The Count of Monte Cristo

There aren't enough superlatives to express my thoughts of this sixties' serialisation of Dumas' classic novel. It is one of my vivid memories of my teenage years having been one of BBC TV's superb Sunday teatime serials which were a staple television diet at that time - along with the "Dr Who" serials on a Saturday. With the superb Alan Badel as the ultimate 'Count', subsequent portrayals have been pale in comparison - even Gerard Depardieu in the recent French language adaptation. My only wish is that someone, somewhere, would seek out this production and give it a well-deserved rerun - all thirteen half-hour episodes, which omitted little from the novel. A truly superb and memorable production. 'They don't make 'em like this anymore' ;-((

I've trawled the internet looking for this, with no success. Elsewhere, it has been said that the BBC has all of the episodes in its archives. The problem of making these available to the public is, presumably, one of finance. In 2003, Greg Dykes, BBC Director General, said at the Edinburgh International TV Festival :

"For many years we have had an obligation to make our archive available to the public, it was even in the terms of the last charter. But what have we done about it?

Well,you all know the problem.

Up until now, this huge resource has remained locked up, inaccessible to the public because there hasn't been an effective mechanism for distribution.

But the digital revolution and broadband are changing all that. For the first time, there is an easy and affordable way of making this treasure trove of BBC content available to all.We intend to allow parts of our programmes, where we own the rights, to be available to anyone in the UK to download so long as they don't use them for commercial purposes.

Under a simple licensing system, we will allow users to adapt BBC content for their own use.

We are calling this the BBC Creative Archive.

When complete, the BBC will have taken a massive step forward in opening our content to all - be they young or old, rich or poor."

How far this has advanced, I don't know. Whether the Count of Monte Cristo would be high up the list of programmes to be digitised, who knows? We, here, all obviously agree on its merits!

November 2008 and nothing has changed; I wonder whether we will ever see this fantastic series ever again. I can still hear Alan Badel's voice in my head: this was what made it special for me. I had a small portable tape recorder at the time, 15 minutes per side, and I listened to the tapes over and over again. I still keep hoping.

March 2009 If Midnight_Voice is prepared to start a FaceBook campaign, I'm all for it!

It's without frills. It's black and white. It's on TV. Set mostly on a stage. You know the story by heart. You know what each character must say and do. And yet... I could not tear myself away. The extra time allows for so much more dialog, so much more verbal sparring. So much more innuendo. The acting is superb. I'm sure there are faults. But the series was so skillfully written and acted, that I could not focus on the faults, nor remember any, if there were.

I have been trying to get a copy of this wonderful series, after following it on the Beeb many years ago, but without success. I sympathize with the person who said that they had missed some of the episodes. This version was so true to the book and its complicated plot that it would have been difficult to follow unless one watched it in its entirety. Having seen serialized versions and movies, even the French one with Gerard Depardieu, I feel that none of them compare with this old BBC version. Many of them are not true to the original story, and certainly none of the actors have the charisma of Alan Badel. He had an amazing voice and a magnetism that was so perfectly suited to the role of Edmund Dantes.

This is a very affectionate adaptation of the novel, extremely faithful to the spirit and the detail of the book. It was a high-spot in TV adaptation of the Classics, beautiful to look at, and splendidly acted. Alan Badel's performance as Edmond Dantes was really memorable.