The Passion of Ayn Rand

As an Ayn Rand fan who is interested in anything about the author, I couldn't be sure that this movie was as good a drama as I thought it was, so I showed it to intelligent friends who don't know her work. They all loved it. Complaints that it doesn't project the whole huge structure of Ayn Rand's philosophy are beside the point. This film is about the mesmerizing personality of Ayn Rand and the effect it had on the life of a disciple, Barbara Branden, and that of her husband, Nathaniel Branden, and, perhaps most pitiably, on the life of Rand's husband, Frank O'Connor. Rand was a superior person whom success convinced she was even more superior than she was. Power corrupts, and she became intoxicated by the attention of her devotees, and wound up going against her own principles (enlightened egoism and independence of mind) to demanding that her followers obey her unthinkingly and serve her ends self-sacrificially. None of this validates or invalidates her philosophy. It just teaches us again the ages-old lesson that idols are only human, and pride goes before a fall.,

"The Passion of Ayn Rand" picks up the story of the best selling author and intellectual after "The Fountainhead" and continues through the publishing of "Atlas Shrugged". Although the film spends about equal time between the bio of the brittle and eccentric Rand (Mirren) and the sundry affairs of her closest friends and like-minded followers it does not crystallize the philosophies which established her as a prominent intellectual of the time. In spite of excellent performances by the ensemble, Showtime has only managed another mediocre budget-conscious flick. Recommended only for those interested in Rand.

Having read almost all of Rand's works and considering her a brilliant philosopher and writer, I was apprehensive about seeing her personal side in a movie. I was not disappointed. I understand her work very well and was able to completely separate her personal conduct from her philosophy. Was her personal conduct in conflict or harmony with her philosophy? An esoteric question, and I don't care.

She was once quoted as saying that the character Kira, in her book 'We The Living', was the closest thing to an autobiography that she would ever write. Kira was a pure character with heroic characteristics. Ayn Rand in real life was probably not. Again, I don't care. None of this detracts from her philosophy. By the way, don't miss Rand's book-turned-into-film 'We The Living' starring Rossano Brazzi and Alida Valli filmed in Italy during WWII without Rand's knowledge or blessing. It is a cinematic feast. Italian actors, Russian setting, English subtitles and well adapted. Reportedly, Hitler had it canned after one showing because it criticized totalitarian dictatorships.

Back to this movie. It is reasonably well done and very interesting. Hoving subscribed to her newsletter, 'The Objectivist', I will never forget the short column she wrote therein, something to the effect "Nathaniel Branden is no longer associated with me, etc" (after she had dedicated Atlas Shrugged to him).

There is a human side to every hero.

Above all, read 'The Fountainhead', her greatest work. Forget the film, it was poorly adapted (by Rand?) and Cooper/Neal did not do the book's characters justice.

This was an entertaining, thought-provoking movie. This film will be a valuable resource for the ingenue researching Ayn Rand's life and work for the first time. The film succeeds because it portrays Ayn Rand's character in all of its complexity without emphasizing any one single as- pect.

Some of Miss Rand's devotees may find this production oversexu- alized, but as someone familiar with her life and work, I find the account of her behavior and her thinking to be consistent with much of what I've read about her and heard in interviews. Considering Ayn Rand's passion for the consistency of principle and action, this film is in no way disparaging to her in character, even while it may not be as compli- mentary as some would like.

In fact, this movie may become an important historical resource for those who are unfamiliar with Miss Rand's life and work and want to research her. Like many outstanding biographies, this production provides a well-rounded view of her character and philosophy. It leaves the viewer, as the historian, to draw her or his own conclusions about the strength or weakness of Miss Rand's character, without in- doctrinating her point of view. This movie is an accurate and fair por- trayal of a woman who often incited controversy with her powerful commitment to the consistency of her actions with her ideals.

I saw this film three times (but then, I see many films more than once), and if I were to rate it, I'd give it 7-8 (out of 10), for its artistic merits. I knew nothing about Ayn Rand before seeing this film, and it piqued my curiosity. (I then discovered that "The Fountainhead", a very good piece of cinematic work, was based on her book.) But I am basically writing this only to correct what a reviewer said (back in September 2001), quite emphatically and with considerable reasoning behind the statement: that Ayn Rand shouldn't have been portrayed by an "American actress". She wasn't. The role of Ayn Rand was played by Helen Mirren, a truly great British actress. Moreover, Ms. Mirren herself is of Russian extraction, just as Ayn Rand was.