Tom's Midnight Garden
- 1998
- Tous publics
- 1h 47m
IMDb RATING
6.5/10
973
YOUR RATING
A young boy journeys across the boundaries of reality to a secret, haunted place, half-a-century back in time, in this tale of enchantment, shadows and lost memories.A young boy journeys across the boundaries of reality to a secret, haunted place, half-a-century back in time, in this tale of enchantment, shadows and lost memories.A young boy journeys across the boundaries of reality to a secret, haunted place, half-a-century back in time, in this tale of enchantment, shadows and lost memories.
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I first came across this story when I was a 12 year old watching it on my primary school television. That was back in 1974 and it was a 3 part series. Fast forward to 2008. I managed to track down this version through a website called www.play.com. I sat down and watched it from beginning to end tonight and I was completely captivated by the whole movie. The scenery was breathtaking and the storyline was just as I remembered it. It was one of those movies that you simply did not want to end. I thought the acting was superb throughout but a special mention here for the superb actress that is Joan Plowright. Hers was a small part but she stood out like the fantastic actress she is. A previous reviewer said it was a film that the often criticised British Film Industry is so good at making. I couldn't have put it better myself.
I'd never heard of this movie before today, and had no intention of watching it. I stopped by my parents' house to feed their cat, and offhandedly flipped the TV on, about 10 minutes into the movie. Oh look, I thought, another dry British film. Wow, Greta Scacchi does a pretty good accent. Next thing I knew, I had my coat off, it was 2 hours later, and the film was over. It grabbed me just like that. Of course, I may be biased -- I have a thing for "time travel" stories of any kind, and this one was so subtle that I found it especially intriguing. Anybody who's ever felt a bit alone or abandoned at some point in their life should get a lift from this story. And there's a nice underlying message about the ability of true friendship to transcend both gender and age.
If you like well done stories such as the Secret Garden this will appeal to you. The cast of mostly unknown actors give excellent performances. This is the type of movie that Britain does well. The actresses playing Hatty are appealing and the settings and production values are outstanding. While primarily a children's film, this production will appeal to all ages. It was not released theatrically in the States but is on several Cable channels. Don't miss it.
"Blooming Heck" lisps hapless lead Anthony Way halfway through this flat, poorly acted, poorly directed mess of a film. That's my review in a nutshell if you want to stop reading now. Yep, this isn't going to be pretty, "Garden" fans. What's that? This film has no fans?
Things get off to a bad start the moment (former choirboy, you've been warned...) Way first comes loping and blinking into focus. Based on the book, I'd sort of envisioned the titular Tom as a likable, down to earth sort of boy that most kids could vaguely identify with. As opposed to an awkward, gurning,public school irritant with zero charisma and a terrible hair cut.
Titular indeed.
Because make no mistake, whatever qualities this film possesses (some nice photography and...er), this is car-crash cinema, utterly depth-charged by a central performance so staggeringly poor you'll be agreeing with Elvis (and 78% of all Americans, apparently) that shooting your TV screen with a high-calibre handgun is a a Good Thing. There are scenes in this film where poor Anthony can barely get his words out in the right order, let alone with any semblance of believability. Its as if the director (I use the term loosely)just thought "Sod it, I can't be bothered to re-shoot this idiot, he's not going to get any better..."
But the cross-fade addicted "director" doesn't help himself by fumbling key moments and allowing ham-fisted editing into his final cut. Witness the moment when young Tom comes in from the garden and, blank-faced as ever, drops out of view as the picture quickly fades to black. Has he died? Has he fainted? (probably - he certainly seems the type). What are we supposed to make of this moment? Does anyone making this tosh actually care?
The poor lad is so utterly at sea it must be catching because, whoops, his co-star (as Hattie) is also a total plank. So folks, here's a film centering on two kids and neither of them can act in any way shape or form that convinces. What else is there to rescue this repugnant, BAFTA-courting mess?
How about the music! Ahh the "score"...
You know that saying that the best incidental film music is the unobtrusive variety you don't notice? Well, it's not true, because it it was it would have meant no careers for John Williams, John Barry, Jerry Goldsmith and most of the other great composers. But it still rings true when you have to endure the by-numbers, twee, jingle-jangle hack job of a score that curses this movie's entire running time, without let-up. My poor old teeth are still recovering from the permanent edge this soul-destroyingly trite aural holocaust put them on. This is officially the worst film music of all time, no question, and I've sat through a number of Hans Zimmer/Michael Bay collaborations so I knows da territory folks.
My son is 9 years old and isn't a cynical culture assassin like his Dad; he enjoyed the book and wanted to see this film to see how it came over on screen. At the 10 minute point he turned to me un-prompted and used a colourful adjective (that rhymes with "ducking pit"; I blame the parents) to critique what he was seeing. On this occasion I'll let him off - after all, I've always impressed upon him the importance of telling the truth.
Still, the garden's got hedges shaped like squirrels.
2/10 (for the topiary)
Things get off to a bad start the moment (former choirboy, you've been warned...) Way first comes loping and blinking into focus. Based on the book, I'd sort of envisioned the titular Tom as a likable, down to earth sort of boy that most kids could vaguely identify with. As opposed to an awkward, gurning,public school irritant with zero charisma and a terrible hair cut.
Titular indeed.
Because make no mistake, whatever qualities this film possesses (some nice photography and...er), this is car-crash cinema, utterly depth-charged by a central performance so staggeringly poor you'll be agreeing with Elvis (and 78% of all Americans, apparently) that shooting your TV screen with a high-calibre handgun is a a Good Thing. There are scenes in this film where poor Anthony can barely get his words out in the right order, let alone with any semblance of believability. Its as if the director (I use the term loosely)just thought "Sod it, I can't be bothered to re-shoot this idiot, he's not going to get any better..."
But the cross-fade addicted "director" doesn't help himself by fumbling key moments and allowing ham-fisted editing into his final cut. Witness the moment when young Tom comes in from the garden and, blank-faced as ever, drops out of view as the picture quickly fades to black. Has he died? Has he fainted? (probably - he certainly seems the type). What are we supposed to make of this moment? Does anyone making this tosh actually care?
The poor lad is so utterly at sea it must be catching because, whoops, his co-star (as Hattie) is also a total plank. So folks, here's a film centering on two kids and neither of them can act in any way shape or form that convinces. What else is there to rescue this repugnant, BAFTA-courting mess?
How about the music! Ahh the "score"...
You know that saying that the best incidental film music is the unobtrusive variety you don't notice? Well, it's not true, because it it was it would have meant no careers for John Williams, John Barry, Jerry Goldsmith and most of the other great composers. But it still rings true when you have to endure the by-numbers, twee, jingle-jangle hack job of a score that curses this movie's entire running time, without let-up. My poor old teeth are still recovering from the permanent edge this soul-destroyingly trite aural holocaust put them on. This is officially the worst film music of all time, no question, and I've sat through a number of Hans Zimmer/Michael Bay collaborations so I knows da territory folks.
My son is 9 years old and isn't a cynical culture assassin like his Dad; he enjoyed the book and wanted to see this film to see how it came over on screen. At the 10 minute point he turned to me un-prompted and used a colourful adjective (that rhymes with "ducking pit"; I blame the parents) to critique what he was seeing. On this occasion I'll let him off - after all, I've always impressed upon him the importance of telling the truth.
Still, the garden's got hedges shaped like squirrels.
2/10 (for the topiary)
Being British & of an age; I'd previous seen the two BBC versions of the book (1974 & 1989). This film scores over those in it's production values and is a faithful retelling of the story (which works well on screen). However I found two things rather let it down the biggest being the age of the actor playing Tom. Tom is meant to be a young boy of 8 or 10 but here he is played by a 17 year old, and though he does it well, it really doesn't work in places; especially losing the effect of Hetty growing up and leaving him behind. The second thing, I didn't like was the music, which I found very intrusive and annoying in places. That said, it's a good film. I live near Chenies Manor & the garden look beautiful in this. I noticed the old BBC versions are on Youtube; so have a glance at them to compare. And have a good laugh at 1970's Tom's hair-style !
Did you know
- TriviaThe clock in Tom's office at the start of this movie is the clock from the house.
- Quotes
[talking about Hatty]
James: Why do you hate her so much?
Aunt Melbourne: I hate her because it's so easy for the rest of you to love her.
- ConnectionsVersion of Tom's Midnight Garden (1974)
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Mysteriet vid midnatt
- Filming locations
- Chenies Manor House, Chenies, Buckinghamshire, England, UK(where Aunt Gwen and Uncle Alan live)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 47m(107 min)
- Color
- Aspect ratio
- 2.35 : 1
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