In "The Polish bride" a Polish woman (Monic Hendrickx), victim of women trafficking, finds refuge by a single farmer in the Dutch province of Groningen.
Their relationship is characterized above all by silence. The Polish woman has only a flawed knowledge of the Dutch language, and the farmer is not a heavy talker.
Partly caused by this lack of communication the relationship is arduous at first. The farmer appreciates the order that the woman creates in his household, but finds it difficult to get accustomed to the fact that no longer everything goes according to his rules. Especially when the woman insists on altering his table manners, tension arises. On the other hand the woman finds it hard to understand that a man is nice without expecting sexual favors in return.
Nevertheless as time goes by the two slowly grow together, resulting in a spectacular finale when the pimp of the woman reappears.
"The Polish bride" is an ode to the Dutch province of Groningen, with beautiful shots of the (flat) landscape and the music of the Groninger minstrel Ede Staal (1941 - 1986).
Remarkable is the fact that this ode to a Dutch province in the North of the country is made by an Algerian director who came th the Netherlands when he was 30, graduates from the film academy when he was in his 40s and made this film while being in his 50's.
