[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
IMDbPro

Promesse d'Amour

Original title: The Wedding
  • TV Movie
  • 1998
  • 3h
IMDb RATING
6.1/10
566
YOUR RATING
Halle Berry, Lynn Whitfield, Carl Lumbly, and Eric Thal in Promesse d'Amour (1998)
DramaRomance

In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and... Read allIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.

  • Director
    • Charles Burnett
  • Writers
    • Dorothy West
    • Lisa Jones
  • Stars
    • Halle Berry
    • Eric Thal
    • Lynn Whitfield
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    566
    YOUR RATING
    • Director
      • Charles Burnett
    • Writers
      • Dorothy West
      • Lisa Jones
    • Stars
      • Halle Berry
      • Eric Thal
      • Lynn Whitfield
    • 12User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 5 nominations total

    Photos

    Top cast35

    Edit
    Halle Berry
    Halle Berry
    • Shelby Coles
    Eric Thal
    Eric Thal
    • Meade Howell
    Lynn Whitfield
    Lynn Whitfield
    • Corinne Coles
    Carl Lumbly
    Carl Lumbly
    • Lute McNeil
    Michael Warren
    Michael Warren
    • Clark Coles
    Marianne Jean-Baptiste
    Marianne Jean-Baptiste
    • Ellen Coles
    Cynda Williams
    Cynda Williams
    • Liz Odis
    Charlayne Woodard
    Charlayne Woodard
    Richard Brooks
    Richard Brooks
    • Lincoln Odis
    Gabriel Casseus
    Gabriel Casseus
    • Hannibal
    Shirley Knight
    Shirley Knight
    • Gram (Miss Caroline)
    Ethel Ayler
    Ethel Ayler
    • Eunice
    Paul Butler
    • Preacher
    Peter Francis James
    Peter Francis James
    • Isaac Coles
    Carl Gordon
    Carl Gordon
    • Mr. Hawkins
    Margo Moorer
    Margo Moorer
    • Emmaline
    Shilla Benning
    Shilla Benning
    • Gigi
    Joseph Bias
    • Young Isaac
    • Director
      • Charles Burnett
    • Writers
      • Dorothy West
      • Lisa Jones
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews12

    6.1566
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    6Sergio Vicente

    nice sets, landscapes.... beautiful Berry

    Things I liked about The Wedding:

    Halle Berry - fresh, beautiful, talented, what a lovely smile... the environment, the sets, the costumes (colors, styles, characterization), the lights and the colors of the scenes... the pear, the shore line, the woods, Marta's Vineyard sure must be a beautiful place. The beautiful white houses, the make-up displayed, the hairdos, the lines, the fact that it doesn't show violence, the fact that it deals with individual choice and the effect our choices have in others life. It suites the purpose of a TV movie, it has a message, it is clean, and healthy subject to watch and to think about. It's nice.
    2khatcher-2

    Better miss this saga, despite lovely Halle Berry

    I first met (and fell in love with) Halle Berry in Alex Haley's `Queen' (1993), TV mini series of some 259 minutes, shown here in Europe in two episodes. An excellent production with careful directing and good acting, especially from the beautiful Halle, even including the necessary aging which takes place throughout the film. I next found her as Khaila in `Losing Isiah' (1995), which was not bad, I suppose, just too predictable, although some scenes showed some pretty good interpretative skills. However, Charles Burnett's job on `The Wedding' – and Halle's attempt to play out the story – was just dreadfully, drearily dismal. There was little imagination, negligible capacity to make the characters `feel' alive, real; it just simply turned out to be another saga-like drudge. Whether a half-black lovely young woman can or shouldn't marry a perfectly white jazz musician, or whether she should or mustn't marry a an honestly black man, is just so out of date, it does not rub off. You would have to be really off your head for the beautiful Halle Berry, or simply an avid consumer of glossy women's mags to be able to stomache this film. Give it a miss.
    3kmm1128

    A flawed production based on a flawed book.

    I read the reviews of this movie and I am shocked and appalled that so many people found this a worthwhile production. While, it is true that the movie is an accurate portrayal of upper class black socialites in the 1930s-1950s, there are so many elements of this movie and the book on which it was based that I found offensive.

    First of all, let me set the record straight for all those who do not know. This movie was based on "The Wedding," a book by the renowned Harlem Rennaissance writer Dorothy West. It is NOT based on a true story in any way, shape or form.

    I have read other works by Dorothy West and found them to be very interesting. She set herself apart from the other Harlem Rennaissance writers at the time by writing about black upper middle-class, a social hierarchy that has gone virtually unexplored throughout African-American Literature. However, when I read "The Wedding," I was deeply resentful. The underlying tone of racism against interracial relationships staggers me, as I am a multiracial person. I found the characters detestable and the fact that there is virtually no plot progression throughout the novel is a huge problem. Ninety percent of the novel is backstory.

    Many of these same elements are portrayed in the movie version of this book to the nth degree. First of all, Shelby Coles is supposed to be white. She is not light-skinned like Halle Berry. She is WHITE. She has blond hair and blue-eyes. She is the product of so many blends of black and white that her blackness has been genetically wiped out on the surface. The fact that they cast Halle Berry to play Shelby Coles destroys the only redeeming quality I found in the book. This is the scene where Shelby gets lost as a little girl and no one can find her because the police report says that she is black, but she looks white. Using this scene to establish the unequal treatment society puts on whites and blacks was the only redeeming quality I found in this book.

    There are several other elements that I found so offensive from this movie (mostly character-wise) that it would be impossible to mention them all.

    This is a deeply resentful movie about interracial relations, and should not have been made into a movie. This was the last book that Dorothy West wrote before she died, and I'm wondering if that has something to do with its irregular quality. All I know is that if you are multiracial or biracial, do not, under any circumstances, watch this movie or read West's book. Read some of the other books by West. They are so much better.
    6shelbycoles2005

    Factual representation of African-American life

    The Wedding (1998) was a fine attempt to bring to life a brilliant book. Although I understand that Oprah Winfrey may have wanted to have "stars" in her movie, aesthetically they just don't fit. The book states again and again that the Coles family could have "passed" for white had they wanted to. There is a very important part of the book that describes the day Shelby got lost and everyone (read: white) thought they were looking for a little "colored" girl and therefore it couldn't be this beautiful BLUE-EYED, BLOND-HAIRED, little girl...until she tells them her name, and then they're horrified.

    Although I think this cast did a wonderful job, I can't help but be bothered by the blatant disregard for a major plot point in Dorothy West's novel. That being said, if the viewer is aware beforehand, I think this movie is worth seeing simply because there are so few factual representations of African-Americans in the media. I know many African-American families that live and act as the Coles family does; I have yet to meet an African-American family that lives or acts the way the Parkers do.
    9moses_29115

    Oprah Winfrey does it again with The Wedding

    I loved this movie. It shows that prejudice is not just black and white, but also light and dark and have and have not! The movie is realistic because we hear terms like "beautiful light-skinned", "getting too dark" and "good hair" every day. The movie also shows how easy it is for that prejudice to be passed on from generation to generation and that the coming of age period in a person's life should not be taken lightly because that is the opportunity to right wrongs learned from the previous generation. Granted some may see this movie and hate the grandmother, to do so would be to liken yourself to her. Self hate exists among each race. It is particularly sad within the African American community because of the difficulty and intensity of the struggle for freedom. Humankind has to learn to be beautiful in spirit and in love. I think that is the point of the story.

    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      As of 2025, this television miniseries is the only on-screen adaptation of any of Dorothy West's novels.
    • Quotes

      Meade Howell: I need to talk to you, Shel.

      Shelby Coles: No, it's not a good time.

      Meade Howell: No, I need to talk to you now. Listen, I thought that music came first, and I was wrong. You come before that. I love you. And I am not going to let you just walk away with no good reason.

      Shelby Coles: I think I've given you very good reasons, Meade.

      Meade Howell: Why, Shel? Because we can't stay in the same hotel in Georgia? We'll make them let us stay in the same hotel!

      Shelby Coles: No, it's because I don't think I want to spend my whole life fighting, defending who we are. Proving to the whole world that we have a right to be together!

    • Connections
      References Printemps tardif (1949)

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    Details

    Edit
    • Release date
      • February 22, 1998 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • The Wedding
    • Filming locations
      • Southport, North Carolina, USA
    • Production companies
      • Hamdon Entertainment
      • Harpo Films
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 3h(180 min)
    • Color
      • Color
    • Sound mix
      • Dolby
    • Aspect ratio
      • 1.33 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.