IMDb RATING
5.2/10
15K
YOUR RATING
A magical crab works wonders for a terrible chef's culinary skills, leading her towards the man of her dreams.A magical crab works wonders for a terrible chef's culinary skills, leading her towards the man of her dreams.A magical crab works wonders for a terrible chef's culinary skills, leading her towards the man of her dreams.
- Director
- Writer
- Stars
Lawrence Gilliard Jr.
- Nolan Traynor
- (as Larry Gilliard Jr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
While a thousand monkeys on a thousand typewriters might never write a play like Shakespeare, any ten of them could have cranked out the lines for this one. It is at best a romantic comedy for the Barbie and Ken doll set, with a script so trite and corny as to be unintentionally amusing. Gellar is suitably appealing in her role as Amanda, a likeable and intelligent young woman, but it is "she" who becomes bewitched by a character with no more depth than a paper cutout, having to his credit only lots of money and conventional good looks. Then the plot revolves around her obsession with catching him, when it is painfully obvious that he isn't worth running after.
The title implies that it is "she" who is irresistible, except that she is always chasing after him. In other words, if she is so irresistible, why would she need "magic" to catch such a dolt? Her character is a hundred times more interesting than his, bothering to be concerned about others and such, while he is too in love with "himself" to care about anyone else. The deepest thought he can contemplate is the perfect paper plane! If there is a prince to this farce of a fairy tale, it might come closer to her buddy the cook, who is at least a fairly good friend. But this is a shallow and embarrassing story, tediously boring, with no better message but that money and glamour are more worth having than imagination and character.
The title implies that it is "she" who is irresistible, except that she is always chasing after him. In other words, if she is so irresistible, why would she need "magic" to catch such a dolt? Her character is a hundred times more interesting than his, bothering to be concerned about others and such, while he is too in love with "himself" to care about anyone else. The deepest thought he can contemplate is the perfect paper plane! If there is a prince to this farce of a fairy tale, it might come closer to her buddy the cook, who is at least a fairly good friend. But this is a shallow and embarrassing story, tediously boring, with no better message but that money and glamour are more worth having than imagination and character.
Is this movie a masterpiece? No. But it is charming for what it is, and it's a regular rewatch for me. I'm a sucker for magical realism, movies about food, and 90s nostalgia, so this checks a lot of boxes for me. The supporting characters alone are worth watching for, especially Patricia Clarkson!
It's a light, feel-good 90s rom com with magical food. Don't expect anything too deep, and try to ignore Sean Patrick Flanery's utterly mediocre and boring character (who hates the idea of food that is both delicious AND magical? Come on). He is really the only thing I hate about this movie and he doesn't deserve SMG's character at all, but I honestly love it otherwise. Imo it's worth watching!
It's a light, feel-good 90s rom com with magical food. Don't expect anything too deep, and try to ignore Sean Patrick Flanery's utterly mediocre and boring character (who hates the idea of food that is both delicious AND magical? Come on). He is really the only thing I hate about this movie and he doesn't deserve SMG's character at all, but I honestly love it otherwise. Imo it's worth watching!
This is a charming film, very well acted and with great production values. But, like the screwball comedies of the thirties, and the musicals of Fred Astaire, it isn't for everyone. Of course, a romantic comedy which is based on the magical ability of a crab to inspire Gellar to feats of culinary greatness is a premise which might be hard for some to swallow. But I think its worth the effort, and it's no dafter than many successful comedy of earlier days. For those who follow such things there are three great references to the films of Fred Astaire. First is when Flannery is choosing the floor design for his new restaurant. The wavy black and white design is straight out of Yolanda and the Thief (1946 MGM) where, in a number called Coffee Time, Fred Astaire and Lucille Bremer dance on a huge floor of exactly this design. As if to hammer it home Flannery's boss reacts by saying " it looks like something out of an MGM musical". Reference number two is to The Belle of New York (1952 MGM) where Fred Astaire and Vera-Ellen kiss and float up to the ceiling. This is directly quoted in a kitchen scene where, under the influence of the crab, Gellar and Flannery kiss and float to the ceiling. These references are interesting because both films have fantasy/magical themes and both are somewhat looked down on in Astaire's oeuvre. The third reference is to Shall We Dance (1937 RKO)where in the Gershwin number of the same name Fred Astaire is confronted with a long line of Ginger Rodgers masked look-alikes. In Simply Irresistable Gellar appears reflected in a long line of mirrors with Flannery temporarily confused as to where she is, with both of them standing in a set that seems right out of Van Nest Polglase's Art Deco creations for RKO. Here the reference seems to be to the magician's art of illusion. Anyhow, after all that, you should have a feel for whether this film is for you.
I am appalled that some if you nit pickers are so jaded that you cannot see the charm in this amusing tale. Sure this is not a huge epic, but since when does each movie have to be a spectacular? It was a nice story, tastefully (pun intended) done. Hollywood needs more nice, clean movies like this, devoid of sex and blood. So it didn't break box office records; who cares, it still made money. That makes it a successful film. So lighten up, ye cynics.
One thing that I liked about the film, which several other commetators criticized, is that they DID NOT explain the magic. The characters were aware of it's presence but unable to explain it either. This thing just happened to her and she took advantage of it, not knowing how permanent the gift was and afraid of losing it.
One thing nobody seems to have mentioned is that Gellar's concoctions imparted the EMOTIONS she was feeling when she cooked them. Hence, when she is tearful, the diners are tearful. (Something that the pizza and beer crowd miss is that world-class cuisine can indeed be an emotional experience.)
I would have liked to see a bit more closure. What happens next? Does the gift continue? What role does the crab play? Who was that masked man..err, the guy at the beginning. He could have had some bit at the end that tidied up these loose story elements.
Above all, I want to say that this movie made me incredibly HUNGRY!
One thing that I liked about the film, which several other commetators criticized, is that they DID NOT explain the magic. The characters were aware of it's presence but unable to explain it either. This thing just happened to her and she took advantage of it, not knowing how permanent the gift was and afraid of losing it.
One thing nobody seems to have mentioned is that Gellar's concoctions imparted the EMOTIONS she was feeling when she cooked them. Hence, when she is tearful, the diners are tearful. (Something that the pizza and beer crowd miss is that world-class cuisine can indeed be an emotional experience.)
I would have liked to see a bit more closure. What happens next? Does the gift continue? What role does the crab play? Who was that masked man..err, the guy at the beginning. He could have had some bit at the end that tidied up these loose story elements.
Above all, I want to say that this movie made me incredibly HUNGRY!
This is Sarah Michelle Gellar's best movie! Unpretentious, genuine young lady battling the reality of small business and about to see her whole world go down the kitchen drain when she is saved by wonder.
And that is what this story is about wonder.. and food.
For me the details are everything. The plot is simple and that is probably what disturbs a number of the reviewers.. but they admit it themselves.. and they can't put their finger on it. Here we finally have a story where everything suddenly goes right. And wouldn't you like that to happen to you at least once! The movie has name players but not A-listers. The story features a great deal to do with savouring the taste of food, and who would go to see a movie based on food? Yet.. there are few pictures I enjoy more than this one. I am not a SMG fan, but in this motion picture Sarah is absolutely perfectly cast. It is her 13 Going On 30 role!
And that is what this story is about wonder.. and food.
For me the details are everything. The plot is simple and that is probably what disturbs a number of the reviewers.. but they admit it themselves.. and they can't put their finger on it. Here we finally have a story where everything suddenly goes right. And wouldn't you like that to happen to you at least once! The movie has name players but not A-listers. The story features a great deal to do with savouring the taste of food, and who would go to see a movie based on food? Yet.. there are few pictures I enjoy more than this one. I am not a SMG fan, but in this motion picture Sarah is absolutely perfectly cast. It is her 13 Going On 30 role!
Did you know
- TriviaSeveral scenes in the movie were shot inside New York's Henri Bendel department store. So as not to disrupt normal business, motion picture equipment was brought in at closing time and filming would go on all night. When customers arrived at the store each morning, all traces of the production had vanished.
- GoofsA string can be seen attached to the crab as it scuttles through the market in the opening scene.
- Quotes
Tom Bartlett: If the broom fits, ride it!
- Crazy creditsFor Judy
- SoundtracksLittle King
Performed by The Hollowbodies
Written by Phillip Roebuck
Courtesy of Polydor Records
By arrangement with Universal Film and TV Music
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Simplemente irresistible
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $4,398,989
- Opening weekend US & Canada
- $2,232,686
- Feb 7, 1999
- Gross worldwide
- $4,398,989
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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