Mumford

Do not go to this movie if you are looking for belly laughs. Do not go to this movie if you are in dire need of comic relief. DO go to this movie if you are interested in the human condition and in diverse ways of looking at life.

I left the film thinking it was not very memorable . . . really quite silly in many respects. But now, days later, I find I am haunted by bits and pieces that creep back into my psyche.

A few of these bits are: 1. A psychiatrist is really not able to change much. People's problems are too deep. 2. Major depression or crisis occurs when two divergent, conflicting thoughts meet head-on . . . the old approach/avoidance syndrome revisited. 3. Love concurs all.

Go see it and see what you think.

"Mumford" is an unpretentious little romantic comedy with a softspoken, creative way of whetting curiosity and maintaining interest as it wends it's way through it's quirky but charming storyline. Sans the usual commercial "chick flick" schmaltz and boasting an R-rating, "Mumford" appears to refuse to compromise its freshness. A pleasant way to wile away 110 minutes.

Dr. Mickey Mumford (Loren Dean) is a psychologist who ironically lives and works in the town of Mumford. Among his clientele are local chemist Henry Follett (Pruitt Taylor Vince) whose tasteful sexual fantasies have ruined his marriage, image-obsessed teen Nessa Watkins (Zooey Deschanel), kleptomaniac house-wife Althea Brockett (Mary McDonnell) and lonely billionaire Skip Skipperton (Jason Lee), whose electronics business keeps the town afloat. Mickey Mumford and his highly unorthodox techniques are extremely successful, but things begin to change and get complicated when he takes Sofie Crisp (Hope Davis) on board as a client and falls in love with her, while trying to cure her sleep deprivation.

'Mumford', written and directed by Lawrence Kasdan (The Bodyguard, The Big Chill) is a surprisingly great film. Really, this is just a very well-told story. Dr. Mumford's curious cases pull the film along, but those fragmented stories really wouldn't have been enough for 99 minutes… so when the film's big twist comes mid-way, it's a smooth transition from examining Mumford's patients and their crises to watching the problems of the doctor himself, and the way's he tries to deal with them.

Loren Dean, while not the typically charismatic protagonist, is oddly interesting as the humble and odd psychologist; and really does communicate a very relaxed persona, making it easy to see why people feel the need to confide in him. Zooey Deschanel is a great little secondary character, totally at ease and entertaining in her role as the off-beat misfit. My one complaint may be that the love story between Dr. Mumford and his patient Sofie isn't executed very well; there really isn't enough screen time given to the development of their budding feelings, and in fact most of their realizations about their feelings for one another come either off-screen or are explored individually, like when Dr. Mumford talks about his feelings for Sofie with patient and friend Skip Skipperton. Furthermore, there isn't much chemistry between Loren Dean and Hope Davis. Between Davis's sleep-deprived, baggy-eyed divorcée, Sofie and Dean's stony-calm Dr. Mumford; the romance is lackluster, at best. The film is only 99 minutes long, and I wish it was longer with more emphasis and development on the Dean/Davis romance.

I really enjoyed this film and was very glad I found it while looking through Zooey Deschanel's filmography. It's just a shame not more people know about it.

There's a moment in MUMFORD where Mary McDonnell, who plays a woman obsessed with buying things, is talking to Loren Dean, who plays the main character, a psychologist whose name, Mumford, is the same as the town he and McDonnell live in, and she gets the look on her face which cartoon characters get when they think of an idea(and the light bulb goes on over their head), and all of a sudden realizes what's wrong with her. In a way, this movie from writer-director Lawrence Kasdan is like that. A lot of people have complained at how slow moving this is, but it's all the better for it to sneak up on you. And instead of just providing quick fix solutions for his patients, Mumford just gently prods and nudges until they find the path for themselves. Of course, this may just be an elaborate way of saying, "Physician, heal thyself," but that may be the point.

If you look at this in one way, you might think Mumford is merely a passive character, who only comes to life when he falls in love and when his secret is revealed. But gradually, you come to realize what's going on. Not only is his reticence a cover(a good one until he's exposed), but it's a way of, as I said, just gently prodding his patients to the right path. So he is active, but just in subtle ways. You need a subtle actor to handle that, and Loren Dean does quite a good job in that department. Hope Davis, who if there's any justice in this world will become a star, is also good as the patient he falls in love with. Their scenes together reminded me of the relationship between William Hurt and Geena Davis in THE ACCIDENTAL TOURIST, a Kasdan film this shares a lot with. And the rest of the cast is quite good as well(it's also nice to see Elisabeth Moss, so good in IMAGINARY CRIMES, still getting work, though I hope it's bigger roles in the future).

My only complaint was the scene where Mumford explains to Jason Lee(also excellent) and us what his past really was. The details themselves were okay, but the sequence was shot in grainy video stock(I think; I'm not an expert here), which, while it pays off later, is distracting here, particularly with its point-of-view camera. Still, this is a minor quibble for a movie which will leave you with a big smile on your face the entire way through.

Got the chance to see a sneak preview of Mumford and mainly went to see it for Chasing Amy's Jason Lee (as I'm that big of a Kevin Smith fan) and was rather caught off-guard by how good it was. Starting out, the movie is slightly oddly paced and just throws you into the plot with little explanation as to what's up. The script unfolds expertly and does a great job of drawing you into the storyline and the very believable characters. It's extremely funny in a low-key way with most of the humor coming as a quick comment delivered dead-pan. It's the sort of flick where all of the characters are great because they're so quirky that they are funny in and of themselves. The overall message of the movie is also a good one. Definitely reccomended viewing.

By the way, you get to see Jason Lee skate a bit. Cool beans.