L'échoppe des horreurs

Another great rendition of Sweeney Todd. It's great to see stories that can be retold and remain interesting. This throws out the idea of Sweeney as a victim, or his looking for revenge. This is much more in keeping with the original tail. A man that murders for greed. The best part about this film is that is doesn't try to justify the actions or make us sympathise with Todd. He's a terrifying and grotesque creature. Cold, calculating and very deceptive. The investigation narrative is just as interesting as Todd's deeds. I'd still put it behind Winstone's Sweeney Todd, due to the sheer power of that production, but it stands above and shits upon Burton's misfire.

I wouldn't have watched this TV remake if it wasn't for Campbell Scott and Ben Kingsley. Knowing that they are both tremendous actors, I was not disappointed by this adaptation! The story is pertinent and clear from the beginning, without unnecessary details and without revealing too much from the very first scenes. The addition of dashing American inspector Ben Carlyle (Campbell Scott) adds a nice twist to the original tale, and satisfies the female romance-craving audience of this horror crime story. With Carlyle's presence and help, the story unravels more interestingly and naturally, whilst also maintaining a classic mystery-horror vibe. The blend of American, Irish, Scottish and English cast is a very fortunate one in this instance, and the American-British romance sub-plot brightens the tale a little bit. The 'justice prevails' positive ending clears the grey London clouds, and leaves the watchers satisfied for good Alice is in good hands.

This version of 'The Tale of Sweeney Todd' reminds me a bit of the retelling of 'Dorian Gray' (2009) with Colin Firth, because of the addition of a subtle love story and the 'good prevails' ending.

I started watching this one with no hopes that it'd be any good but, for my surprise, I enjoyed this classical story until the end. Acclaimed director John Schlesinger and Campbell Scott had worked together before in "The Innocent". Campbell Scott, by the way, defines his character in very positive way and he does look 'cool'. The costumes and art direction are excellent, especially since this is a TV movie (one of the best TV movies I've ever seen, because I don't usually watch them and, when I do, I usually hate it).

Plus there's beautiful young English actress, Selina Boyack, she is one of the best things about this movie. I'd say she might turn out to be famous some time soon.

And this movie is better than at least 70% or 80% of the movies we see around. If you get the chance, don't miss this one, I promise you that you'll like it.

Deranged wig-maker/barber/dentist/doctor (whew!) Sweeney Todd (Ben Kingsley) kills rich Londoners and keeps an abused, mute, pale orphan around as a slave. A hideous-looking, rotten-toothed Joanna Lumley (from the "Absolutely Fabulous" TV series) is his lover and partner in crime, who uses the dead bodies in her famous meat pies. A very bland Campbell Scott is the "American gentleman" trying to clear up a debt and instead stumbles onto the operation. It's all a grim, unpleasant, talky new version of the famous tale that could have used some more comedy, but just barely skims by on some good performances, gore and, especially, excellent costumes and sets that accurately capture rich 19th Century London atmosphere (although it was actually filmed in Dublin, Ireland). The original movie version (SWEENEY TODD, THE DEMON BARBER OF FLEET STREET, starring Tod Slaughter) of George Dibdin-Pitt's stage play came out in 1936 and was followed by the popular Stephen Sondheim musical and many inferior Z movie copies from the likes of Herschell Gordon Lewis and Andy Milligan. This one was backed by the Showtime cable network and there's nothing much to gain from watching it.

This TV-movie ranks as one of the two best versions of the classic tale of Sweeney Todd, the other one being - of course - the 1936 black-&-white movie starring Tod Slaughter.Ben Kingsley and Joanna Lumley are terrific - and their approach of the famous characters is in the true spirit of horror melodrama: a perilous "exercice de style" between horror and comedy. All the other actors are excellent, the sets are wonderful in their creepiness, a touch of gore is added to good measure, and Schlesinger's direction is faultless. This TV-movie could be shown in movie theaters, as a "legitimate" picture - in fact, it's well above most of the current movies...

Incidentally, this version is an Irish-British coproduction, certainly not "an American production" as wrongly mentioned in some posts.