IMDb RATING
6.2/10
19K
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A mother and daughter search for success in Beverly Hills.A mother and daughter search for success in Beverly Hills.A mother and daughter search for success in Beverly Hills.
- Awards
- 1 win & 4 nominations total
Shishir Kurup
- Hisham Badir
- (voice)
Yvonna Kopacz Wright
- Assistant Hotel Manager
- (as Yvonna Kopacz)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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This film was a new direction for Natalie Portman. A much more adult role, though she comes to it from the traces of a child in the movie itself. Ann,(Portman) and Susan Sarandon, who plays her newly divorced mother, Adele, travel from a small town in the middle of nowhere to Beverly Hills. There these tortured souls try to come to terms with their new life and their new relationship as Portman's character grows up. Unknowingly at first to Adele, she grows up and becomes a better mother for it.
Ann sees her mother telling her she wants to be an actress, or so she thinks. Adele uses that crutch every time there are problems in their lives. We see their struggle as mother and daughter come to terms between themselves and with being alone, having left their old lives behind.
The acting is top notch from both of them. They seemingly become mother and daughter before your eyes. You can almost feel there is a bond there beyond the actual movie.
Though this movie really doesn't take us to any new ground in these types of films, the fact that the acting is well done, and the story isn't too flawed, let's me recommend it.
I will say however, it will probably go away soon, I don't believe it can have the staying power needed for a huge Christmas season of movies starting in a week or so. See it now before this happens if you like either of these actresses.
Ann sees her mother telling her she wants to be an actress, or so she thinks. Adele uses that crutch every time there are problems in their lives. We see their struggle as mother and daughter come to terms between themselves and with being alone, having left their old lives behind.
The acting is top notch from both of them. They seemingly become mother and daughter before your eyes. You can almost feel there is a bond there beyond the actual movie.
Though this movie really doesn't take us to any new ground in these types of films, the fact that the acting is well done, and the story isn't too flawed, let's me recommend it.
I will say however, it will probably go away soon, I don't believe it can have the staying power needed for a huge Christmas season of movies starting in a week or so. See it now before this happens if you like either of these actresses.
Natile Portman and Susan Sarandon play off of each other like a symphony in this coming of age story about a young girl, who is sentenced to life as the daughter of one of the nuttest women you will ever encounter. Sarandon has this ability, call it talent if you will, to play some of the most off-beat characters and bring their humanity to forefront of any film she makes. As the mother of this obviously brilliant and muture beyond her years young girl, Sarandon alternates between being the mom and being the child with the ease of a ballet dancer. More importantly she does it with strength and flare without stomping all over Portman's portrayal of the daughter. The question is always asked when we deconstruct the film plot, who changes? This film is certainly about the daughter, but if you look close at the dreams and sacrifices that Mom makes you come to understand that she changes in step with her daughter. I am willing to bet this makes all of us in the audience change also. The hallmark of fine drama
This movie is powerful in the sense that it successfully employs the mother-daughter relationship in a not so stereotypical situation. However I wouldn't recommend it as a "let's rush to see it at the movies" movie, it's more a video movie. Susan Sarandon is brilliant as Adele August as she adds all the characteristics of a mother who wants to pursue her dreams and protect her daughter at the same time. Natalie Portman does a great job as Ann August showing the maturity her character possess, however I think there were too many tears on her part as in practically every scene that was shown she's be crying !! But I thought it was a fine movie
Natalie Portman and Susan Sarandon play off each other beautifully in this easy going mother/ daughter drama that pulls a switcheroo on the traditional roles.
Sarandon stars as Adele, a fairly wild, out of control dreamer, who decides to leave Bay City, Wisconsin with her daughter Anne, a grounded realist, in order to try and get a teaching job in Beverly Hills.
If one was to summarize the script to this film in one word, it would be under developed. I mean, it's all there, a mother-daughter relationship with a role reversal, a love interest for both, a struggle between the two with a resolution, but this film just seems to happen and then end.
You'll find yourself wondering what any of the side characters are doing in this story apart from making up numbers. The big strength is the performances from Sarandon and Portman and the way they relate to each other. The two play off each other beautifully, with Sarandon giving a fearless performance as an irresponsible, out of control, immature mother that allows Portman to make the most of her role as a responsible, careful young woman growing up and maturing with considerable dignity. This film earned Portman her first Golden Globe nomination, and is an interesting watch for any of her fans. The highlight in the film of the two together is the scene where Portman has to comfort her mother after a painful break-up with the realization written all over her face that this is an absurd reversal of the natural order.
Most of the supporting cast are wasted, with Hart Bochner a particularly grievous waste. So big is Sarandon's performance and so arresting is Portman these characters would have dissolved into the background anyway, but it is frustrating that the script doesn't put the time into developing the side characters. While the film explores sex, death and small town boredom, we don't really know any of the characters these issues are effecting.
Anywhere but Here is worth watching for the excellent performances from the leads, and its easy going tone. Probably not one to go out of your way to track down, but certainly worth watching on cable.
Sarandon stars as Adele, a fairly wild, out of control dreamer, who decides to leave Bay City, Wisconsin with her daughter Anne, a grounded realist, in order to try and get a teaching job in Beverly Hills.
If one was to summarize the script to this film in one word, it would be under developed. I mean, it's all there, a mother-daughter relationship with a role reversal, a love interest for both, a struggle between the two with a resolution, but this film just seems to happen and then end.
You'll find yourself wondering what any of the side characters are doing in this story apart from making up numbers. The big strength is the performances from Sarandon and Portman and the way they relate to each other. The two play off each other beautifully, with Sarandon giving a fearless performance as an irresponsible, out of control, immature mother that allows Portman to make the most of her role as a responsible, careful young woman growing up and maturing with considerable dignity. This film earned Portman her first Golden Globe nomination, and is an interesting watch for any of her fans. The highlight in the film of the two together is the scene where Portman has to comfort her mother after a painful break-up with the realization written all over her face that this is an absurd reversal of the natural order.
Most of the supporting cast are wasted, with Hart Bochner a particularly grievous waste. So big is Sarandon's performance and so arresting is Portman these characters would have dissolved into the background anyway, but it is frustrating that the script doesn't put the time into developing the side characters. While the film explores sex, death and small town boredom, we don't really know any of the characters these issues are effecting.
Anywhere but Here is worth watching for the excellent performances from the leads, and its easy going tone. Probably not one to go out of your way to track down, but certainly worth watching on cable.
Wayne Wang's direction may be the ingredient which made this film much more impressive to me than "Slums of Beverly Hills", which covers remarkably similar ground. The interplay between Susan Sarandon and Natalie Portman is riveting. Real chemistry there. This film succeeded in bringing me inside the dysfunctional life of these two women without dragging me down into depressed frustration. Susan Sarandon's character hammers at all the nerves which a narcissistic parent is capable of touching in an insecure adolescent. She amazingly manages to do this without coming across as floridly insane or intentionally sadistic. And, Natalie Portman deflects each attack on her character's ego with the resigned grace of an intelligent codependent child, untainted by the smug cynicism of the Natasha Lyonne character in "Slums of Beverly Hills". Portman's character is an adolescent with dignity under stress, an unusual creature in modern films. The film reaches a very satisfying resolution without trying too hard. I highly recommend this film to the viewer who wants to be challenged and entertained.
Did you know
- TriviaSusan Sarandon informed the movie's producers that she would not be interested in the project if Natalie Portman was not cast as her daughter.
- GoofsIn the scene where Adele wakes up Ann to go see the sun rise, they are looking West out on the Pacific Ocean, but the sun would be rising in the East, not the West. To view anything in that direction, they would be watching the sun set.
- SoundtracksAnywhere But Here
Written by k.d. lang and Rick Nowels
Performed by k.d. lang
Produced by Rick Nowels and k.d. lang
k.d. lang appears Courtesy of Warner Bros. Records
- How long is Anywhere But Here?Powered by Alexa
Details
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $18,670,401
- Opening weekend US & Canada
- $5,607,137
- Nov 14, 1999
- Gross worldwide
- $23,631,929
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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