Le retour de l'idiot

This was a nice film to watch, in the way that looking out of the window of a bus can be lulling. The plot was saccharine, far-fetched and flimsy. It was too bad that Gedeon relied on the title of Dostoevsky's book "The Idiot" to generate interest for the story, since it was completely unrelated to the Russian novel. Calling it "Return Of The Idiot" implies that Gedeon's story had some precedence. Here he presents a sad crew of (fairly attractive, at least) inbred characters that revolve around a typical sad-sack anti-hero who, I think, the world could have done without. Thinking of the film, I almost want to rate it at less than seven out of ten, but I enjoyed myself on a cold November night, thinking of the Czech Republic, mildly delighted by the cool, hard blue-grey tones of the images and the film's low-key progression.

Pavel Liska showed us in this movie that to show emotions it is not necessary to throw them onto your face. Subtle acting accompanied with talented directing results in a funny and sensitive movie about a man, Frantisek, who has just got out of mental institution. In the end I felt like the director had succeeded in making some points quite well. Movie makes you wonder what really is normal and what is not. Frantisek may not be a social genius, but he is certainly a character whose adventures is interesting to follow.

The main character, the so-called Idiot goes back into life and his family, after being isolated and (mis)treated in an asylum.There too good or too naive he finds himself in the middle of people too busy with their lives,loves and sex affairs, but his fresh and unique approach about things is going to change them and make them decisions, that they wouldn't do otherwise.Nothing really special is happening in this movie, the story is thin, but the Czech atmosphere, the good looking and efficient actors and nice personality of the main guy make it really attaching with that little twist to show it differently,...... like watching life going by through an icy window.I bought that DVD in Prague without knowing anything and was pleasantly surprised, it reminds me of a certain European cinema, with some more experience the director could be doing some really interesting things. The music, repetitive but brings an atmosphere to the movie.

As with Jules et Jim, the film centres around a love triangle, but with the added bonus of fantastic humour (both visual and situational) - and it is impossible not to empathise with Frantisek (the "Idiot"). Well worth watching. Incidentally the actor playing the younger daughter and Frantisek are now together in real life (ahh. :-)

I have to admit that I was rather skeptical, going to see Navrat Idiota (The idiot's return). Dostoyevsky's Idiot is one of my favorite books and I half-expected to see yet another masterpiece butchered on the screen. I was surprised to find out that it was not so in the case of this film. Sasa Gedeon's story stays close enough to the book to provide you with a sense of familiarity to the story, and yet strays from the book in many ways, essentially creating a film independent from the book. The resulting movie is sure to please the viewer with its subtlety and its atmosphere.

Throughout the movie, we follow the main character, Frantisek. After many years of psychiatric treatment of some kind, he is released from the hospital because according to his doctor `He has no reason to hide from life anymore'. He travels across Czech Republic to a small town where some distant relatives of his live. Arriving there, the day before New Year's eve, he finds himself in the middle of a weird love square between two brothers and two sisters. When things get awry and secrets that would hurt everyone threaten to come to the surface, Frantisek tries to protect them all, and unknowingly, changes everyone's lives. The climax of the movie during the last minutes of the year is one of the bests I've seen

The actors while unknown to the rest of the world, are essentially the creme de la creme of the new generation of Czech actors, most of them recruited from local theaters. Watching the film it is easy to see that they do not come from TV or cinema circles. There's some great acting in that movie! Pavel Liska is wonderful as the idiot and the rest of the crew is just as good. Special attention must be focused in the chemistry between Frantisek and the younger sister Olga, played beautifully by Tatiana Vilhelmova. The dialogues are refreshing in their simplicity. No wise-ass jokes, no cliche phrases. I think that Sasa Gedeon has done a great job there too. The lines are delivered free of any pretension. It's the everyday talk between friends and lovers. In our days of FX and ultra-high budgets where plot and dialogue play a minor role in the making of films, it was really pleasing to see a film that it's all about plot and dialogue. There are no special effects in this movie, no action scenes, no sex, no comedy that will kill you with laughter. There is definitely lots of humor, but the kind of humor you really need to get before you start laughing. The main character does a lot of things that may appear comical, but the viewer does not know if he has to laugh or cry.

All in all it's a great film and at the end of it, you will leave the cinema with a big smile on your face. I've seen it already three times and still cannot get enough of it. Go rent it if you can find it, or even better go see it in a cinema somewhere. It would make a perfect first date movie.....