A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.
- Directors
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Charles Philip Moore
- Self
- (as Chuck Moore)
Melissa Moore
- Self
- (as Melissa Ann Moore)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Director's look at the B-Movie industry is thought-provoking, at its best, but spends a good deal more time with her own interpretations of her experience than really trying to show us what the industry is like.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
Some Nudity Required is one of those documentaries that reveal as much as the person trying to create the documentary as it does the subject. What does it reveal about B movies? Odette Springer's focus is definitely negative about the industry, but it's the words of the B-movie mavens that do the most damage, revealing the rampant and violent mysogyny prevalent among makers of B movies. What does it reveal about Odette? A lot...and proves she has a lot that she has a lot that she wants to let out.
The story of Maria Ford was also telling, and another great reason to see the movie.
The story of Maria Ford was also telling, and another great reason to see the movie.
When i saw this documentary some time ago, i found it really irritating. It is in many parts Odette Springer's annoying tribute to Odette Springer with it's to many "i'm-a-extremely-fantastic-and-talented-person-but-nobody-understands-it" scenes. What makes it more annoying is that Springer looks down on the people she wants to depict (Except Maria Ford who is "a-extremely-fantastic-and-talented-person-but-nobody-understands-it".) and sometimes steps on them. It is also filled with faked documentary scenes like the ridiculous scene where Springer looks at a violent video and gets "excited" what leads us to the scene that gave me a bade taste in my mouth- in the end of the movie tries Odette Springer to find a reason to why she got "excited" when she saw the violent video and from the clear blue sky the truth falls over her (and the poor audience)- all of a sudden she remembers that she was subjected to sexual abuse by her grand parents. What makes me feel bad about that scene is that she don't presents any real evidence and that the grand parents both are dead so they don't have any chance to defend themselves from the accusation.
The documentary offers an inside view at the making of low grade sexploitation and slasher films. It features many clips of films in the genre and as well as interviews with stars and directors. The Director of this film is a sound worker who has done a number of the actual films. She is a victim of sexual abuse as a child and weaves her tale lightly into the movie. The film has a feminist "awareness" but is not a feminist indictment of the genre because it is too honest the director herself uses MANY graphic film clips so much that this documentary becomes a part of genre that she wishes to criticize! In fact this was probably done on purpose because as the interviews reveal T & A and violence sell. The interviews with directors and stars (including Roger Corman) are light, Frank and very honest. Some of the clips show the directors working styles and are interesting and sometimes hilarious. Topics include Objectification and film, The hollywood system and the pressure on the actors to go along with the B movie Directors whims, The directors thoughts on the films, psychological links between Fear, sex and violence, Sexual abuse and sexual ambivalence, and more. The film is a "must see" for B Movie fans with an interest in the film industry, film students, and Feminists. Overall it is a highly enjoyable (but Graphic) informative piece of work.
Some Nudity Required (1998)
*** (out of 4)
Odette Springer was the mind behind this documentary that takes a look at "B" movies and the certain requirements that are expected out of women. Springer got her start working for Roger Corman but she soon realized that those type of "B" movies required the women to appear naked. The documentary features interviews with the likes of Julie Strain, Jim Wynorski, Roger Corman, Fred Olen Ray, Samuel Z. Arkoff, Andy and Arlene Sidaris and Brinke Stevens.
SOME NUDITY REQUIRED is a pretty strong documentary that questions some of the things that are required out of women. There's no question that the movie wants to attack the fact that women are expecting to look a certain way and the documentary wants the viewer to question why they watch these types of movies. At the same time, you've got directors like Wynorski on hand here offering up rather truthful comments including him saying that the majority of the people renting these movies aren't housewives but instead men who want to see beautiful women naked.
The documentary tackles various subjects and it remains extremely entertaining throughout. Obviously, the film puts down the fact that nudity is required yet there's plenty of nudity throughout the running time including getting some behind-the-scenes footage. If you're a fan of these types of "B" movies then this documentary really does a great job at taking you into the pre-production of these films and what decisions are made before the cameras started rolling.
*** (out of 4)
Odette Springer was the mind behind this documentary that takes a look at "B" movies and the certain requirements that are expected out of women. Springer got her start working for Roger Corman but she soon realized that those type of "B" movies required the women to appear naked. The documentary features interviews with the likes of Julie Strain, Jim Wynorski, Roger Corman, Fred Olen Ray, Samuel Z. Arkoff, Andy and Arlene Sidaris and Brinke Stevens.
SOME NUDITY REQUIRED is a pretty strong documentary that questions some of the things that are required out of women. There's no question that the movie wants to attack the fact that women are expecting to look a certain way and the documentary wants the viewer to question why they watch these types of movies. At the same time, you've got directors like Wynorski on hand here offering up rather truthful comments including him saying that the majority of the people renting these movies aren't housewives but instead men who want to see beautiful women naked.
The documentary tackles various subjects and it remains extremely entertaining throughout. Obviously, the film puts down the fact that nudity is required yet there's plenty of nudity throughout the running time including getting some behind-the-scenes footage. If you're a fan of these types of "B" movies then this documentary really does a great job at taking you into the pre-production of these films and what decisions are made before the cameras started rolling.
Did you know
- TriviaIn interviews, Odette Springer said that while working on the documentary, she realized the true nature of the business' alarming fascination. It was not until she was well into production that she realized her excursion into this "over-the-top world that Fellini couldn't have made up" was taking a personal toll. Compiling the clips, she found herself inexplicably obsessed with and aroused by the very images she considered violent and degrading. "First, I was irate at some of this stuff," she said. "I watched these movies and I hated them. But my body was telling me something different. I didn't realize I had such a shadow side to my own sexuality. I found myself getting turned on, and it horrified me." The clips also awakened long-suppressed memories of being sexually molested as a child, the pleasure of being touched coupled with the fear of being controlled by adults. This connection is made clear in the movie by home movie footage of her as a young girl cavorting about naked. The irony was not lost on Springer that movies she considered damaging helped her to grow and "become stronger." "That's a very confusing thing," she said. "This is the last place I would have looked for healing, believe me."
- ConnectionsFeatures The She-Creature (1956)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Hollywood avklätt
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,853
- Opening weekend US & Canada
- $3,082
- Oct 18, 1998
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