Poruno jidaigeki: Bôhachi bushidô

This film is so typically an effort of Teruo Ishii, adhering strictly to a range of conventions enacted by the director himself, that one may have hardships in distinguishing it from his other works. As significant drawbacks, the protagonist has rather restrained expressions of his substantial nihilism and other characters are seemingly superficial, even to the extent of being trivial. For those who search for a glimpse of the dark and wicked Bohachi universe, I would better recommend Takashi Harada's inspiring masterpiece, which gets to reveal Goro Ibuki's true potential to incarnate a surrealistically genuine nihilistic yet overtly conscious character, opposed to the one he is assigned in this film.

"Porno Jidaigeki: Bohachi Bushido" aka. "Bohachi: Clan Of The Forgotten Eight" of 1973, should be interesting to all my fellow fans of Japanese Exploitation cinema, as it is a film that combines the work of Teruo Ishii and Kazuo Koike. Teruo Ishii is the brilliant director responsible for films such as "Female Yakuza Tale", "The Black Cat's Revenge", "The Executioner" or "Horrors Of Malformed Men". Kazuo Koike is the genius writer behind such masterpieces as the "Kozure Ôkami" films with Tomisaburo Wakayama, the "Hanzo The Razor" films with Shintaro Katsu, or "Lady Snowblood" with Meiko Kaji (Koike wrote the comic-books these films were based on, and, in most cases, the screenplays). The pairing of Koike and Ishii promises something stylish, brutal and sleazy, and this memorable film truly has all these attributes. While "Porno Jidaigeki" is not one of the most memorable Chambara/Sexploitation crossovers (films like "Hanzo The Razor: Sword Of Justice" and "Sex And Fury" come with my highest possible recommendations) this is definitely a very interesting, blood-soaked and delightfully sleazy film that fans of Japanese Exploitation cinema should not miss.

In 17th century Japan, a Ronin named Shiro (Tetsuro Tamba) is recruited by the ruthless Bohachi-Clan, which controls prostitution in the area. The Bohachi-Clan's forces include the 'Bohachi Women', some sort of mixture between prostitutes and beautiful but lethal (and mostly naked) female assassins. Shiro is to wipe out the Clan's competitors in prostitution business... Tetsuro Tamba is stone-cold and bad-ass as always, and he was the perfect choice to play Shiro. The yummy female cast members are naked for about 99% of their screen time, and the film is filled with vast amounts of perverted sleaze as well as lost of stylish bloodshed, so most of my fellow Exploitation-lovers should be satisfied. The score is also pretty cool, and the photography and choreography are great. The story may be a bit messy, but the film's great style, and, especially, the sexy female cast and tons of sleaze and violence make up for this easily. Overall, "Bohachi: Clan Of The Forgotten Eight" is a more than entertaining film that should satisfy all my fellow fans of Japanese Exploitation cinema. Highly Recommended.

There are more bare breasts than you can shake a stick at in "Boachi Bushido: Code of the Forgotten Eight". In fact it seems like there is scarcely a scene in the movie in which female nudity is not depicted, usually from many naked or topless women in the scene at once. Some of them are quite beautiful, but I didn't find it erotic.

The violence is overrated. Mostly it's just sword swipes with people falling over, and maybe a bit of blood, which of course looks like bright red paint. It's only in the climactic scene that legs and heads are chopped off, and you can clearly see the strings attached to these prop-body parts as they fly, or rather hang, in the air.

I'm not entirely sure what the movie was about. I get that it was something to do with a joyless samurai assassin who was hired by a guy who owns a cadre of cooze, but other than that, I don't really know. The guy who hires the anti-hero is pretty damn ugly, which black teeth, a pig like face, and an ability to talk without moving his mouth, apparently.

Most of the movie is just girls baring their breasts, walking around naked, being "stolen" by men, or molesting them. In one scene they molest a Western woman, who is tied to a bench, and then fight over her, saying they each wanted to taste her body.

There's no full frontal nudity in the movie though. Japan has always been weird like that. A country synonymous with tentacle rape, sharking, gokkun, futanari... but pubic hair and genitals are a bridge too far, to this day.

I still enjoyed the movie. It is not made without skill, and has a crazy, phantasmagoric feeling to it, like Jodorowsky.

Staggering soft-porn samurai picture that impresses by stunning visual, utterly choreographed on those numberless mist night fights, almost shot at sound stage which is easily noticed on the projector focuses the light on the Ronin during one fight scenes, a clever insight of the director of photography, also a well-conceived story about a lonely Ronin Shinô Ashita (Tetsurô Tanba) on his fabulous dexterity on the use of sword against a crowd, he is invites to enter in a mighty Borachi's clan, led by an old wicked Shirobei Daimon (Tatsuo Endo) and their evil lackeys, the appealing is about the rules to became one of them, the applicant ought swear outright leave all eight virtues which he got, regret, lowliness, magnanimity, charity, meekness, temperance, continence and finally forgiveness, the Clan exploits a high profile w.h.o.r.e.d.o.m.

He is accepts on the Borachi's clan even had failed on a phony test, nonetheless the thoughtful boss has a bold plan to stand out of the opposite Yoshihara's Clan that shares the same dirty business on nearby on the town with cheapest prostitutes, also the gorgeous women are used as skillful bodyguards, thus the forthcoming and relentless clash took effects, ends up in the bloodshed, the emperor's forces spring into action at Magistrate's behest, the strife has to be end, although it has a price, a fair agreement which both sides must yeld, the sneaky Boss also shall deliver the expendable Shino's head.

Based in a grass-roots comic book the cunning and dared director Teruo Ishii made a masterful feature, even being labeled as pornographic, whereby it is today an eligible soft one only, where the most hard-nose puritans wouldn't give a s.h.i.t for it, actually a bashful eroticism deployed gave a faint hope for those that were seeking something a little harder, a fine piece of sexploitation mixing with epic samurai tale, colorful and essential, I've agree with a reviewer who wrote that stuff sounds like Russ Meyer did in America and was thereafter worshipped by countless fanatic cinephiles including myself !!

Thanks for reading.

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First watch: 2021 / How many: 1 / Source: DVD / Rating: 8.

Pursued by the authorities, rōnin assassin Shiro (Tetsurô Tanba) is taken in by the immoral Bohachi clan, who use the warrior's awesome sword-fighting skills to help them seize control of the local prostitution industry. When no longer of any use, the evil Bohachi leader tries to dispose of Shiro by getting him addicted to opium and caging him up with a syphilitic whore; but even stoned out of his gourd, the assassin proves to be a formidable opponent...

I'm of the opinion that, like cyborgs and dwarfs (and cyborg dwarfs), gratuitous female nudity and gore can make virtually any film more entertaining; director Teruo Ishii clearly agrees, loading Bohachi, a delightfully sleazy Chanbara movie, with countless naked Japanese cuties and very bloody sword-fights, which means that when the screen isn't full of tits (no muff: this being a Japanese film the ladies keep their hands in front of their nether regions at all times), there's severed body-parts flying everywhere instead. Sometimes, Ishii even combines the two, having his naked Bohachi women whipping out weapons and partaking in the violence themselves—something I'm all in favour of.

The name of the game here is clearly 'exploitation excess' meaning that on top of the all the wonderful big-breasted Asian babes and bright crimson blood, viewers can also expect a smidgen of torture, a smattering of lesbianism, and some opium-fuelled sex (with hero Shiro entertaining not one woman, but four!), all realised with hyper-stylised direction that uses strong experimental lighting effects to really add to that cool 70s vibe.

7.5 out of 10, rounded up to 8 for IMDb.