Several escaped prisoners and two hostage women along with a sheriff's deputy find themselves trapped in a mine shaft, where a cannibalistic mutant is hunting them for food.Several escaped prisoners and two hostage women along with a sheriff's deputy find themselves trapped in a mine shaft, where a cannibalistic mutant is hunting them for food.Several escaped prisoners and two hostage women along with a sheriff's deputy find themselves trapped in a mine shaft, where a cannibalistic mutant is hunting them for food.
Laura Kallison
- Monica Perry
- (as Laura Kalison)
Randy Powell
- Billy Williams
- (as Randolph Powell)
Christopher Webster
- Rachel's Husband
- (uncredited)
Featured reviews
The most frustrating thing about this film is that it had all the right pieces to be so much better. A creepy abandoned mine setting, a deformed cannibal hunting unsuspecting victims... but we end up with maybe five minutes of that promised premise at the most, with the film wasting 95% of its run time on multiple storylines of unrelated, unentertaining drama. It could have been up there as a classic, memorable slasher, had it done away with all the unnecessary filler in favour of bloody kills and more cannibal action, but unfortunately we're just left with a brief taste of what could have been in the end. The acting and production value are decent enough at least, but those things are wasted on a film as boring as this.
Three convicts escape from a maximum security prison on Christmas eve, and hijack a vehicle on a snowbound backwoods road holding the two women hostage. In trying to avoid a roadblock, they go off road and crash through a rotting cover over an old mine shaft. The survivors now find themselves trapped in a maze of old tunnels, but soon realise they might not be alone. Meanwhile a local deputy sheriff is on their trail.
I don't know what to say... this is an odd genre film trying to balance a whole range of genre elements. I kind of like it, yet still felt somewhat disappointed. There's something there, but I don't think it fully taps into it and the lack of a budget adds to it. It's schlock material, but it doesn't entirely act like it. Well, not exuberantly so... with the exception of one character sub-plot. Story starts off straightforward with quite a long-winded setup, where the acting, and dialogues are ham-fisted in their serious delivery. For the first hour you got deal with a lot of it. Plenty of predictable character arches, and restless friction between unwanted company in the caves to move the story forward, but when the underground cannibal hermit (a wrinkly old man with scraggy white hair and a beard) makes himself known to the group. It sort picks up the pace, the dark is no longer playing tricks and what develops is downright nonsensical and unhinged, especially the events surrounding the mysterious women that lives nearby and the cartoonish nature of her inclusion. There are a couple eerie, and unpleasant jolts with decent looking make-up FX... just not enough when it came to shove.
One thing though that had me bug-eyed, and probably the most effective horror moments are the scenes where a mechanical claw (like out of a plush toys machine?!), would come down and clamp down on his meals. Quite a pro too, as it only took him one go each time.
For star power Cameron Mitchell sleeps through his tiny part, where he spends a good part of his role literally doing just that, and when not rolling around in bed, there's a Christmas party to host at the beginning, or talking on the telephone in his best attempt to look worried about his missing daughter. Oh, he wasn't even trying. Go back to sleep Cameron.
I don't know what to say... this is an odd genre film trying to balance a whole range of genre elements. I kind of like it, yet still felt somewhat disappointed. There's something there, but I don't think it fully taps into it and the lack of a budget adds to it. It's schlock material, but it doesn't entirely act like it. Well, not exuberantly so... with the exception of one character sub-plot. Story starts off straightforward with quite a long-winded setup, where the acting, and dialogues are ham-fisted in their serious delivery. For the first hour you got deal with a lot of it. Plenty of predictable character arches, and restless friction between unwanted company in the caves to move the story forward, but when the underground cannibal hermit (a wrinkly old man with scraggy white hair and a beard) makes himself known to the group. It sort picks up the pace, the dark is no longer playing tricks and what develops is downright nonsensical and unhinged, especially the events surrounding the mysterious women that lives nearby and the cartoonish nature of her inclusion. There are a couple eerie, and unpleasant jolts with decent looking make-up FX... just not enough when it came to shove.
One thing though that had me bug-eyed, and probably the most effective horror moments are the scenes where a mechanical claw (like out of a plush toys machine?!), would come down and clamp down on his meals. Quite a pro too, as it only took him one go each time.
For star power Cameron Mitchell sleeps through his tiny part, where he spends a good part of his role literally doing just that, and when not rolling around in bed, there's a Christmas party to host at the beginning, or talking on the telephone in his best attempt to look worried about his missing daughter. Oh, he wasn't even trying. Go back to sleep Cameron.
I give this film a 7 only as an enjoyably bad movie - so it gets that score for being cheesy and fun. To its credit, you never know what is going to happen next - it seems like five screenplays were thrown into a blender and they filmed that. Escaped prisoners, two innocent girls driving home late at night, abandoned mines, sleazy cops, cannibal miners, a little gore, ta-da! We laughed and enjoyed how bad it was. Everything you would want in a 80's horror/action movie. Veteran actor Cameron Mitchell (who was on Broadway in the original cast of Death Of A Salesman and then became an International B-movie actor) plays a worried father of one of the kidnapped girls but he's hardly in it. He must of had a mortgage payment due. Check out this bizarre cheesefest. You Will Be Trapped & Entertained!
The 80s have spawned countless low-budget slashers, and many of them are so terrible that you wonder how anyone even considered investing money in them. When you then bump into a late 80s slasher that apparently remained on the shelf until the 90s before it was released, you are even more wary. Is this slasher so disastrous that producers thought it was too bad to release even in the 80s?
"Trapped Alive" is one of them, but I can immediately reassure everyone: it is not worse than your average 80s slasher, and certainly not after the splendid restoration for BluRay. Of course, it's not good, either. The plot is about two beautiful young ladies who want to go out on Christmas Eve but are taken hostage by three escaped and very dangerous convicts. By avoiding a roadblock, they get stuck in an old abandoned mine, which turns out to be inhabited by a bewildered and cannibalistic monstrosity Talk about bad luck, right?
The script is full of annoying clichés. One of the gangsters - a pretty boy - is actually kind-hearted, the owner of the mine is all too aware of the presence of the creature, the inevitable Stockholm syndrome plot twist, etc. Of course, it also takes way too long before we get to see the monster, BUT ... He is worth the wait! "Trapped Alive" contains quite a bit of unsavory gore and a few wonderfully absurd dialogues. To make the film a bit more appealing, there's a touch of nudity, and the presence of genre veteran Cameron Mitchell (although his scenes are the dullest and most redundant ones). Certainly not mandatory viewing, but worthwhile for slasher fans.
"Trapped Alive" is one of them, but I can immediately reassure everyone: it is not worse than your average 80s slasher, and certainly not after the splendid restoration for BluRay. Of course, it's not good, either. The plot is about two beautiful young ladies who want to go out on Christmas Eve but are taken hostage by three escaped and very dangerous convicts. By avoiding a roadblock, they get stuck in an old abandoned mine, which turns out to be inhabited by a bewildered and cannibalistic monstrosity Talk about bad luck, right?
The script is full of annoying clichés. One of the gangsters - a pretty boy - is actually kind-hearted, the owner of the mine is all too aware of the presence of the creature, the inevitable Stockholm syndrome plot twist, etc. Of course, it also takes way too long before we get to see the monster, BUT ... He is worth the wait! "Trapped Alive" contains quite a bit of unsavory gore and a few wonderfully absurd dialogues. To make the film a bit more appealing, there's a touch of nudity, and the presence of genre veteran Cameron Mitchell (although his scenes are the dullest and most redundant ones). Certainly not mandatory viewing, but worthwhile for slasher fans.
A good few years before X-Factor, many years after Max Factor, neophyte horror director, Leszek Burzynski was,perhaps, percolating ideas for 'Trapped Alive'', and, I, for one, am jolly glad that he did! Quite frankly, if he didn't, this devilishly diverting, dirty minded horror film would have remained a mere figment, and with all the good will I can muster, any figment, no matter how well intentioned will ever play on my Sony region 2 Blu-ray player! (That said, should you be an avid fan of figments, I certainly meant no offence!) By the end of the 80s, the slasher cycle neared extinction, and, sadly, Leszek Burzynski's likeable, modestly satisfying subterranean, skin-flaying backwoods blood spiller 'Trapped Alive' was prematurely entombed as a Slasher relic.
It is a joyful experience to finally experience, Leszek Burzynski's previously buried underground shocker in this new, glisteringly gussied up Blu-ray presentation. Is it worth the wait? Well, that entirely depends on how receptive one's 80s horror gland is, fortunately mine remains an uncommonly virile organ, thrustingly appreciative of any lovingly reclaimed, long-forgotten historically hysterical horror opus from the gory days when film meant just that, film. Like any form of art, good, bad or indifferently made, its perceived beauty lies wholly in the perversely inclined peepers of said B-Movie beholder! If you still relish the likes of the majestically mutilating 'The Mutilator', or eccentric Mephistophelean murder-fest 'Satan's Blade' then you should embrace the Cameron Mitchell-starring, creepily claustrophobic, mine shaft-trapping, rot-faced cannibal redneck mutant rampaging shocker 'Trapped' with all the brutal tenacity of a Prison Yard coupling!
'Trapped Alive' aka 'Trapped', like Mapplethorpe's intimate photography, or that second over-generous serving of Blow fish Sushi, certainly isn't going to be everybody's fulsome chalice of frothing grume! For those with lead-lined stomachs and a more refined appreciation of the cinematic absurd may well 'unearth' much schlocky spectacle to amuse themselves in 'Trapped Alive' This is a roughly hewn, frequently fun, rumbustious slasher obscurity you can laugh 'with' or 'at', making it an ambidextrously amusing underground shocker! Burzynski's Trapped Alive maintains it's own unique charm which raises it far above the mirthless mire of routinely plagiarized horror grot clogging cinema's sinless slasher sewer of today.
It is a joyful experience to finally experience, Leszek Burzynski's previously buried underground shocker in this new, glisteringly gussied up Blu-ray presentation. Is it worth the wait? Well, that entirely depends on how receptive one's 80s horror gland is, fortunately mine remains an uncommonly virile organ, thrustingly appreciative of any lovingly reclaimed, long-forgotten historically hysterical horror opus from the gory days when film meant just that, film. Like any form of art, good, bad or indifferently made, its perceived beauty lies wholly in the perversely inclined peepers of said B-Movie beholder! If you still relish the likes of the majestically mutilating 'The Mutilator', or eccentric Mephistophelean murder-fest 'Satan's Blade' then you should embrace the Cameron Mitchell-starring, creepily claustrophobic, mine shaft-trapping, rot-faced cannibal redneck mutant rampaging shocker 'Trapped' with all the brutal tenacity of a Prison Yard coupling!
'Trapped Alive' aka 'Trapped', like Mapplethorpe's intimate photography, or that second over-generous serving of Blow fish Sushi, certainly isn't going to be everybody's fulsome chalice of frothing grume! For those with lead-lined stomachs and a more refined appreciation of the cinematic absurd may well 'unearth' much schlocky spectacle to amuse themselves in 'Trapped Alive' This is a roughly hewn, frequently fun, rumbustious slasher obscurity you can laugh 'with' or 'at', making it an ambidextrously amusing underground shocker! Burzynski's Trapped Alive maintains it's own unique charm which raises it far above the mirthless mire of routinely plagiarized horror grot clogging cinema's sinless slasher sewer of today.
Did you know
- TriviaThe two models on the cover of the VHS box do not appear in the film.
- Quotes
[last lines]
Monica Perry: [begging Randy to put her out of her misery] Not Alive... PLEASE!
- ConnectionsReferenced in Adjust Your Tracking: The Untold Story of the VHS Collector (2013)
- How long is Trapped Alive?Powered by Alexa
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