The illegitimate toddler son of a poor village woman and a city-based artist is lost on the streets of Bombay after his mother's untimely demise.The illegitimate toddler son of a poor village woman and a city-based artist is lost on the streets of Bombay after his mother's untimely demise.The illegitimate toddler son of a poor village woman and a city-based artist is lost on the streets of Bombay after his mother's untimely demise.
- Awards
- 1 nomination total
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Due to a misunderstanding, Govind refuses to accept his son with Lajjo. Heartbroken, Lajjo leaves him alone and raises the toddler by herself, being homeless. She keeps notifying Govind about their son's growing up through anonymous letters, but in her last letter, she mentions she is unwell and going to die and leave the son in front of Govind's home. Lajjo dies, but the toddler is missing and wandering around streets without parents. The movie revolves around how regretful Govind tries to find his son.
Firstly, this is a sentimental film. The performances of Master Bunty, Rajesh Khanna, and Indrani Mukherjee, the screenplay, the cinematography, and the background score are the best things about this film.
The hero of the film is none other than Master Bunty. The way this toddler moved all of us to tears is simply mind-blowing. He didn't even talk, rather than whispering "momma" and "duddu." But his screen presence is enough. Such a cute kid. Secondly, the moving performance by the gorgeous Indrani Mukherjee. I didn't like her scenes with Rajesh, but when she came to the character of a helpless mother of Buntu, her acting powers were shown. Especially, in that particular scene where Govind reads Lajjo's letter, her pain can be thoroughly felt just from Indrani's deep voice. I became a fan of her. When I saw Rajesh Khanna's name on the film poster, I thought it was going to be an acting masterclass. But basically, due to his debut performance, except for some emotional scenes, no extraordinary performances from him could be found. Also, I didn't see any chemistry between Indrani and Rajesh. Apart from them, Manvendra Chitnis and Naqi Jehan also did their best to their characters.
The story is very uniquely built. Also, the characters of Lajjo and Buntu are well written. The dialogues are the apple of the film. It's simply perfection and very emotive. Also, the way Lajjo keeps notifying Govind about Buntu's birth to every stage info through the separate letters, and her last letter (Aakhri Khat) becomes the storyline of the film itself, is peak storytelling.
The cinematography is one of the key points of the film. The way the camera moved throughout the toddler, capturing every moment of him in the streets, and the way he reacted back to the camera is simply adorable. It is easy to watch from the audience's end, but only the director and cinematographer know the struggle behind it. Hats off to them.
The music is good in the film, particularly the background score by Khayyam applied well to the storyline. Lovely soundtrack too, but couldn't connect much to any song except "Rut Jawan Jawan Raat Mehrbaan" by Bhupinder Singh.
The movie reflects the struggle of illegitimate children in India, with no love or care from parents, wandering around streets. It also gives a message that due to your own conflicts, don't punish innocent children for it.
In conclusion, "Aakhri Khat" is a film that you must watch in your lifetime. And if you missed it, I feel bad for you.
Firstly, this is a sentimental film. The performances of Master Bunty, Rajesh Khanna, and Indrani Mukherjee, the screenplay, the cinematography, and the background score are the best things about this film.
The hero of the film is none other than Master Bunty. The way this toddler moved all of us to tears is simply mind-blowing. He didn't even talk, rather than whispering "momma" and "duddu." But his screen presence is enough. Such a cute kid. Secondly, the moving performance by the gorgeous Indrani Mukherjee. I didn't like her scenes with Rajesh, but when she came to the character of a helpless mother of Buntu, her acting powers were shown. Especially, in that particular scene where Govind reads Lajjo's letter, her pain can be thoroughly felt just from Indrani's deep voice. I became a fan of her. When I saw Rajesh Khanna's name on the film poster, I thought it was going to be an acting masterclass. But basically, due to his debut performance, except for some emotional scenes, no extraordinary performances from him could be found. Also, I didn't see any chemistry between Indrani and Rajesh. Apart from them, Manvendra Chitnis and Naqi Jehan also did their best to their characters.
The story is very uniquely built. Also, the characters of Lajjo and Buntu are well written. The dialogues are the apple of the film. It's simply perfection and very emotive. Also, the way Lajjo keeps notifying Govind about Buntu's birth to every stage info through the separate letters, and her last letter (Aakhri Khat) becomes the storyline of the film itself, is peak storytelling.
The cinematography is one of the key points of the film. The way the camera moved throughout the toddler, capturing every moment of him in the streets, and the way he reacted back to the camera is simply adorable. It is easy to watch from the audience's end, but only the director and cinematographer know the struggle behind it. Hats off to them.
The music is good in the film, particularly the background score by Khayyam applied well to the storyline. Lovely soundtrack too, but couldn't connect much to any song except "Rut Jawan Jawan Raat Mehrbaan" by Bhupinder Singh.
The movie reflects the struggle of illegitimate children in India, with no love or care from parents, wandering around streets. It also gives a message that due to your own conflicts, don't punish innocent children for it.
In conclusion, "Aakhri Khat" is a film that you must watch in your lifetime. And if you missed it, I feel bad for you.
Although, this is the debut film of Rajesh Khanna who was offered the role by winning the finalist position in the All India Talent Contest held in 1965 by Film Fare and United Producers. But it was essentially the wonderful real/natural acting of the child star - Bantu who steals the show by his extremely innocent and pretty demeanor. Bantu is the real protagonist instead of his father, Govind played by Rajesh Khanna.
The song number "Aye baharo mera jeevan bhi sawaro....." is superbly sung by Lata Mangeshkar. The script by Chetan Anand renders purpose and meaning to the story while music by Khayyam adds suspenseful rhythm to its sentimental flow of events. A really nice art movie of the yore worthy to be awarded the Academy Award in Best Foreign Film category.
The song number "Aye baharo mera jeevan bhi sawaro....." is superbly sung by Lata Mangeshkar. The script by Chetan Anand renders purpose and meaning to the story while music by Khayyam adds suspenseful rhythm to its sentimental flow of events. A really nice art movie of the yore worthy to be awarded the Academy Award in Best Foreign Film category.
Did you know
- TriviaAakhri Khat was the India's official entry under Best Foreign Language Film category from India at the 40th Academy Awards (1968). It was nominated under the name 'The Last Letter'.
- ConnectionsReferenced in Taarak Mehta Ka Ooltah Chashmah: Anand Ka Safar (2012)
Details
- Country of origin
- Language
- Also known as
- The Last Letter
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 33 minutes
- Color
- Sound mix
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