Loin d'ici

This film is a pallid mediocrity which wastes the enormous talents involved in it, including the magnificent Ms. Angelou. (One wonders, though, how being a great poet and prose writer qualifies her to direct a major feature). The true crime in this film is the dreadful script which gives the characters no development beyond shallow cliche (Drug-Addicted Urban Mom, Gentle Older Rural Man). The most annoying cliche of all is the old myth that the city kills and the country heals. What a crock. Our struggles are in our souls, not our locations, and moving back home to the country won't solve anything if you are not in a position to do the hard work to heal yourself. What a waste this movie was, considering what it could have been. If anyone wishes to see what such a movie can be if done right, also with Alfre Woodard in a starring role, give "Passion Fish" a try. It is much more truthful and far better done.

Despite the low budget, this is a very good movie. The performances are excellent and I recommend everyone to see it. I was in tears by the end of the film. My congratulations to everyone connected with this production.

"Down in the Delta" is one of the better movies I have viewed. I find it difficult to believe it has not received more notice and distribution among the general population, but most certainly among African American audiences.

This movie brought home to me, as a white person, the destructiveness and family division inherent in slavery better than anything I have ever seen or read before. It showed a terrible dark part of slavery and the awful effect it had on families. The simple, yet very powerful, story of Nathan poignantly illustrated the loss of family and loved ones that was so much a part of slavery.

This is a movie about family that transcends race or color. All people can relate to the idea of how important family is from this movie.

I was able to view this movie with my wife and children and enjoy it without having to "cringe" because of sex, violence, or language. This shows that movies can be made that entertain and educate without being filled with gratuitous titillations.

Thank you for producing a wonderful movie that I will always remember. A movie about family and for family.

The great thing about this film is that it's so universal. Though it is about a black family and traces its generations since slavery, what shines through is the power of family. Being around family and knowing family history has a way of giving a person a sense of purpose and self esteem that makes them feel a little more sure of himself. It's a pity though that this is not always the case, but the function of family is to heal and to give you the love and support you need to face the world. I guess that's why in this storyline, the loss of family was so tragic and the candle stick became a symbol of not just the father who was sold into slavery but the necessity of family in each person's life.

A warm and life affirming story. Alfre Woodard gives another memorable, emotionally compelling performance in a story that engages from frame one. Al Freeman's fabulously inspired and understated performance as Uncle Earl is a lesson in how to fully inhabit a character without chewing the scenery. His is a most convincing and moving performance that should not be missed.

Mary Alice has become one of the great African American screen matriarchs now, possessing a vulnerable serenity in this role which underscores our hopes for the rebirth of the urban progeny at the core of this film.

Maya Angelou got up to directorial speed fairly quickly in this debut although some blocking and editing from early in the project (in opening scenes especially) are rough. She doesn't show a professional sense of timing in many of her edits and scene endings, but the heart she brings to her material more than compensates. And there are instances of excellent intercharacter cutting in scenes where it counts. It's fair to say that there's not a wasted scene anywhere in this film. It's equally fair to say that some scenes show more directorial finesse than others. Look for even greater work from this master poet.

The only disappointment is Stanley Clarke's score, an unfortunate embarrassment for Mr. Clarke who is an accomplished jazz bassist otherwise. His score shows little ability to become emotionally involved with dramatic material and no skill with scenic beats and transitions. Clarke had a major opportunity to deliver here and he blew it -- and this is truly a hard movie to screw up.

"Down in the Delta" is movie blessed with plenty of heart and a talented ensemble that delivers. Well worth two hours of your time.