Flash Gordon

The Flash Gordon 1950's TV series is interesting, mostly due to it's being one of the first science fiction series to be shot on film. The fact that it was made in the still recovering post WWII Germany, and the later episodes in France gives it different look and feel than comparable American lensed shows, such as Rocky Jones, Spacer Ranger.

Some of the German episodes are rather dark and grim, with an almost expressionistic look. The budgets are quite low, and while there are a number of model shots of the space craft (such as Gordon & Co.'s Skyflash) many of the effects in the German episodes are largely photo and cel animation. The French episodes feature the Skyflash II, a very shiny rocket model, which seemed to complicate matters for the slightly more ambitious FX in the later episodes.

Male model Steve Holland played Flash, which is intriguing, as Holland was the artist model used by James Bama for the Doc Savage novel reprints that were highly successful in the 60's and early 70's. Holland turned up on the cover of many action hero paperbacks. For someone with no real acting experience, he's not too bad -- but he's certainly no match for Buster Crabbe's portrayal.

Joe Nash is generally quite good as Zarkov. Irene Champlin seemed to have some trouble (as did many of the actors) in getting her lines out and try to make an actual performance gel in the rushed looking -- possibly single take -- scenes.

Producer Ed Gruskin was known for his work in radio (including a Doc Savage series) and writer Bruce Elliot wrote for the pulps, notably a number of Shadow novels under the house name of Maxwell Grant.

Some of the music by Roger Roger (yep, that's his name) in the French produced episodes will be very familiar to viewers of low budget horror and Sci-fi films of the 50s,60s, and 70's. The tracks became part of a music library, and are still licensed for use today.

I was given a DVD of four of these episodes by my husband for Christmas when he couldn't find at the store the movie I had specifically requested. It probably cost a dollar and was in the cheapest possible packaging. I was screaming I was so excited. I have often thought of this series that I watched when I was young. I only remembered the name of Flash, but as soon as I read that he modeled for "Doc Savage," I recognized the resemblance.

The music sounds like Prokofiev's "Rite of Spring" at times and I agree that the German sets verge on the expressionistic. I'm sure I spend more on a week's worth of groceries than they did for the sets AND costumes. In fact, the costumes on "Akim the Terrible" look like they are handmade from a high school production. The German actor in this show who plays Kurt I think is very good and looks familiar; however, no credits are given for any actor except the three leads. One more thing, where did the commissioner get his eyebrows? These shows are great. I played them twice because I only had the four. Have to see if I can get any more. I'm sure it won't break whatever budget I have.

I recently inherited a massive television set with a blown color tube and have been availing myself of the opportunity to watch exclusively B&W productions on it, which inevitably led me to watch the classic "Flash Gordon" serials again. Which in turn led me to watch these marvelous old "Flash Gordon" TV shows as well. Sure, they don't come anywheres near the epic art deco masterpieces of the Buster Crabbe era, but by golly there's something going on here that's pretty darn interesting.

The show was apparently a co-production between US, West German and French studios filmed on & around the rubble heaps of a still partially demolished West Berlin in 1953. The series aired in syndication on the old DuMont Television Network, a fascinating chapter of American pop consumerism eating itself. The series doesn't have Ming or Mongo or the Tree Men, but what it does have is an abundance of US issue Cold War era military industrial complex effect going on, crossed with German neo-expressionism and even some good old Sartre inspired French existentialism.

It's easy to laugh at the low budget sets, costumes, space helmets, ray guns and cheap model rocketry spaceship effects, but it's always easy to poke fun at past forms that now seem quaint or silly. Dig up some old pictures of yourself & the crew from the early 1980s and you'll see what I mean. Either you guys deliberately dressed like jerks, or you were enmeshed in the times and unable to see how ridiculous you looked because you & I both didn't know any better. Same thing goes for old science fiction props, production design, costuming, and applied science.

The only genuine criticism I can find for the series is the awful theme music, but once you get beyond that what you're left with is a deceptively creepy little television show that, as others point out, make the Captain Video type American made SF efforts of the era seem completely vapid by comparison. There is a sophistication to the execution of the show that belies it's cheapness, and the action scenes set amongst the rubble strewn streets of an actual bombed out city have a kind of eerie pathos to them that is at odds with the space opera scripts. I hesitate to say it creates a profound juxtaposition of pop culture semantics set against the actual ravages of dystopian angst, but that's exactly what it amounts to.

7/10: Several episodes have turned up on bargain bin public domain DVD sets out at the dollar stores. Buy a couple, they are worth it.

Depending on your point of view. I have a dim memory of seeing this rerun on Sunday morning TV when I was a kid (even then it seemed ancient). I picked this up for a buck at a local thrift store. For the most part is seemed very tedious, and the attempts to pass of post war Berlin as other planets reminded me of ALPHAVILLE without the wit or imagination (after all, Godard knew we wouldn't really buy Paris AS Alpahville but assumed we'd go along with the joke --- here they actually seem to be serious). Still some of the imagery is sporadically striking. For a moment I thought the hellish underground scenes might be taken from some German silent film. They had a little of the atmosphere of Lang's SEIGRIED, only done on the cheap. Really this is a curiosity item more than anything. I can't recommend it, but I wouldn't try to dissuade anyone from seeing it either.

Oh --- but Irene Champlin as Dale Arden ---? Dale's MOM, maybe....

Even though this live-action, Sci-Fi, TV show from the early 1950s was, pretty much, a bargain-basement special, it still contained enough goofy entertainment value in its half-hour episodes to earn itself a 4-star rating from me.

Set in the year 3203, Flash Gordon and his space-age pals, Dr. Zarkov & Dale Arden, boldly travel across the vast galaxy, battling cosmic villains, here, there, and everywhere.

Always in full command of his gleaming starship, The Sky Flash, you can always count on dashing, young Gordon and his diligent crew to keep the cosmos safe for one, and all.

Filmed in b&w, this German production ran for only one season, 1954-1955.