A Face in the Fog

A Face in the Fog is a very derivative 1930's mystery movie. We have many of the staples of the genre – a mysterious black cloaked villain, a bubbly and inquisitive female journalist, a cowardly comedy character, a ridiculous murder method, etc etc. So it isn't exactly breaking the mould to say the least. However, it isn't too bad as these films go either. Unlike many mystery movies of the time, this one actually remembers to include some suspenseful moments. OK, it's hardly a white knuckle ride but it does have a reasonable villain and a good enough final confrontation; while the mystery is reasonably diverting enough. And last, and by no means least, it's very short so it never really outstays its welcome. These old Poverty Row films are for the most part extremely limited and lacking, and while this one doesn't entirely break away from that generalisation, it's one of the more entertaining ones.

"A stage company cast finds themselves terrified when a bizarre killer known as 'The Fiend' targets them for death. A pair of reporters and their clumsy photographer set out to work the story of 'The Fiend' and find themselves targets as well. Just as you think our trio of heroes has the case solved, you're thrown another twist that has you wondering who the killer really is," according to the DVD sleeve's synopsis.

Taking "The Hunchback of Notre Dame" to Hollywood, producer Sam Katzman's lack of studio settings probably helps "A Face in the Fog" look interesting, especially toward the end (1930s traffic). The direction could be improved upon; for example, the camera angle on the fight scene is not helpful. The budget appears slight. Under the circumstances, most of the silent/talkie crossover cast perform it amiably.

**** A Face in the Fog (2/1/36) Robert F. Hill ~ Lloyd Hughes, June Collyer, Al St. John

My copy of this film is very difficult to watch (lots of vertical wavy lines), so it was tough to stick with this film, but it was an interesting 1930s murder mystery. It was fun to see lots of old cars with running boards all over the street scenes. The acting was competent, & the plot involved a novel idea (of "frozen" bullets). You have to forget about the fact that the killer carried these "frozen" bullets around for hours in his pocket, but that's a mere insignificant detail in a "Poverty Row" film such as this one. I rate it 5/10.

A reporter claims to have seen the face of "the Fiend", a hunchbacked killer dressed in black that is terrorizing a city and a theater in particular by poisoning people by some unknown means. The Fiend naturally makes her his next target and she has to go on the run. Hooking up with a reporter she attempts to find out the killer and remain alive.

Fast moving and making almost no real sense whats so ever this movie is as artificial a mystery as you can get. Its best described as taking a 1930's mystery and stripping it of anything other than the mystery mechanism (Murderer is on the lose killing people) while throwing in cliché characters, comic relief and making any revelation either a red herring or more likely a twist out of the left field of a ball park two cities over just to keep things going.

In any real sense its a mess, however as a pure machine it works. As totally mindless mystery time killer it can entertain you. Its the type of thing where you can pretty much guess the killer the instant he appears, but you don't care and can't be sure because the film is making so many odd turns that nothing makes sense even though you're hoping it will.

I don't know if you should search it out, but if you run across it an want to see as nonsensical and stripped down mystery as you can get its worth a shot. (I just don't recommend this if you need things to make and real linear sort of sense)

A mysterious murderer known as The Fiend is targeting the people of a theatre. To draw the killer into the open, newspaper reporter Jean Monroe (June Collyer) writes an article claiming that she saw his face and can identify him; naturally that makes her a target. Sure enough, the killer strikes but isn't successful. Jean's love interest Frank Gordon (Lloyd Hughes) tries to protect her while playwright Peter Fortune (Lawrence Gray) assists the police in apprehending the villain.

This poverty row effort is so cheap that it doesn't even deliver on the fog promised in the title (or sound effects for a gun firing, for that matter).

Sloppily written and directed, with no notable performances (unless you count Al St. John as comic relief photographer Elmer, who is only notable for being so thoroughly irritating), the film lurches awkwardly from scene to scene. There's a modicum of fun to be had from the ridiculous idea of a gun (silently) firing frozen poison into the victims and leaving no marks, and the hunchbacked killer in black cloak and hat is suitably menacing, but the film is too slapdash and laboriously talky to be an effective thriller.

3.5/10, rounded up to 4 for the entertaining acrobatic dance rehearsal at the theatre.