provoking. I compare it favorably to the best works of John Sayles, possibly the finest contemporary american filmmaker. Is it a coincidence that two Sayles veterans David Strathairn and Mary McConnell are excellent in this movie??

Its structure is complicated, but it is handled with a deft hand. Bernadette Kelly's editing is seamless. I recommend it very highly to anyone who enjoys a good whodunit or simply a wonderfully crafted entertainment. It certainly does not seem like a TV movie, even if it is a Canadian production, which, of course, are usually superior. Give it many stars.

This is one of my favorite types of movie: thoughtful, shy writer pieces together events from fifty years ago, exonerates an innocent man and discovers something important about himself in the process. The movie doesn't try to do too much, gives you enough information about the primary characters without leaving you wondering if there was more background in the book.

I've always liked David Straithairn and he gives an easy portrayal of the main character. Mary McDonnell is good as the unjustly convicted murderer's daughter though I could have done without the halting, "don't really care about anything" accent/tone. Definitely worth seeing if you're into the story-type movie.

I rented this film without knowing anything about it and not expecting much more than a mediocre mystery. However, it's actually a very well done film, both in terms of story and character development. The story takes awhile to unfold as the first part of the film is focused on building characters and a sense of the town in which they live. This in itself is interesting as it comes across in a natural way and gives the viewer the feeling that these people are real human beings. Then we begin to follow a trail of clues both in the present and through flashbacks to the era of the crime. A mistake and a crime happened a long time ago on an abandoned country road. One man has been executed because of it. Others are forced to hide the truth, either to protect themselves or the people they care about. I can't say too much more without giving away the ending, but I think you'll find yourself pulled deeply into the story just as I did. If you enjoyed "Lone Star" then you'll probably enjoy this film too. Please don't dismiss it because it's a made for TV movie as it's certainly better than many theater films.

Somewhere in the annals of court cases, we have gone from the slow approach of Perry Mason's time, to the quick, try'em and fry'em dramas of today. In such cases, audiences become privy to the horrid details which modern audiences eagerly hunger for today. In past eras, we were offered only superficial illegalities and dry bed room antics of stereotypical cardboard characters. It appears nostalgia is not dead. The film is called " Evidence in Blood " and it stars perhaps one of the most underrated actors of the day. David Strathairn aptly plays Jackson Kinley a Pulitzer prize winning author who's invited to witness a state execution. The case seems closed when he receives information his older brother has passed away. Returning home, he sifts through his brother's personal items and discovers a collection of odds and ends which puzzle him enough to began a new investigation. When Dora Overton (Mary McDonnell) the executed man's daughter visits him, she confesses she believes, her father was innocent of the murder and wrongly convicted. With a gnawing suspicion she may have been right, Kinley begins to uncover a growing collection of evidence of a massive conspiracy by towns-folks. Despite the danger, drama and subtle excitement, the writer realizes his own family's culpability, beginning with his law-enforcement brother, covering up something which he realizes too late. With Strathairn shoring up the brunt of the story, the film does not provide sufficient support for his efforts. As a result, the movie supports itself with good courtroom settings, flash-back images and complex conversations which if you miss any of it, will leave you guessing. Nevertheless, fans will appreciate David Strathairn's work which stands accordingly. ****