A mysterious girl becomes involved with a 17-year-old girl and changes her life forever.A mysterious girl becomes involved with a 17-year-old girl and changes her life forever.A mysterious girl becomes involved with a 17-year-old girl and changes her life forever.
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Carmen Nicole Tonarelli
- Girl at Cafe
- (as Carmen Houtrow)
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I am pleased to see such a well-made film come out of such limited resources. The boat where I lived was briefly featured in the scenes where the women jumped/were thrown into the water. Seeing my beloved Marin shot so carefully, so richly, was most satisfying.
The music was also quite touching and appropriate.
I liked the story, but one criticism is that the pacing was too languid. It could've had more ebb and flow in the timing, and perhaps a stronger story ellipse.
Otherwise, I'm happy to see the communal counter-culture accurately represented, by somebody who knows it from the inside. I look forward to seeing more work by Clea and Mellissa.
The music was also quite touching and appropriate.
I liked the story, but one criticism is that the pacing was too languid. It could've had more ebb and flow in the timing, and perhaps a stronger story ellipse.
Otherwise, I'm happy to see the communal counter-culture accurately represented, by somebody who knows it from the inside. I look forward to seeing more work by Clea and Mellissa.
Wildflowers is a film that examines the aftermath of 1960's counterculture and the hippie movement. The free love sentiment produced many children who were raised unconventionally, and in some cases outright abandoned by their flower power parents. Cally (Clea Duvall) is one such girl, a wild tomboy who lives with her sometimes employed father ( Tomas Arana), and spends her days cavorting around with adolescents in similar situations. It's rare that Duvall gets a starring role, and she's absolutely wonderful here, steering Cally along with longing, resentment and just a bit of touching 'lost girl' emotion. She's an actress who needs to be cast in more stuff to showcase her talent, and not just thrown into lesbian roles because she identifies as such (grrr!). She steals the show and proves what a magnetic presence she is. Cally never knew her mother, and hope arises with the arrival of mysterious Sabine (Daryl Hannah) a woman old enough to be her mother and seemingly connected to her somehow. Sabine is a free spirit with a turbulent mindset, a result of the fragmented lives that people led back in that time period, often leading to wayward souls with no sedimentary existence to slide into after the show finishes and they realize they aren't as young as they used to be. Cally's story plays out beautifully, a girl just coming into her own and realizing who she is, via experimentation and intuition. She meets a drug dealer named Jacob, played by Eric Roberts. He's the friendly drug dealer, a cinematic archetype often sought after by filmmakers. Roberts could play an evil dictator and still come off like Prince Charming, he's just that likable, and as such is perfect for the role, a kindly rapscallion with lessons and advice for Cally which don't quite play out as one might think. In the end, it's Duvall's show, one of the only lead roles she has that is even out there to hunt down, such is the rarity of many films in her career. It's filled with terrific scenery, a whimsical yet real world aura and performances of emotional truth. Worth tracking down for Clea's fans (I'm proudly a die hard) and a delight for the casual viewer.
From the opening moments, this film promises to be unlike any of the slick, commercial "product" being made today. The style of the film harkens back to the turbulent, adventurous, somewhat dangerous times of the 1960s and the movie itself reveals how the events of days gone by continue to reverberate through the lives of the following generation. The photography is breathtaking; the editing is masterful; the performances far more than memorable. This is possibly one of Daryll Hannah's finest character portrayals. The story is a very private one -- yet it reaches out to touch the experiences of many who were swept up by the events of a certain time. It has the startling ring of truth throughout. The beautiful ... the sublime ... the tragic ... the heart-breaking. For those whose lives have spanned this period, this is an unforgettably compelling film journey.
Below average drama that had good cinematography but was not up to par regarding script and screenplay.The story was promising though and the directing was almost good.The two lead actresses were average as well but still,this movie will satisfy big fans of the Marin county/San Francisco area culture and the subject matters regarding the Hippie culture from there and their New Age offspring.This movie should have been a TV or made for cable movie.Big fans of Darrly Hannah will likely tolerate this one as well.......
Well there goes another hour and a half down the drain with nothing to show for it. I like quiet films as much as anybody but this film was soooooo quiet that it would be a great alternative to taking a sleeping aid. I did like the photography in this film but that is all I did like about it.
Did you know
- TriviaThe book of poems from which Sabine reads was actually written by Robert Hass, who plays the part of the poet. Later, when Cally is in the bookstore, both that book and his earlier volume of poems are seen on the shelf.
- GoofsWhen Cally first visits Sabine, she is carrying Sabine's diary and a white box of chocolates. Cally put the chocolates on the poet's bedside table as she introduces herself to him. She also returns Sabine's diary to her, and does not get it back again. However, later on in the film we see Cally standing outside the poet's house, and she is once again carrying Sabine's diary and the box of chocolates.
- ConnectionsReferenced in À la recherche de Debra Winger (2002)
- How long is Wildflowers?Powered by Alexa
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- Gross US & Canada
- $5,365
- Opening weekend US & Canada
- $5,365
- Sep 3, 2000
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