Les légendes de Brooklyn

The movie was on cable, I didn't choose it on purpose... but I stood there in the middle of the living room thinking "oh my god... what is this?" The harmonies were amazing... I don't like oldies as a rule--I love soul, r&b, hip hop, even heavy metal--but I had to see this movie again. Then, I had to have it. It's just one of those. I find myself dragging my kid's keyboard out of the back room, and sitting in front of the TV during Anthony's acoustic version of Vinnie's song, playing it over and over and over, thinking to myself "this is so simple and perfect, I can play this... I can sing this..." but there is something magical about the song, the performance... that just can't be captured in real life... it's not a pasteurized, homogenized, production version either... I can't explain it. You have to see it. *whew*

I totally agree with what the only other reviewer of this film has commented. Indeed, the lack of comments, though no fault of the film itself, is a comment on its own. Maybe the distributors of this film went somewhere awry while marketing it, because I thought it was a really decent film, with some good acting that would have certainly garnered more audience, not to mention, appreciation. Armand Assante seemed as much at home in his character as if he had always been a chart-topping singer(albeit a one-hit wonder) in his heydays. Credit also goes to the director Martin Davidson who, I can say, managed convincingly to create the whole set-up - Vince, his fellow-crooners and their issues, Vince and his daughter and her evident problem and Vince and his son Anthony and the conflict therein. I have long admired Davidson's 1989 film 'Heart of Dixie'. It had some marvelous performances by Ally Sheedy and Treat Williams and the 1960s American South was evoked in all its pathetic beauty.

The music of this film is certainly one of its attractions. Little snippets of songs, apparently sung by Vinnie and the Dreamers are played at the right moments to enhance the film's aura. Diane Venora's performance was aptly charged. And so was Edoardo Ballerini's. His scene with Assante in the hospital where the latter breaks down is the emotional tear-point of the film(both for the characters and the audience). The other high point is of course Anthony's solo of 'This I Swear'. If that was Ballerini's own voice up there, then boy, he should think of a probable career switch! The only other film I've seen Edoardo in is in the zany John Leguizamo-starrer 'The Pest' in which he convincingly put on a German accent(adding much to the humor of the film) to play Himmel, the "sissy" son of a crazed neo-Nazi! He's an actor of great potential - which I hope is fittingly explored through many other good roles. With its music, a cast that has rendered good performances and a feel-good ending, 'Looking For an Echo' is definitely worth a watch.

The 80s masterpiece, "Eddie & the Cruisers" by director Martin Davidson asked the age old question Neil Young sang and Kurt Cobain quoted in his suicide note: is it "better to burn out than to fade away"? Musicians, artists, inventors, athletes and achievers from all walks of life have wondered this after reaching a pinnacle of success. In "E&tC", Davidson approaches the subject from the "burn out" perspective, and here 20 years later he revisits it from the "fade away".

As such, this is not the explosive, energetic story of the rock n roll martyr Eddie, but instead it's the quiet, thoughtful, relatively uneventful story of the retiree Vinnie. While it features some stunning, passionate scenes that you won't forget, it's essentially just the story of an Everyman dealing with everyday life in the wake of long gone glory.

I have to admit after seeing this I felt slightly unfulfilled, thinking there should've been more of a big conflict, nerve-ripping climax and bam finish. But then I realized that's precisely NOT what Davidson wanted, nor would it have been appropriate. Vinnie is a somber man who chose to retire from his fantasy past in order to face the less-poetic challenges of life. The conflict within him is what this story is about. So the movie doesn't need any fancy theatrics, plot twists & melodrama.

With that in mind, be forewarned: for the entire first half, almost nothing happens. And I mean nothing. Like the main character's life, it didn't really have much direction, passion or intrigue. But like a growing toothache, the conflict builds inside him as he really begins to question his station in life, particularly through the vicarious thrill of his son's budding music career. The climax comes in growing spurts as the film progresses, culminating with a powerful, wonderfully acted scene at the end when we see Vinnie finally give voice to the demons that have been secretly plaguing him. Armand Assante pulls it off like no other actor could have.

I have the sudden urge to watch "Eddie & the Cruisers" and then watch "Looking for an Echo" again. If you enjoy quiet, pensive films about everyday human beings, I'm sure you'll want to see this at least once. And for pete's sake, if you haven't already seen it, go see E&tC right away! These are two unappreciated films that each capture the nostalgia of a bygone musical age, putting the past in context with our lives today.

This film missed its audience in theatrical release. It will be an entertaining rental and good watch on cable. A man's struggle to overcome his past brings him full circle. Great soundtrack by Kenny Vance and the Planotones.

I grew up in the Metro New York area during the do wop period in rock and roll so I know the music well. I've also been acquainted with some "one hit wonders" living in serene obscurity. I discovered I was living next door to the lead singer of a do wop group with a very big hit record for fifteen years only after another neighbor mentioned it to me in passing.

This small budget movie was written, directed and acted by people who know the territory. The cast is uniformly excellent with Armand Assante, Diane Venora, Edoardo Ballerini, Christy Carlson Romano and Joe Grifaci leading the way.

Shot on locations around Brooklyn's Sheepshead Bay and Bay Ridge in Diners, Taverns, Wedding Halls and under the Verrazano Bridge, the film captures the sense of the Italian Irish Brooklyn that predominated in the late 50's and early 60's and lives on today in small enclaves.

Kenny Vance from Jay and the Americans wrote the title song and did the vocals for "Vinnie". A small quibble about the music: the big hit from the fictional Vinnie and the Dreamers was "This I Swear", a bona fide hit for the real life "Skyliners". It might have worked better if they had picked a more obscure song from that era.

One notable attribute about the "one hit wonder" from the 50's and 60's that I personally know and the way he is accurately portrayed by Armand Assante is how easily they took their "15 minutes of fame" and moved on to mundane lives as cops, teachers, bartenders, etc. The groups of that era were financially ripped off and rarely got any significant money. This is a stark contrast to today's reality show contestants who get agents and linger on the fringes as long as they can.

Bottom line: this movie was made by people who cared.