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American Psycho

  • 2000
  • 16
  • 1h 42m
IMDb RATING
7.6/10
793K
YOUR RATING
POPULARITY
369
26
Christian Bale in American Psycho (2000)
text os
Play trailer0:32
3 Videos
99+ Photos
Dark ComedyPsychological DramaPsychological HorrorSerial KillerSlasher HorrorWorkplace DramaCrimeDramaHorror

A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic f... Read allA wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.

  • Director
    • Mary Harron
  • Writers
    • Bret Easton Ellis
    • Mary Harron
    • Guinevere Turner
  • Stars
    • Christian Bale
    • Justin Theroux
    • Josh Lucas
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    793K
    YOUR RATING
    POPULARITY
    369
    26
    • Director
      • Mary Harron
    • Writers
      • Bret Easton Ellis
      • Mary Harron
      • Guinevere Turner
    • Stars
      • Christian Bale
      • Justin Theroux
      • Josh Lucas
    • 1.7KUser reviews
    • 240Critic reviews
    • 64Metascore
  • See production info at IMDbPro
    • Awards
      • 7 wins & 11 nominations total

    Videos3

    American Psycho
    Trailer 0:32
    American Psycho
    American Psycho: Killer Collector's Edition - Uncut Version
    Trailer 1:54
    American Psycho: Killer Collector's Edition - Uncut Version
    American Psycho: Killer Collector's Edition - Uncut Version
    Trailer 1:54
    American Psycho: Killer Collector's Edition - Uncut Version
    Which Roles Did Christian Bale Turn Down?
    Video 2:57
    Which Roles Did Christian Bale Turn Down?

    Photos375

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    Top cast52

    Edit
    Christian Bale
    Christian Bale
    • Patrick Bateman
    Justin Theroux
    Justin Theroux
    • Timothy Bryce
    Josh Lucas
    Josh Lucas
    • Craig McDermott
    Bill Sage
    Bill Sage
    • David Van Patten
    Chloë Sevigny
    Chloë Sevigny
    • Jean
    Reese Witherspoon
    Reese Witherspoon
    • Evelyn Williams
    Samantha Mathis
    Samantha Mathis
    • Courtney Rawlinson
    Matt Ross
    Matt Ross
    • Luis Carruthers
    Jared Leto
    Jared Leto
    • Paul Allen
    Willem Dafoe
    Willem Dafoe
    • Donald Kimball
    Cara Seymour
    Cara Seymour
    • Christie
    Guinevere Turner
    Guinevere Turner
    • Elizabeth
    Stephen Bogaert
    Stephen Bogaert
    • Harold Carnes
    Monika Meier
    • Daisy
    Reg E. Cathey
    Reg E. Cathey
    • Homeless Man
    Blair Williams
    Blair Williams
    • Waiter #1
    Marie Dame
    Marie Dame
    • Victoria
    Kelley Harron
    • Bargirl
    • Director
      • Mary Harron
    • Writers
      • Bret Easton Ellis
      • Mary Harron
      • Guinevere Turner
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews1.7K

    7.6792.8K
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    Summary

    Reviewers say 'American Psycho' is a provocative film exploring consumerism and identity. Christian Bale's chilling performance as Patrick Bateman is highly praised. The film's dark humor and social commentary effectively critique 1980s yuppie culture. Its unsettling atmosphere is enhanced by stylish visuals and a haunting score. The supporting cast, including Willem Dafoe and Reese Witherspoon, contributes effectively, though some feel underutilized. The ambiguous nature of Bateman's actions adds to the film's disturbing impact.
    AI-generated from the text of user reviews

    Featured reviews

    darth_sidious

    Interesting, always interesting!

    By the end, I didn't know what to make of it, but now I understand the film much better. This film is must viewing, it brings out the truth about today's world - Nothing but material values matter, we live empty lives, we think empty thoughts, we are empty people, life is boring.

    Christian Bale is awesome, quality acting! Willem Dafoe was underused, I didn't think the support cast had the same quality material as Bale.

    The photography is stylish, very 80s gloss!

    The direction is terrific, wonderful camera work.

    Overall, see it, it's satire, black comedy, social commentary and more!
    9grendel-37

    A film that teeters between Miracles and Mania

    Having just finished American Psycho, I came to IMDB to get some clarification on the ending. And it seems I'm not the only one left vaguely adrift by the ambiguous ending.

    I've browsed some of your comments, not all 400+ to be sure. But some of them. A good sampling I think, and this movie has three distinct cheering sections.

    Those who consider it a masterpiece, those who consider it unredeemable, boring trash, and by far the largest segment, those who see it as a flawed masterpiece.

    I fall into the latter category. And no, I did not read the book. But as others have stated any movie that requires you to read the book, to "get" the movie, is ultimately a failure as a movie.

    So my review is based solely on the merits of the film. And contrary to what some have said, the film does have many merits. I found it brilliantly directed, and a superbly acted examination of excess, and boredom, and evil. An examination, satire, critique of a time, and type of thinking.

    Even before seeing the ending, I thought how much bateman lives in people. Found myself thinking, an examination of bateman is an examination of men by the name of Reagan and Bush. How American Psycho is an examination of our times, and our modern theologies.

    I found the movie as a whole riveting, loved the restraint shown (and disagree with those calling for more gore, I think Mary should be applauded for her deft hand, the scenes have more power for what is not shown), and was captivated by nearly every scene, by scenes others have called boring, but I found profound.

    Bateman putting on his makeup, or simply trying to get a restaurant, and the near apocalyptic importance, such minutiae makes in the lives of empty men. The right card, or the right cloth, or the right table, or the right watch, how these are the signposts of an empty age and an empty soul, and how these things have more value than your fellow man... or woman.

    Bateman attains everything the materialistic times tells him he should want, but once he gets it he feels nothing. Emptier than before, less than before. It's only in the extremes of his addictions he begins to feel something, anything. He feeds to fill the emptiness, but the more he feeds the emptier he gets. He eats at his fellowman (woman) but in his bloodlust he eats at himself.

    He is the American dream, taken to its cannibalistic extremes.



    And never before has makeup, played such a mesmerizing part in a movie. Bateman's(Chris Bale's) face at times when he is under stress, takes on a plastic look, a glossy, sweaty sheen, and for all the world it looks like he's wearing a mask... and the mask, his mask of sanity, is beginning to run.

    Simply amazing use of makeup. And incredible performance by the lead actor. I wasn't familiar with him before this, but everyone will be after this.

    Upon first hearing about this movie, I had no desire to see it. I've grown up since the age of Hills Have Eyes and trash like The Beyond, watching people suffer no longer seems significant. I guess as we get older we ask more of our art than springer, or the WWF, or slasher flicks. We ask of our art to tell us something true. Something of ourselves, and our world.

    I think American Psycho under the deft hand of Mary Harron becomes more than my prejudices, and exceeds my expectations. Rises at times to dizzying heights not unlike art.

    Mary's restraint makes this movie. But I fear her restraint nearly sinks it as well. The ending is too ambiguous. Who is Bateman in the end. Is there a Bateman? And what did he do or did not do?

    In the end,the movie will nag at you. Did he or didn't he? And in the end, now that I write this I'm thinking maybe the answer doesn't really matter, maybe in the end the answer is the same. In the end a sin of thought, or a sin of action, is still a sin. In the end we are left with a man, and a nation... whose mask is slipping.

    I think like the first Psycho, time will prove this one.... worthy. I now add Mary Harron to the small selection of modern directors I will tiptoe through broken glass to see. Directors like Dave Fincher(Seven, Fight Club), Carl Franklin(Devil in a Blue Dress), Johnny To(Expect the Unexpected), Ringo Lam(Full Alert, Victim), M. Night Shyamalan(Sixth Sense, Unbreakable), and Peter Weir(Fearless).

    Recommended.
    9albertodr07

    Christian Bale the new Peter Cushing

    Now it all makes sense. Christian Bale was born to play horror characters. I couldn't understand why I was so , so, afraid of him even in films like "Velvet Goldmine" He is a poster boy for putrid souls in elegant wrapping. In "American Psycho" - a film that deserves much more attention than it's got - he is absolutely terrific. Totally believable. I could sense his delight in playing a monster of this kind. Interestingly enough this manicured monster seems to be asking for sympathy, imagine the nerve! But Christian Bale succeeds in showing us a face we (I) hadn't quite seen before and yet we (I) accept without question. He should have gotten an Oscar nomination but, fortunately, he didn't.
    8saveliydalmatov

    Great Bale and Good Movie

    "This is, so to speak, a base" :)

    But seriously, without all these jokes, then you and I have a very high-quality work directed by Mary Harron with the wonderful Christian Bale in the title role, which I consider one of the best in his career.

    The film is clearly not for the faint of heart, there are tough scenes in it, but it's no secret to anyone, even the title should already inspire) This film is not the easiest to perceive satire on our society.

    The image of the protagonist/antagonist of the film (Patrick Bateman) was taken by many as ideal. Naturally, not mentally, but externally. After all, Bale's character looks really exemplary for a man.

    The narration lasts slowly, but it is quite interesting. I think that movie lovers should definitely watch this work.
    7wlawson60

    Cruelty and Christian Bale

    A very funny horror flick. A worthy companion piece to its literary roots. A phenomenal, fearless performance by Christian Bale that, in a way, cleared up my questions about this versatile British actor. I could never quite warm up to him. Not even in "Little Women". Now, Bale as Patrick Bateman, revealed the reason. It is the cruelty around his mouth. His smiles are chilling and they work to perfection in this, his yuppie modern monster.His actions have the pristine shallowness of his business cards and the disgusting taste of his self awareness. You don't feel sorry for him, the way one did for Norman Bates. No, his character is unredeemable. His rough sex with two women while he rides one of them looking at himself in the mirror is one of the most disturbing film moments I've ever seen. I wonder if Bale will ever be able to play goodness, convincingly.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Looking for a way to create the character of Patrick Bateman, Christian Bale stumbled onto a Tom Cruise appearance on the Late Show with David Letterman (1993). According to co-writer and director Mary Harron, Bale saw in Cruise "this very intense friendliness with nothing behind the eyes," and Bale subsequently based the character of Bateman on that. Interestingly, Tom Cruise is actually featured in the novel. He lives in the same apartment complex as Bateman, who meets him in an elevator and gets the name of Cocktail (1988) wrong, calling it "Bartender."
    • Goofs
      (at around 1h 21 mins) During Patrick's killing spree towards the end of the movie, when he is running between the two nearly-identical buildings, a Canadian flag is intermittently visible flapping out from behind the building on the left, revealing that this scene was shot in the Toronto-Dominion Plaza, not in New York.
    • Quotes

      [Recurring line]

      Patrick Bateman: I have to return some videotapes.

    • Crazy credits
      The opening credits are accompanied by what appear to be drops of blood, but these become portions of sauce.
    • Alternate versions
      For the US theatrical release, director Mary Harron had to edit the following two scenes (which are available on the unrated edition) in order to receive an R-rating from the MPAA:
      • The word "asshole" in the line, "Christy, get down on your knees so Sabrina can see your asshole" was changed to just "ass".
      • The threesome during the same scene was trimmed several seconds.
      The uncut version played theatrically in Canada and Europe and was later released unrated on home media in the United States.
    • Connections
      Featured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
    • Soundtracks
      True Faith
      Written by Peter Hook, Stephen Hague, Gillian Gilbert, Bernard Sumner & Stephen Morris

      Performed by New Order

      Courtesy of Warner Music U.K. Ltd.

      By Arrangement with Warner Special Products, Universal Music Publishing and Warner/Chappell Music,

      Inc.

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    Details

    Edit
    • Release date
      • June 7, 2000 (France)
    • Country of origin
      • United States
    • Official sites
      • Filmymen
      • Official Facebook
    • Languages
      • English
      • Spanish
      • Cantonese
    • Also known as
      • Psychopathe américain
    • Filming locations
      • Phoenix Concert Theater - 410 Sherbourne Street, Toronto, Ontario, Canada
    • Production companies
      • Am Psycho Productions
      • Lionsgate
      • Muse Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $7,000,000 (estimated)
    • Gross US & Canada
      • $15,070,285
    • Opening weekend US & Canada
      • $4,961,015
      • Apr 16, 2000
    • Gross worldwide
      • $34,266,679
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 42m(102 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
      • Dolby Atmos
    • Aspect ratio
      • 2.35 : 1

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