A Face in the Fog

A mysterious murderer known as The Fiend is targeting the people of a theatre. To draw the killer into the open, newspaper reporter Jean Monroe (June Collyer) writes an article claiming that she saw his face and can identify him; naturally that makes her a target. Sure enough, the killer strikes but isn't successful. Jean's love interest Frank Gordon (Lloyd Hughes) tries to protect her while playwright Peter Fortune (Lawrence Gray) assists the police in apprehending the villain.

This poverty row effort is so cheap that it doesn't even deliver on the fog promised in the title (or sound effects for a gun firing, for that matter).

Sloppily written and directed, with no notable performances (unless you count Al St. John as comic relief photographer Elmer, who is only notable for being so thoroughly irritating), the film lurches awkwardly from scene to scene. There's a modicum of fun to be had from the ridiculous idea of a gun (silently) firing frozen poison into the victims and leaving no marks, and the hunchbacked killer in black cloak and hat is suitably menacing, but the film is too slapdash and laboriously talky to be an effective thriller.

3.5/10, rounded up to 4 for the entertaining acrobatic dance rehearsal at the theatre.

Newspaperman Lloyd Hughes and newspaperwoman June Collyer want to get married, but first they need to track down the Fiend, a hunchback who's been attacking a theatrical company putting on a play by author Lawrence Gray. The fiend poisons people, but takes a break to shoot at Miss Collyer. He keeps hitting other people, who die of poisoning. The two are helped -- if that's the word -- by cameraman/comic relief Al St. John, who seems not to have read the script, but walks around with a vague, wary expression and responds to everything with "So long as you've got your health."

It's a cheap and unengaging piece of tripe, with stars who have long since lost their luster the only draw, just the sort of thing you'd expect from producer Sam Katzman. Director Robert Hill does not require his actors to speak loudly enough to reach the back row of the balcony, for which I credit sound man J.S. Westmoreland.

My copy of this film is very difficult to watch (lots of vertical wavy lines), so it was tough to stick with this film, but it was an interesting 1930s murder mystery. It was fun to see lots of old cars with running boards all over the street scenes. The acting was competent, & the plot involved a novel idea (of "frozen" bullets). You have to forget about the fact that the killer carried these "frozen" bullets around for hours in his pocket, but that's a mere insignificant detail in a "Poverty Row" film such as this one. I rate it 5/10.

Bizarre little mystery with no budget, but the story is pretty good and there are several interesting actors here at the zenith of their careers. A murderer called "the fiend" is killing show people but no one knows how they are being killed except that they are being poisoned. No one ever comes near the victims. And then there's that hunchback.

June Collyer (her last film) plays a meddlesome reporter who claims she can recognize "the fiend" because she saw his face in the fog (in a mirror). She becomes his target. Fellow reporter (Lloyd Hughes) tries to protect her, along with a ditzy photographer (Al. St. John). After there is a murder in a theater, the playwright (Lawrence Gray) pitches in to help solve the case.

St. John had been in silent films in the teens with Keaton and Arbuckle. Hughes was also a silent film start (THE LOST WORLD), and Gray was a big star in silent films and early musicals with the likes of Gloria Swanson, Marion Davies, and the Duncan Sisters.

Worth a look.

"A stage company cast finds themselves terrified when a bizarre killer known as 'The Fiend' targets them for death. A pair of reporters and their clumsy photographer set out to work the story of 'The Fiend' and find themselves targets as well. Just as you think our trio of heroes has the case solved, you're thrown another twist that has you wondering who the killer really is," according to the DVD sleeve's synopsis.

Taking "The Hunchback of Notre Dame" to Hollywood, producer Sam Katzman's lack of studio settings probably helps "A Face in the Fog" look interesting, especially toward the end (1930s traffic). The direction could be improved upon; for example, the camera angle on the fight scene is not helpful. The budget appears slight. Under the circumstances, most of the silent/talkie crossover cast perform it amiably.

**** A Face in the Fog (2/1/36) Robert F. Hill ~ Lloyd Hughes, June Collyer, Al St. John