Scratch

I'm sort of target audience for this documentary film and I was looking forward to it as I knew a good handful of the names listed as involved but at the same time my knowledge of the subject only goes as far as "I know what I like and I like this", rather than some encyclopedia of names and dates. As such I was looking forward to the film filling me in with this a bit – which is good because this is what it does, a bit.

I say a bit because the 90 minute film is not really a documentary in the sense that it is totally fact based and all about informing – it is not. It does still have talking heads, a timeline and a structured way of looking at the subject in chapters of a sort, but it didn't actually inform too much beyond the basics. This will limit the appeal of the film a little bit as those that know their stuff in this regard may take exception at some of the people not included in the film and also some of the things stated as facts to do with origins etc. What the film does do well though is to try and translate why the viewer should care about this subject and to a point the film seems designed to make some inroads into the view that scratching is just noise, that it isn't music and doesn't "count" (whatever that means) and that it isn't worth their time. It does this by having a lot of footage from live events and contests which really capture the talent of those involved and show how it works in reality.

This footage is mostly very good with plenty to be impressed by and the film constructs around them using talking heads in the normal fashion. These interviews are not the most informative but people speak with passion and are natural in a way that helps. I also liked that the film was able to show the multi-cultural and multi-racial nature of the scene, rather than just saying it. The direction is good and the film is edited together well with good pace and scene selection – the visual scratching thing didn't do much for me personally, but it wasn't overly used.

Scratch isn't a great documentary in the traditional sense, but it works very well with the subject using the interviews to explain and structure while using live footage to show (not just say) why this is something that deserves your attention.

-That's pretty much the whole soundtrack to this film. I just saw this baby at the Munich Film Festival and it rocked the house. Director Doug Pray is never seen in this documentary, nor I think he is even heard, but he has done a very intimate look into the lives and history of the "mixer." He has segmented his film into about eight chapters and then his motley group of enthusiastic interviews will be spiced throughout according to what they are talking about. I was never big into "scratching" but the film does a wonderful job of keeping elementary for those who know little, and infusing in-jokes for those who are experts themselves in this area. Mix Master Mike from the Beastie Boys is in this film, but it wasn't until after the film that I could name several heavy hitters in the industry (DJ Shadow, Q- Bert, etc). The extreme fascination for turntables by these talented and quirky DJs is evident in their explanations of what their music means to them. The film also sheds some gratifying light on these guys (and one woman) to be classified as musicians. Pray doesn't let his film idle and if there exists a slow scene it is soon re-energized by hardly ever ceasing music. If nothing else, this film will increase your slang vocabulary. I have to get back to "digging", so I'll end this review. See it, it will be of interest. Good stuff man. Good stuff.

I'm not a fan of scratching, but I really dug this movie. It gave me a real insight into a world I never had a clue existed; and what else is a documentary for? Funny, clever, hip - just like Pray's previous film, Hype! about the grunge music scene.

OK. I just saw this film this past weekend, and as a DJ I thought it was one of the best documentaries on any aspect of Hip-Hop to date. I think everything was insightful and informative. I also felt that it got many different points of view and did not just stick to one particular region of scratching, but jumped around to other regions. This movie was good because it let the DJ's tell their story as opposed to being an opinionated editorial by the director. They had DJ's from way way back. They went to the essence of scratching and talked to the originator. I have a small knock on this film though. Although I can count many important DJ's who were not a part of this film, I felt that not having DJ Jazzy Jeff or DJ Cash Money in the film was a fairly large omission. Doing a movie on scratching and not interviewing the creators of the chirp and transformer scratch was a disappointment to me. Yet and still, I would consider this movie a huge success, and I'll admit that after I saw it, it made me go home and practice!!

The omission of Jazzy Jeff, the creator of the chirp and transformer scratch, raised a few eyebrows, but it's good to see he made it to the extras of the DVD after all. With SCRATCH, Doug Pray, who previously chronicled the grunge phenomenon of the '90s in HYPE (1996), made an excellent documentary about the world of the hip-hop DJ and the evolution of turntablism. His latest documentary, INFAMY (2005), explores contemporary American graffiti culture. After a couple of viewings four years ago, my DVD had been gathering dust ever since, but recently I watched it again and besides the subject material, I was surprised how well-shot and edited this documentary actually is. An immensely enjoyable soundtrack as well and not just talking heads, but lots of music, old school footage, parties, break dancing, you name it. One of the best things about the film, is that it mainly examines where the art of turntablism is today (in 2001 that is), without disregarding the pioneers of course. Good stuff.

Camera Obscura --- 8/10