Le Meilleur des mondes

The book by Aldous Huxley is a classic, not just for its intrigueing plot and characters, but its prediction of the future which seems eerily like our own. And this made for TV movie shows just how our minds have changed, as it completely ignores the moral issues in the novel and falls prey to itself.

For example, the frequent makeup commercials airing between breaks. Beauty is everything. Nobody looks old or gets ugly.

The previews on TV. Sex sells. Sex is good. Sex is harmless. Everybody does it.

The savages being portrayed as white rather than how they are in the book. Don't offend anyone. Avoid racism.

The flashiness. Leonard Nimoy. Ooh-ahh. Everything is happy.

All the themes and slogans that cloud the minds of the common citizen to the point where it becomes human nature to them, seem to have clouded the minds of the people who made this movie. They fall to their own society's entrappings, not seeing themselves for who they are, but falling to spur of the moment emotions, be it passion or extravagance or just trying to make an extra dollar on a TV movie (games must have an economical purpose, afterall). Anyway, read the book. You'll see how you live in a whole new light.

Why do they do it? Why do they pick a novel like this which obviously has a following (seeing how it's still around after 75 years), and screw around with the story line? Are the writers thinking "Yeah, that Aldous guy is OK, but I'm much better." Or are they thinking that we simply wouldn't understand the story in it's original form? This trash is going to offend anyone that can actually finish a book without pictures in it. Watching what they did to this classic is similar to watching "Romeo and Juliette" rewritten to have a happy ending. I can't think of any demographic that's going to be pleased with the result. I would seriously like to attend the brainstorming session where they worked out the screenplay just to hear the rational behind rewriting a classic.

The "Brave New World (TV Movie 1980)" from the BBC was a billion times better, you can find references to that adaptation in IMDb

Just watch the BBC version or read the book, there is nothing in this one to redeem itself, awful.

The 3 hours long BBC version and the book can be found in the website Huxley dot net at the very bottom, there are the links to the book and the movie Sadly the copy came from a bad VHS, but watchable. There is no better copy as far as I know. A bit cartooned in style, worth it anyway, so the book.

Bottom line, do yourself a favor, watch the BBC version or read the book

In the near future society is managed so that everyone is happy - only a few live on the edges of society as trash. In society, babies are no longer born, they are designed into social categories to decide their future roles. Everyone is happy. However one of the conditioning team, Bernard, can't help but feel if there were any ways of making it better. When a chance helicopter accident brings him into contact with one of the `savages', John Cooper, he brings him back as an experiment. Initially John is taken by the society but gradually he begins to see that the world is not as he wants it.

For a major film to attempt to bring a major novel to the screen is a brave move, but for a cheap TVM to have a stab at it is even more of a risk. This version is kind of interesting in an obvious way, but really is not even worthy of sharing the name of the book (and indeed doesn't really stick to it either). The plot is roughly the same but the film is keen to point out how this future is so very like the current world that many of us in the West now live in. Big deal. This is very obvious and is far too simple a point to make in an attempt to translate Huxley. It is of vague interest on this level and there were certain parallels that made me think - problem was, I didn't leave the film thinking - I ignore the action onscreen and just starting pondering! Films should make you think - but surely not to the point where your thoughts are actually better than what's on the screen!

So yes it says lots of stuff about social classes (which we have - workers and middlemen and top men), consumerism, slogans, media saturation and loss of individualism. But it just doesn't deliver all these in a good package; which it really needed to do in order to get by. As it is, it doesn't manage to really engage and I found myself not really caring.

The cast are pretty low rent to a man - when Nimoy is a surprise big cameo, you know you're in the sh*t! Gallagher is pretty bland and didn't really do anything for me in the lead and support from Kihlstedt is not great either. The supposedly wild and free Cooper is played badly by Guinee; I just didn't care for him or his situation and never really got the feel of a man who is gradually realising that he is in hell. Ferrer was OK and it was nice to see him not playing a sinister creep of one sort or another (although only just!).

Overall this is a passable TVM that makes very obvious comments about our society by exaggerating them slightly in a future setting. This would be well and good but it is certainly never Brave New World. If you are looking for something to wash over you for 90 minutes then this would do, but given the choice again, I'd read the book instead.

This Hollywood makeover stylistically embodies many of the points made in the text; the victory of shallowness over sincerity, style over substance, sloganism over communication -- the movie is less than the book in so many of the ways that mankind is made less in the Brave New World. Coincidence? But who DOES read Shakespeare? Or for that matter, Huxley? If the movie were made true to it's original form, the intelligentsia would cheer and marvel just as they admired the original masterpiece, but what of those who need these insights the most? This movie reaches out to the brainwashed: the production / consumption units among us born and bred in the artifice of western civilization. Who needs these concepts more? Those who have already ascertained the game, muttering amongst themselves in coffee houses? Or those to whom the idea that this so-called reality is somehow "less" than the uncivilized world is a new idea and difficult to swallow . . . even in small bites? The American public is deeply asleep in a shared symbolic consciousness that obliterates the real. This movie eases the uninitiated into awareness through a television medium with which they are familiar and can relate. The characters, their motivations and dynamics have an air of familiarity in the TV world. It has the familiar hooks and subplots that would be expected in a quest for ratings, but is that all bad when it floats out at least some of the book's main ideas in a palatable form, diluting yet expanding Huxley's reach? The movie DOES make many valid and thoughtful statements that just don't get a lot of airplay in this society and deserves credit for making some bold statements - especially right before commercials.

I think the purists are being too harsh. This version of Brave New World reaches the most important audience - the uninitiated - in a way that's entertaining and understandable. It's a good start, and I recommend it as such.