Terrified

1962's "Terrified" was one of several Crown International pictures that debuted on Pittsburgh's Chiller Theater in 1976 (February 19, 1977 to be exact), paired with second feature "Hush...Hush, Sweet Charlotte," from 1964. A production whose poverty stricken budget restricts the settings to a deserted Western ghost town and its creepy cemetery, but with a script that would have been commonplace some two decades later during the teen slasher cycle of the early 1980s. Directed by serial veteran Lew Landers, whose prior features included 1935's "The Raven" and 1943's "The Return of the Vampire" (both with Lugosi), a rather fitting conclusion to a busy career as an action specialist, although it cannot claim to be well paced. The idea of a hooded maniac stalking his victims has become quite a cliché since the early sixties, but this appears to be the first horror film that used it. We begin at the ghost town's cemetery with a helpless screaming victim lying in an open grave as his unknown tormentor pours cement over him, driving him insane. Next, we meet our tiny cast in a small coffee shop, who drive back to the deserted cemetery and discover the still warm corpse of the caretaker, obviously a victim of murder. As the young couple drive away to contact the sheriff (Denver Pyle), their friend, Ken Lewis (Rod Lauren, "The Crawling Hand"), inexplicably remains behind, stubbornly facing up to his own fears as he loses just about every scuffle with the hooded killer, who delights in terrorizing his prey, all of whom have close ties to Marge (Tracy Olsen), the sister of the first victim (who has conveniently escaped the asylum to go after his assailant). Once everyone convenes at the ghost town, the film remains just as trapped as the frightened characters, who simply don't behave in the most logical fashion, especially Ken, who seems to be under the impression that the killer is Marge's brother. There is one major subplot that is dropped halfway in, that of a crazed motorist who delights in running people off the road. This is how the sheriff first becomes involved, but nothing ever comes of it, and no explanation is offered as to who it was, except that it's not the character under the hood, an unforgivable sin. The killer's identity is hardly a major surprise, and Italian horror films quickly adopted the idea of a hooded maniac (1964's "Blood and Black Lace"), but it remains an interesting artifact ahead of its time, all but forgotten today. Chiller Theater aired this film three more times as a solo feature, on August 11 1979, July 26 1980, and October 10 1981, with much of the Crown International catalog scarcely seen on the airwaves since ("Twisted Brain" aka "Horror High" lasted the longest, long championed by Elvira).

I remember seeing this film on Saturday afternoon TV when I was a kid. One minute I'm watching cartoons, the next some hooded freak is burying a guy in wet cement. I thought it was very spooky with some creepy scenes of the phantom killer creeping around the desolate ghost town. Of course, I was five, so I suppose anyone's attempt at horror would have been considered "creepy" at that age. I've always wondered about this film because, aside from a few random TV viewings as a kid, I've never heard of or seen it again.

I just saw "Terrified" for the first time on Rhino's "Horrible Horrors" collection. It was really quite good. Sure, it was super low budget and kind of stupid, but the villain gave me the willies. He runs around this ghost town in a suit and cape (I think) and he wears a hood (or is it a ski mask?) that only shows his eyes. The thing about it that truly creeped me out was that he ran in and out of scenes really fast and for some reason this was actually scary...I don't know why that is. Maybe it made him completely unpredictable. He didn't do any of the usual things these guys do when they stalk someone. He kept letting people go and then would recapture them and so on...all with this creepy whisper voice and super disturbing giggle. He was also a real kick-*** fighter! There's this one fight in a cave that looks almost like it's a real fight. You can tell this one actor is really trying to get away (or he's just an excellent actor...kind of a poor man's James Dean). It's sort of a re-working of "Phantom of the Opera" and there's a touching denouement on the part of the guy playing the villain. But I have to say, if I'm ever in a ghost town after sundown, I just may be looking over my shoulder, and I just may be...Terrified!

A bad film, to be sure, but "Terrified!" is an interesting relative of low budget classics like "Carnival Of Souls" and "Dementia". Like "Carnival" it is all set around a spooky location the film makers had access to. This is also a central absurdity of the plot: the town has an abandoned ghost town by a graveyard, but for some reason it seems to be a place where people hang out at night.

Denver Pyle seems to be still learning to act but the actors

do there best with what they are given. Some interesting, if pretentious ideas dance around the script or maybe just pad it out. The sicko killer suggests the darker areas horror would continue to explore in the sixties.

LATER Viewing: I think I really underrated this. It is a strange minimalist horror movie, and it's effect is eerie. Probably made for late night horror show and never shown at the theater (yes, there were such films) Terrified gets under your skin if you give it the chance.

A college psychology student, intent on writing a term paper on how much terror the human mind can endure, learns his answers first-hand as he finds himself the target of a mysterious, hooded killer.

The film opens with the Fallen Angel Saloon, and the masked killer burying someone alive in a graveyard. The killer's eyes are bright and furious -- absolutely terrifying. And then cut to some nice title credits.

Director Lew Landers is many years past his prime here (1935-1944). This film claims to be released in 1963... when Landers would already have been dead, possibly suggesting it was finished without him. And horror reference books seem to know nothing of this one, unfortunately. (This was, as it turns out, Landers' final film.)

The sound on the Mill Creek disc is fuzzy, but the picture seems okay for the most part. This could be cleaned up, hopefully, if anyone ever wanted to give this a proper release. I also love that there is a character referred to only as "Crazy Bill".