Simplement irrésistible

I was surprised how much I enjoyed "Simply Irresistible."

I went because I like the leads from TV shows and I like magic realism .

I didn't mind that it rips off "Like Water for Chocolate" but I did mind how cheaply it was done with really lousy cinematography and poor lighting.

The cute script had the teens in the audience laughing out loud so it's too bad there was no directorial imagination. Bring on the fantasy scenes, please.

It also badly needed a choreographer, but it had nice music here and there.

Not the best romantic movie of the year.

(Originally written 2/13/1999)

This is a very sweet little movie. The "magic" business in it is there to give it a little edge, and I think that they wisely don't explain it, but the movie works best when they underplay it. It's at its best around the "shopping for plates" sequence when the characters discuss how often men think about sex. It's handled with a light touch that is just right. That is the tone that I would have liked to see the movie maintain, and which they hit now and again during the course of it, but also missed from time to time.

It's not a sure thing (it's no "Moonstruck", for example), but if you like romantic comedy it's worth a look. I'd give it a 7/10 (slightly less than 3 stars, but close).

This movie turned out to be better than I expected it would be. It comprises two plot ideas borrowed from other stories: one is from an old Twilight Zone episode where a man named Fate steps in to assist a downtrodden man; the second is Like Water from Chocolate, where the very emotions of the cook preparing the food are ingrained as a "secret ingredient" of a heavenly tasting delicacy.

Sarah Michelle Gellar is a mediocre cook, and the restaurant she inherited from her mother is suffering the consequences. One day a mysterious man sells her some crabs, one of which has some amazing properties. The crab causes her to meet an eligible bachelor, but that's only the beginning. Suddenly her cooking is top quality, the restaurant flourishes, and her magical pastries are in demand.

There are some clever bits, but some events are predictable for this kind of story. The guy Gellar likes is already seeing some girl and she's a jerk, while he's a Don Juan guy who needs to grow up. Some other characters start off paper thin, but most of them do grow as the story moves on. It seemed kind of weird how everybody accepted the magical element of the food without any reservation, but overall the the fantasy elements of this movie are served up pretty well.

There are minor flaws in execution, but this is overall a good romantic story, great for a date flick.

I'm sorry but I love this movie! I know it's gotten terrible reviews but it's this was not made to be an Oscar winning film. It's a quirky little romantic comedy with touches of magic and wonder. The acting is great and with the amazing Patricia Clarkson you will find yourself giggling the whole movie. Let's face it.. this is not a box office hit. But if you want a beautiful feel good movie to calm you on a Saturday afternoon while you drink your cup of tea.. look no further. It will be put into your "guilty pleasures" bank as soon as you finish it.

This is a charming film, very well acted and with great production values. But, like the screwball comedies of the thirties, and the musicals of Fred Astaire, it isn't for everyone. Of course, a romantic comedy which is based on the magical ability of a crab to inspire Gellar to feats of culinary greatness is a premise which might be hard for some to swallow. But I think its worth the effort, and it's no dafter than many successful comedy of earlier days. For those who follow such things there are three great references to the films of Fred Astaire. First is when Flannery is choosing the floor design for his new restaurant. The wavy black and white design is straight out of Yolanda and the Thief (1946 MGM) where, in a number called Coffee Time, Fred Astaire and Lucille Bremer dance on a huge floor of exactly this design. As if to hammer it home Flannery's boss reacts by saying " it looks like something out of an MGM musical". Reference number two is to The Belle of New York (1952 MGM) where Fred Astaire and Vera-Ellen kiss and float up to the ceiling. This is directly quoted in a kitchen scene where, under the influence of the crab, Gellar and Flannery kiss and float to the ceiling. These references are interesting because both films have fantasy/magical themes and both are somewhat looked down on in Astaire's oeuvre. The third reference is to Shall We Dance (1937 RKO)where in the Gershwin number of the same name Fred Astaire is confronted with a long line of Ginger Rodgers masked look-alikes. In Simply Irresistable Gellar appears reflected in a long line of mirrors with Flannery temporarily confused as to where she is, with both of them standing in a set that seems right out of Van Nest Polglase's Art Deco creations for RKO. Here the reference seems to be to the magician's art of illusion. Anyhow, after all that, you should have a feel for whether this film is for you.