Le Meilleur des mondes

Brave new world is one of the most inspiring and prescient novels of the 20th century (it was first published in 1932). In the future it portrays, humanity has achieved its final goal: happiness, understood as the ability of each person to satisfy his/her impulses almost immediately. Achieving this goal means leaving science, religion, and most of our culture in the way. In this perfect world people have all the sex and TV they want, hyperconsumption is a social virtue, and books are denigrated because they promote individualism. Sounds familiar?

The novel is dark and pessimistic and the characters' personality is flat because they are supposed to be that way. The only exception in the novel, the savage, is well portrayed in the movie but the rest of the characters appear too normal (too present-day) in the movie. This is especially true in the case of Lenina, the central female character who is supposed to be typical of her time (no brains, just fun, thank you) in the novel while in the movie has a more complex personality. This change ends up altering the plot and was probably caused by that big stupidity of our times, political correctness.

This adaptation of the novel for TV mass consumption also includes several other changes such as an assassination plot (unthinkable in the original) and the inclusion of a happy ending, which completely distort the message. Maybe, the novel was right: all that matters is having a lot of sex and violence on TV but we should avoid "intellectual" narratives that make people think and, therefore, "unhappy".

1/10.

In the near future society is managed so that everyone is happy - only a few live on the edges of society as trash. In society, babies are no longer born, they are designed into social categories to decide their future roles. Everyone is happy. However one of the conditioning team, Bernard, can't help but feel if there were any ways of making it better. When a chance helicopter accident brings him into contact with one of the `savages', John Cooper, he brings him back as an experiment. Initially John is taken by the society but gradually he begins to see that the world is not as he wants it.

For a major film to attempt to bring a major novel to the screen is a brave move, but for a cheap TVM to have a stab at it is even more of a risk. This version is kind of interesting in an obvious way, but really is not even worthy of sharing the name of the book (and indeed doesn't really stick to it either). The plot is roughly the same but the film is keen to point out how this future is so very like the current world that many of us in the West now live in. Big deal. This is very obvious and is far too simple a point to make in an attempt to translate Huxley. It is of vague interest on this level and there were certain parallels that made me think - problem was, I didn't leave the film thinking - I ignore the action onscreen and just starting pondering! Films should make you think - but surely not to the point where your thoughts are actually better than what's on the screen!

So yes it says lots of stuff about social classes (which we have - workers and middlemen and top men), consumerism, slogans, media saturation and loss of individualism. But it just doesn't deliver all these in a good package; which it really needed to do in order to get by. As it is, it doesn't manage to really engage and I found myself not really caring.

The cast are pretty low rent to a man - when Nimoy is a surprise big cameo, you know you're in the sh*t! Gallagher is pretty bland and didn't really do anything for me in the lead and support from Kihlstedt is not great either. The supposedly wild and free Cooper is played badly by Guinee; I just didn't care for him or his situation and never really got the feel of a man who is gradually realising that he is in hell. Ferrer was OK and it was nice to see him not playing a sinister creep of one sort or another (although only just!).

Overall this is a passable TVM that makes very obvious comments about our society by exaggerating them slightly in a future setting. This would be well and good but it is certainly never Brave New World. If you are looking for something to wash over you for 90 minutes then this would do, but given the choice again, I'd read the book instead.

The "Brave New World (TV Movie 1980)" from the BBC was a billion times better, you can find references to that adaptation in IMDb

Just watch the BBC version or read the book, there is nothing in this one to redeem itself, awful.

The 3 hours long BBC version and the book can be found in the website Huxley dot net at the very bottom, there are the links to the book and the movie Sadly the copy came from a bad VHS, but watchable. There is no better copy as far as I know. A bit cartooned in style, worth it anyway, so the book.

Bottom line, do yourself a favor, watch the BBC version or read the book

In spite of the many attempts to maintain perfection, that is one thing that cannot be achieved to its fullest extent in reality. Unfortunately, that is practically the one thing that is misunderstood in the Brave New World.

This TV movie reinterprets a classic novel of how the human soul is compromised to the never-ending quest for perfection. In the story, everybody is born in science labs, and their destiny is determined for them from Day One. They spend their whole lives being conditioned (and reconditioned), their thoughts and emotions suppressed with soma, and all else that virtually eliminates the human soul.

This is all what Aldous Huxley was thinking of human civilization all the way back in 1932, back when communism, socialism, and fascism were still major threats to world societies. While some of these thoughts may seem dated today, there are SOME aspects to modern society, even in a democratic gov't, that brings relevance to this story.

However, because the Brave New World is NOT perfect, there are a few who have their own ways of thinking. One is Bernard Marx, who's persistent in initiating his own forms of human conditioning. Another, Lenina, is one who experiences true happiness, after having spent her entire life deprived of true freedom. Then there's John, a Savage who lives on a Reservation seperated from the World State.

John is one who still has a firm grip on religion, art, literature, and history, all of which are banned in society, but still exists on the Reservation. Bernard and Lenina, both on a temporary holiday, takes John to visit the Brave New World, only for John to discover the horror that had become of the human race.

This was an interesting movie. It retained a lot of what was in the original novel. But there were a few major liberties taken to make the story more accessible to modern tastes. For one thing, the Savages are not Indians (thanks in part to an evil form of liberalism called "political correctness"), but are more like the modern version of Americana, which, 600 years from now, will be considered primitive. Also, the novel did not have a sub-plot about a Delta being reconditioned, and later brainwashed into trying to kill Bernard Marx. It's kinda funny, because that somewhat defies the society's purpose of "no crime, no violence, etc.". Some such things as the worship of Ford, and "orgy-porgy" were eliminated, which makes this movie less intense than the novel. The ending was changed a little, just to present the novel's message in a different light.

I get the impression that the production team wanted more from this movie, but had to work with what came to be the result. It's a wonder why this presentation is an obscure TV movie, rather than a theatrical. I think that some parts of Brave New World would be difficult to reinterpret into a theatrical, because the production team wouldn't be able to reinterpret the story without doing a considerable amount of retooling, as this shows us.

Overall, this was an okay movie. But having read the Brave New World novel not too long ago, I feel as if there are some aspects of our democratic society that I feel make this story more relevant than people realize.

The Brave New World novel is available at your local library.

What would Huxley think? His masterwork now fodder for the MTV culture of the world. It was interesting that the writer and director chose this particular style to shoot BNW from. Granted the cliche' of Hollywood and American culture in general may seem like a Huxleyian paradigm but really, here it seems a little pretentious, as if to make some vocal statement saying "America has finally caught up to the novel's vision." Oh brother! This almost cynical disregard for respecting the author's true vision of his own work is pretty sad, as every nuance of Huxley's story has its meaning and characters stomped upon with references to rave culture, soap opera scandal type revelations and media blitz culture. The video and vocal overlays that are supposed to drive us through the films locations....superfluous. THe concepts of life inside the Brave New World become so much pseudo intellectual rambilng, the characters merely philosophical mouthpieces. If I didn't know any better I would have thought this film was French in origin. One can almost sense a level of shame being heaped upon us, the viewers as if this is the world we want and the writer and director know what we WILL become in the future. How odd. This is the second movie I have seen based upon the novel, the first being the 1980 movie with Bud Cort and Marsha Strassman. Somehow they never seem to quite get it right, but this one missed the mark the furthest in my opinon. Definately skip this version.